Catalog (574)

Splendid Kuro Raku Chawan by one of the most important potters of all time, the 3rd Raku Donyu also known as Nonko. It was made around 1650 and was named 'chidori' which means 'a thousand birds' or 'plover'.

It is in great antique condition and has one of the best and finest Kintsugi gold repair landscapes I have ever seen. You can still find the tong mark on the bowl - please look at picture number 9 and 4.

Born the eldest son of Jôkei. He is also known as Nonkô, later...

One of a kind! Very rare and unique Seto Chawan from the Meiji Period (1868-1912) which combines a unique mosaic pattern glaze on the outside with an artistic Neriage/Nerikomi technique on the inside. There is a signature of the potter inside the foot.

Nerikomi (練り込み , lit. "kneading") is an artistic technique for creating Japanese pottery in multiple colors of clay. The technique is also called neriage (練上げ), although this term also refers to the throwing of multipl...

A large Japanese Ko-Tamba (Tanba) Vase/Tsubo decorated with a splashed and dripped deep-green glaze pooling towards the foot on a dark-brownish body.

It was made in the Momoyama Period 16th century or earlier. This impressive vase is a wonderful example of a so called Shiji-ko vase, which means 'vase with four ears'.

Great antique condition.

Tanbayaki has been produced in the village of Tachikui, Hyogo pref. for over 800 years. Although counted as one of the an...

Perfectly shaped Kuro Kyo-Yaki Chawan from the Showa Period by great artist Rikobei Kiyomizu the 6th, made 50 years ago. It comes with his originally signed and sealed wooden box.

Rokubei VI (1901-1980) the eldest son of Rokubei V, graduated from the Kyoto City School of Art and Craft and Kyoto Municipal College of Painting before apprenticing with his father from 1925. That same year, he entered his first competition. His career was to be marked by success in exhibitions includin...

We are glad to offer you a rare and stunning Kosobe-yaki Chawan with a beautiful hand painting of pines and cranes, under thick cream colored glaze on very thinly potted clay blended with shiseki for great effect. This is likely the work of the second or third generation Shinbei, both known for their Korai-Utsushi (Korean style) wares. Finding such a delicate Chawan in such good condition from the Edo period is exceedingly rare. It comes with a shiho-san wooden box.

On the bottom is...

This is a wonderful aesthetic Japanese high-class porcelain tea bowl of Kyo ware, which was made by the 1st class potter and artist, the 4th Shohei Sugita (1942-) about 40 years ago.

Highlight is the hand-painted plum tree decoration.

The seal of his kiln (Seikanji kiln) is stamped on the bottom. The original wooden storage box with the signature of the potter is also included.​

Sugita Shohei was born 1942 as the 4th generation of the Sugita family, which in...

This chawan will make your eyes shine with its beauty. Wonderful distorted Suhama-gata (shoreline type) Chawan of Arita ware with finest golden lines of a real high class kintsugi. Different shades of purple make this Chawan from the Meiji Period (1868-1912) to a truely incomparable piece of art.

No chips or cracks.

Size: 6,5 x1 2,5 cm

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Arita ware:

Located in western Saga prefecture, Arita is the original home of Japanese...

A very aesthetically pleasing Japanese high-quality and mystic Raku Chawan with a rarely seen jade green glaze.

Iridescent green and white tinges rise up like some deep space cloud on the meteoric surface of this sugi-nari shaped (Cedar shape) chawan. It dates back to the early stage of the 20th century (Meiji Period). This exceptional bowl is part of our family collection since the 1940ies. The extraordinary beauty of this bowl enhances every collection.

No chips, cracks ...

Japanese Yama Chawan (literally 'Mountain Tea Bowl'), biscuit firing ware with impressive natural glaze and slightly distorted form. It dates back to the Kamakura Period (1185 - 1333). Highlight is big golden Foo Dog which was added by a former owner as a kind of Kintsugi to close a damage on the inside surface. Such typ of Kintsugi is definitely rare.

You can also find traces of the famous kai-yu glaze on this excavated piece, which makes it to a true historic-cultural highlight.

Stunning Japanese golden Tenmoku Chawan of Kyo Yaki. The brown pottery is covered with a gorgeous gold glaze and shows a wonderful crazing. It dates back to the later Meiji Period (1868-1912) and is in greatest antique condition with no chips or cracks.

Kyo-yaki is a type of Japanese pottery. It is a generic name given to pottery made in Kyoto, such as Awataguchi-yaki (Awataguchi pottery) and Omuro-yaki (Omuro pottery). Most Kyo-yaki ceramics are made with an overglaze painting tech...

Mint Oni-Hagi masterpiece chawan by star potter Seigan Yamane. This extraordinary tea bowl is covered by wonderful different shades of white glaze and a few shades of purple on brown pottery. In my opinion it is the one of the most aesthetic chawans that he made. The seal of the artist is stamped on the bottom.

Seigan Yamane was born in 1952, and started making Hagi ware in 1987. And then, he started his own pottery in 1992 and has ever been awarded a lot of prizes for his great wor...

Utsushi Aka-raku tea bowl called 'Seppo' (snow on the mountain peak) made by great contemporary artist Shoraku Sasaki. It comes with its originally signed and sealed wooden box. This Seppo Bowl is a replica of the famous tea bowl made by Honami Koetsu (see last picture), who was one of the most famous artists during the Edo period (1600's). He was known as the 'Da Vinci' of Japan. The original item, designated as an important culture asset, has been currently maintained at the Hatakeyama Memo...

Slightly distorted cylinder shaped (tsuzu) tea bowl with straight walls, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife around the foot ring.

The bowl was partly covered with black iron oxide glaze of the non glossy type (preferable!) and then covered with a black glaze in the style of a Seto-guro bowl. On the other half it is decorated with two oxcart wheels. This beautiful Chawan was made in the 19th century during the Edo Pe...

Kuwata Takuro makes the most characteristic pottery we have ever seen, and when you look at this spectacular piece it is easy to understand why.

This is his Ki-Ji Kinsai Chawan which comes with his originally with his seal, calligraphy and fingerprint signed wooden box.

Takuro surely needs no introduction. He was born in 1981 in Hiroshima and graduated from the Department of Fine Arts at Kyoto Saga University in 2001. After that he started studying under Susumu Zaima in 20...

A wonderful modelled Aka Raku tea bowl covered with a red and black glaze - made by legendary 12th generation Kichizaemon Kônyû (1857-1932). His childhood name was Kozaburo, later became Kicho (or, Yoshinaga). He was the eldest son of Keinyu, the eleventh generation master. In 1871, he succeeded the family business and became the generation master. In 1919 he retired and took the name as Kônyû. He enjoyed his retirement in practicing tea ceremony and writing haiku. His Aka (red) Raku ware...

Kuro-Raku Chawan by the 11th generation Keinyu Kichizaemon (1817-1902) enclosed in its originally signed and sealed wooden box.

This Raku chawan is particularly endowed with a structural power deriving from simple composition of features of a bowl - another reminiscence of the earlier generations of this unique family of artists.

Apart from being expertly formed and bestowed with symbolic imagery, this piece has the added distinction of being created by Raku XI Keinyu, the...

Kuwata Takuro makes the most characteristic pottery we have ever seen, and when you look at this spectacular piece it is easy to understand why.

It has Tomo everything - artist's history, wrapping cloth, a silk pouch and a with his fingerprint signed wooden box.

Takuro surely needs no introduction. He was born in 1981 in Hiroshima and graduated from the Department of Fine Arts at Kyoto Saga University in 2001. After that he started studying under Susumu Zaima in 2002. Curr...

Slightly distorted shoe shaped - Kutsugata tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay during the Edo Period (1603-1868). The expertly thrown body was trimmed with a potter's knife in its lower part.

In the style of Oribe-Kuro bowls the bowl was covered with a black glaze which was not achieved by hikidashi (pulling the red hot bowl from the kiln) but by adding cobalt the the iron oxide glaze.

A window on the side was left unglazed and was deco...