Catalog: Antiques: Regional Art: Asian (174)

AN ELEGANT CHINESE PAKTONG TOBACCO PIPE, 19THC

The pipe looks a little like yellow brass in some pictures but this is a result of recent tarnishing, perhaps I should have polished it a little before taking the photographs. The base has an engraved inscription. 19th century I suspect. Especially nice is the cloud collar and the subtle shape of the base, almost peach-shape in section.

17.3/4 inches (45cm) high. Fine condition...

AN OLD JAPANESE PAINTING OF MONJU BOSATSU.

Monju Bosatsu - Manjushri Bodhisattva of Wisdom. The painting appears to have great age and even though not in the best of condition it still has a compelling presence. It is painted on a composite sheet of thin paper, the joins can be seen as angled lines across the sheet and mounted as a kakemono. The painting is signed with a single seal impression in gold.

The painted area is approximately 106cm by 40.5cm...

AN ATTRACTIVE CHINESE CLOISONNE MEIPING, LATE 18TH ~ EARLY 19TH C.

A miniature Chinese cloisonne meiping vase, late 18th ~ early 19th century. Bright colours and good gilding. It is apparent that the wires are soldered which is a technique associated often with earlier wares.

Approximately 7.7 cm high. Small bruise on side with missing enamel...

A CHINESE FOLDING FAN.

A Chinese paper fan with bamboo sticks, the paper centre is varnished in order to stiffen the paper. The bamboo sticks are decorated with a hot point, a technique known in the West as pyrography. There is a worn out silk tassel with a large amethyst bead.

Approximately 30 cm long. The fan is in fine condition overall but one or two on the bamboo inner sticks have short splits...

A MUGHAL PAINTING, FLOWERS & BUTTERFLIES.

A beautiful and skilled painting of a flowering stem , painted in opaque water colour on a deep blue-grey ground. The paper is burnished on the back. India, 19th century or earlier.

Approximately 30.5 cm x 17.5 cm. Good condition but a short tear on the edge repaired with tape on the back...

A FINE ARITA KO-SOMETSUKE DISH, 18TH CENTURY.

The shallow dish with a slight foliate edge decorated with a central roundel of shochikubai, pine ; plum and bamboo, set against a ground of scrolling ivy. Within the foot-rim is found a four-character fuki-choshun mark.

Approximately 18.4 cm diameter. Perfect condition...

A JAPANESE EXPORT DISH, LATE 17TH CENTURY.

This fine dish is decorated with designs taken from Ming Chinese Wanli 'Kraak' wares and came about as a result of a disruption of Chinese production during a period of unrest. Dutch traders who found their Chinese trade stopped resorted to ordering from Japanese makers. The Japanese versions of these Kraak style pieces are usually thicker than the very thin Chinese Kraak wares and this has ensured their survival in often pristine condition...

The design of butterflies and melons is seldom encountered on Chinese porcelain, found only on a few Qianlong pieces. This shaped dish I feel is from the early 19th century but the ‘orange peel’ surface of the porcelain is often found on Qianlong export pieces. Like the Qianlong painted melons these have a pronounced ‘spotting’ in either famille rose or gold enamel on the fruits. 

Approximately 20.6cm across, 6.4 cm high...

A fine carved and painted marble sculpture of the Hindu deity Ganesha, the elephant-headed god. He is holding his war axe in one hand, an elephant goad, ankusha, in another. A further holds a rosary and the last holds a sweetmeat. A hooded cobra supports his trunk and a large rat nibbles his foot. From northern India, mid 19th century.

Approximately 6.5/8 inches (17 cm) high, 3.7/8 inches (10cm) wide...

A well finished bronze figure of the infant Krishna, in the act of stealing pats of butter from his mother's kitchen. It's from India, probably from 18th century South India.

Approximately 7 cm long, 8 cm high. Fine condition.

Please study the photographs.

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From India, a tiny but fine and old bronze figure of Bhu Devi, the Earth-Goddess and second wife of Visnu. 17th century or earlier.

Approximately 7.7 cm high. Fine condition with a lovely old patina.

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A Chinese cloisonné enamel vase decorated with scrolling lotus flowers against a white ground. Early 19th century.

Approximately 13 cm high. The vase is in fine condition with only a little wax infill to report, this to a small area below the mouth rim, noted in the photographs.

Please study the photographs.

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A Japanese Kyo-yaki bowl decorated with acorns and oak leaves in thick gosu blue enamel. The moulded stoneware body is probably from a Seto kiln. Meiji period.

Approximately 14.5 cm diameter, 5 cm high. Fine condition with only one shallow frit to the rim noted.

Please study the photographs.

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An oval Thewa pendant from Rajasthan in northern India. Thewa is the technique invented around 400 years ago where filigree gold designs are fused onto a coloured glass ground, then backed with silver foil. This pendant depicts prey being attacked in what looks like a palace garden. The work is very fine and I have had to show the photographs oversize to show the detail. The pendant is missing its frame but still has a small card protector and the green silk backing.

Approximately 5...

An Indian stone surahi expertly turned on a lathe from a single piece of black steatite, a variety of soapstone. It is beautifully made and very light, displaying the remarkable hollowing performed by the artisan. It relates directly to bronze and brass versions from the 18th century. With this flask is a turned alabaster bowl, also elegantly made, that has a curious slightly domed bottom. The bowl perhaps dates from the 19th century. Given the nature of the materials used these are both rare i...

A Chinese Yixing stoneware incense burner in the form of Budai, laughing as usual, grasping a small pile of cash. The stoneware has been attractively enameled with flowers and a Shou medallion decorates his back. The base has an impressed maker’s mark. 19th century.

The incense burner is in two parts, Budai sits on a large cushion, this base features a pierced disc for the insertion of joss sticks.

Approximately 15.5 cm high. From the exterior the burner is in perfect condition. ...

An old Nanban hanging flower vase, kakéhana, in its original inscribed box. The vase is in fine undamaged condition and has a good old patina. The inscription literally translates as “Nanban hanging flower vase”. The applied decoration is perhaps a depiction of a Buddhist rosary. 19th century.

Approximately 12.8 cm high.

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Manufactured specifically for export to Europe sometime during the first half of the 18th century. The cutout, rather small in this case, is to allow the bowl to fit comfortably under the chin when the barber is wielding the razor. Barbers at that time also provided a service to the medical profession by bleeding patients and these bowls are sometimes called 'Bleeding Bowls'. The two holes in the rim, pierced before firing in the kiln, are for suspension cords so tht the bowl could be displayed ...

The Chinese porcelain dish has a border of two repeating elements, a garlanded ruyi and three interlinked rings. The centre of the dish depicts a Chinese landscape with two scholars approaching a solitary angler. The dish was made for the Japanese where such pieces were used and much appreciated in the tea ceremony, at a time when the Japanese porcelain industry was in its infancy.

Approximately 15.5 cm diameter. No cracks or restoration, just some inevitable mushikui, “worm eaten edg...

An Early Japanese Bronze Mirror, Kagami, Circa 1600. (No.1) This bronze mirror (kagami) was almost certainly made in the Momoyama period. It has a turtle (minogame) as a central boss, pierced for a cord. It also features a pair of cranes, their beaks touching the head of the turtle as in the act of kissing. This beneath a splendid pine tree. Under the turtle is found the inscription 'Tenjō' (?) possibly meaning Heaven.

Approximately 10.4cm diameter. Many signs of wear and polishi...

A fine woven tonkotsu, 19th century.

Deftly woven with very thin strips of bamboo then lacquered to strengthen and waterproof. The cord guides and knop are cleverly integral and remain complete and in good condition. Within the lid there is a maker's 'ruyi' mark in red lacquer. This set comprising of tobacco box, agate ojime and stag horn netsuke must have been brought back from Japan as a souvenir and perhaps kept in a cupboard, it is, except for some slight wear, in perfect condition. ...

An Unusual Japanese Porcelain Kensui, late 18th Century.

A kensui is a pot in which the water is poured after rinsing a chawan during the tea ceremony. The enamelled design is unusual especially the bold use of iron-red. The base has a variation of the spiral fuku mark, used in the 1780’s. It is uncommon to find ceramics associated with the tea ceremony that can be safely dated to before the 19th century.

5 inches (12.7cm) diameter, 3.3/4 inches (9.5cm) high. The porcelain i...

A very unusual Arita barber’s bowl dating to the second quarter of the 18th century. The oval body is moulded and features butterflies and peonies on a ribbed ground. This form is very likely to have been based on Dutch Delft pottery or perhaps a silver example. The interior is decorated in a rather striking manner with a band of underglaze blue fishes amongst breaking waves. The reverse is decorated with prunus sprigs, and two holes to the foot-rim to allow suspension.

It is now tho...

A Japanese Imari porcelain deep dish decorated with a 'faux' armorial. Late 18th century.

Approximately 14.8cm width. The dish has light wear to the enamels from use. There is a shallow flake to the rim, noted in the photographs.

Please study the photographs.

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A Japanese porcelain dish depicting two figures in a garden. The moulded dish has a shaped edge dressed with an iron slip. Late 18th century or beginning of the 19th. A shaped dish with a similar subject is illustrated in 'Japanese Porcelain” by Soame Jenyns, Faber & Faber, 1965.

Approximately 12cm diameter. Near perfect condition, there is a tiny fleabite to one of the points on the rim, noted in the photographs.

Please study the photographs.

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A Japanese porcelain dish depicting two figures in a garden. The moulded dish has a shaped edge dressed with an iron slip. Late 18th century or beginning of the 19th. A shaped dish with a similar subject is illustrated in 'Japanese Porcelain” by Soame Jenyns, Faber & Faber, 1965.

Approximately 12cm diameter. Perfect condition.

Please study the photographs.

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A Korean pale grey porcelain offering stand. 19th century. Each stand is fired resting on another and so kiln grit, used to prevent adhesion, is left as evidence.

Approximately 12.8 cm diameter, 6.5cm high. Perfect condition.

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A Chinese jade toggle carved as a crouching shi-shi, the stone of a pale grey-green colour. Nice lustrous polish. 18th / 19th century.

Approximately 4.5cm long. Fine condition

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Please...

A Remarkable Indian or East Asian offering Bowl on Stand, late 19th or early 20th century.

The bowl is cast and then finished by fine chisel work and engraving, all against an intricate punched ground. It features a myriad of hunters and animals, the trees seem full of game. On the hilly horizon can be seen various dwellings and pavilions, tiny birds in the sky. The base is an arrangement of three elephant heads supporting an acanthus cup on which sits the offering bowl.

I have ...

Family name Kanō Morizumi, Gō: Tanrei. Japanese style painter. Studied under Kanō Tambi Moritaka. After the Restoration, active as a Kanō painter; showed at several exhibitions sponsered by the government, receiving prizes. Member of the committee of the Nihon Bijutsu Kyōkai and Nihongakai. Produced a number of paintings for imperial buildings. ( from ‘A Dictionary of Japanese Artists. Laurance P. Roberts, Wetherhill, 1977.) He also founded the Kano-kai (Kano Associati...

A Japanese palace scene painted by an unknown painter of the Tosa School, circa 17th century.

The Tosa School was founded in the Muromachi Period of the 15th century, and its painting was devoted to the aristocracy and its lifestyle.

Painted in pigments including silver leaf and black lacquer on paper. The fan is mounted on a paper backing sheet.

Approximately 49 cm. maximum length. 18.2 cm. width. Generally in good condition, wrinkled corners. A few extraneous m...

Shirohato Hachiman Shrine from the series ‘Scenes of Famous Places along the Tôkaidô Road’ Tôkaidô meisho fûkei, also known as the Processional Tôkaidô, Gyôretsu Tôkaidô, here called Tôkaidô meisho no uchi. Published by Seibundô Masakichi. 1863 (Bunkyû 3), 5th month.

Ichieisai Yoshitsuya 1822 ~ 1866. was a pupil of Kuniyoshi.

Approximately 36 cm x 25cm. A few sewing holes in left margin. A good impression with fine fresh colour and in very good condition....

The right-hand sheet from the Yokohama-e triptych by Utagawa Hiroshige III (1843–1894) titled Yokohama Kagandori no fûkei, ‘Foreign Ships at the Seafront in Yokohama’. Signed Oju Hiroshige hitsu. Published 5th month, 1870.

He was a pupil of Andō Hiroshige.

A striking and decorative depiction of an European trading ship, ‘Black ship’,

Approximately 34.5cm x 23cm. Laid onto thick paper. A few stitching holes on right edge. Small damaged area on top...

A Japanese woodblock print from Ukiyo fuzoku Yamato nishiki-e (Japanese colour prints in Ukiyo style). The portrait is by Kabukido Enkyo, active 1796, of the Kabuki actor Ichikawa Yaozo III as Umeomaru.

This print is from the celebrated set of reproductions of the best of ukiyo-e art published in 12 large vols. 240 woodblock-printed reproductions of famous ukiyo-e prints. 1914. The project was overseen by Hashiguchi Goyo, 1880-1921, who also provided text and cover designs. ...

A good Japanese ukiyo-e painting on paper of a Kabuki actor. Early 19th century.

Approximately 47.3 x 23.4cm long. Laid onto backing paper. Some paper and paint losses. General wear and tear as expected with an old painting but such a good image, well worth some restoration.

Please study the photographs.

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A painting in gouache on paper depicting Krishna as a seven year old boy in dancing costume. In this form he is known as Shri Nathji. This distinct tradition emanates from Nathadwara in Rajasthan and these paintings were probably intended for domestic shrines. 19th century.

Gouache and metallic pigments on paper. The grey scarf is silver pigment, now tarnished. A very subtle effect is the decoration in grey on the black ground, seen clearly only under a strong light.

Appro...

The patachitra, the folk painting of Orissa, has a history of great antiquity. The 'Patachitra' paintings exhibit the use of strong line and brilliant colors. These are religious paintings which cover themes and events from Indian mythology and Puranas and are mainly made on silk or on old cotton glued with paper.

This is one of the most popular subjects and was probably produced as a souvenir (jatri pati) for pilgrims for whom the painting would become a personal family shrine. The paint...

A Chinese cloisonné and champlevé enamel jardiniere. Early 19th century. The jardiniere is of globular form with three circular medallions enclosing birds and butterflies against a floral and gilt ground. These roundels are set against a scrolling lotus ground. The inside is counter-enamelled in turquoise blue. There is evidence that solder was used sparingly in the manufacture, this technique is associated with earlier manufacture and a practice that had largely died out by the later 19th cen...

A pair of Chinese ritual altar vessels for the Sun Altar, Qing dynasty.

The ritual vessels, bian, are made from fine strips of woven bamboo, the inner surfaces completely covered in lacquer. The earliest illustration of this form is from a Song period reproduction of a Han dynasty publication.

Bian of this exact design were used in offering ceremonies at the Qianlong Court and described and illustrated in ‘Huang chao li qi tu shi’ ( A pictorial guide to the ritual vessels of th...

A Chinese white porcelain snuff bottle, probably Dehua, known in the West as ‘Blanc de Chine’. The moulded body, each side decorated with a central roundel of flowers surrounded with a pair of bats and a Shou character. The stopper, missing its spoon, appears to be faded purple stained soapstone. The thin body is very translucent and inside there are traces of former contents.

Approximately 5.8cm high. Perfect condition.

Please study the photographs.

Within the ...

An ivory snuff bottle in the form of of an attractive lady of status carrying a fan. The head can be removed to reveal the snuff. Probably Japanese work for the Chinese market at the end of the 19th century.

Approximately 9.2 cm high. In very good condition with only a little chipping to the back of the collar, noted in the photographs. A few age cracks as normal with this material and light wear from handling.

Please study the photographs.

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A Japanese Arita porcelain Kakiemon style dish, circa 1720~1750. The square dish with indented corners, the rim with a deep kuchibeni brown rim, the centre with a gobenka motif. The cavetto is decorated with flowers and grasses amongst rocks. Tiny touches of coloured enamels have been applied to the design, a style first seen in the early 18th century. Within the foot-rim can be found a six-character imitation of a Chinese Ming Chenghua reign mark ‘Daimin Seika Nensei’. The first character...

A Japanese Arita porcelain Kakiemon style dish, circa 1720~1750 The square dish with indented corners, the rim with a deep kuchibeni brown rim, the centre with a gobenka motif. The cavetto is decorated with flowers and grasses amongst rocks. Tiny touches of coloured enamels have been applied to the design, a style first seen in the early 18th century. Within the foot-rim can be found a six-character imitation of a Chinese Ming Chenghua reign mark ‘Daimin Seika Nensei’. The first character D...

AN ARITA BLUE & WHITE MOKKO DISH, 2ND HALF OF THE 18TH CENTURY.

An attractive mokko (lobed) and moulded dish decorated with a figure seated beneath mist enshrouded trees. The cavetto is moulded with swirls and flowers, the rim with a dark iron rich kuchibeni dressing.

Approximately 22.5 cm wide. Fine original undamaged condition.

Please study the photographs.

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AN ARITA BLUE & WHITE MOKKO DISH, 2ND HALF OF THE 18TH CENTURY.

An attractive mokko (lobed) and moulded dish decorated with a figure seated beneath mist enshrouded trees. The cavetto is moulded with swirls and flowers, the rim with a dark iron rich kuchibeni dressing.

Approximately 22.5 cm wide. Fine original undamaged condition.

Please study the photographs.

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A JAPANESE ARITA PORCELAIN SQUARE DISH, EDO PERIOD.

An attractive Japanese Arita porcelain square dish with canted corners, decorated with an oversized sage lost in reverie by a lake. The unusual borders completely painted with figures in a landscape. Late 18th ~ early 19th century.

By repute once part of the Bigelow Collection and disposed by auction in New England a few years ago.

Approximately 15.5cm square. The dish is in perfect condition.

Please study the p...

A JAPANESE ARITA PORCELAIN SQUARE DISH, EDO PERIOD.

An attractive Japanese Arita porcelain square dish with canted corners, decorated with an oversized sage lost in reverie by a lake. The unusual borders completely painted with figures in a landscape. Late 18th ~ early 19th century.

By repute once part of the Bigelow Collection and disposed by auction in New England a few years ago.

Approximately 15.5cm square. The dish is in perfect condition.

Please study the p...

A JAPANESE ARITA PORCELAIN SQUARE DISH, EDO PERIOD.

An attractive Japanese Arita porcelain square dish with canted corners, decorated with an oversized sage lost in reverie by a lake. The unusual borders completely painted with figures in a landscape. Late 18th ~ early 19th century.

By repute once part of the Bigelow Collection and disposed by auction in New England a few years ago.

Approximately 15.5cm square. The dish is in perfect condition.

Please study the p...

A JAPANESE ARITA PORCELAIN SQUARE DISH, EDO PERIOD.

An attractive Japanese Arita porcelain square dish with canted corners, decorated with an oversized sage lost in reverie by a lake. The unusual borders completely painted with figures in a landscape. Late 18th ~ early 19th century.

By repute once part of the Bigelow Collection and disposed by auction in New England a few years ago.

Approximately 15.5cm square. The dish is in perfect condition.

Please study the p...

A JAPANESE ARITA PORCELAIN SQUARE DISH, EDO PERIOD.

An attractive Japanese Arita porcelain square dish with canted corners, decorated with an oversized sage lost in reverie by a lake. The unusual borders completely painted with figures in a landscape. Late 18th ~ early 19th century.

By repute once part of the Bigelow Collection and disposed by auction in New England a few years ago.

Approximately 15.5cm square. The dish has a small edge chip, otherwise in perfect condition...

An Arita blue & white porcelain dish decorated with a pavilion and poetry, an equestrian and servant in the foreground. The dish is moulded with a shallow ‘rinka’ edge. The back is plain and has three spur marks within the foot-rim.

An identical dish is illustrated in the Shibata Collection Vol.4, #303 where it is dated to 1770~1800.

Approximately 18 cm diameter. The dish has some light wear from normal use, plate stacking for example, but is otherwise in fine condition. ...

An Arita blue & white porcelain dish decorated with a pavilion and poetry, an equestrian and servant in the foreground. The dish is moulded with a shallow ‘rinka’ edge. The back is plain and has three spur marks within the foot-rim.

An identical dish is illustrated in the Shibata Collection Vol.4, #303 where it is dated to 1770~1800.

Approximately 17.8 cm diameter. The dish has some light wear from normal use but is otherwise in fine condition. There is a slight glaze blem...

A Japanese blue & white porcelain dish, moulded in ‘kraak’ style with the cavetto featuring butterflies and peaches in relief. The rinka or petalled edge with flowers. The centre of of the dish has a depiction of a gated pavilion set in a fabulous garden. Arita 1750 ~ 1770. A bowl with a very similar border design and alternate moulded butterflies and peaches is shown in the Catalogue of the Shibata Collection, item 3321.

Approximately 18.6 cm diameter. One ‘fleabite’ on t...

A Japanese blue & white porcelain dish, moulded in ‘kraak’ style with the cavetto featuring butterflies and peaches in relief. The rinka or petalled edge with flowers. The centre of of the dish has a depiction of a gated pavilion set in a fabulous garden. Arita 1750 ~ 1770. A bowl with a very similar border design and alternate moulded butterflies and peaches is shown in the Catalogue of the Shibata Collection, item 3321.

Approximately 18.5 cm diameter. Fine condition.

A well-carved ivory snuff bottle depicting two of the sixteen Buddhist Arhat. The bottle is undoubtedly carved in Japan as the neck is made from a separate piece of ivory and screws into the body of the bottle. The carving style suits the subject matter and the bottle has a pleasing patina from handling. There is an unidentified studio marking on the base.

Approximately 5.7 cm high. Perfect condition.

Please study the photographs.

For new customers resident in ...

A splendid Chilong Dragon with a bifurcated tail is presented on the front of this unusual bottle. The material is limestone of a dark hue but under decent lighting exhibits a snowstorm of whitish inclusions.

Approximately 6.6 cm high. Fine condition. The coral stopper is not original.

Please study the photographs.

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An 18th century Japanese Arita porcelain moulded dish, circa 1750 ~ 1780. The dish with a cavetto moulded with foliage and lotus flowers within a barbed rim. The centre sporting a fine underglaze blue ferocious dragon and pearl amongst coloured clouds. Within the foot-rim is an unusual six-character Yongzheng mark. A dish of this design is illustrated in Shibata, “Complete Catalogue of the Shibata Collection” The Kyushu Ceramic Museum, # 3359.

Approximately 21.2cm diameter. P...

A large Arita celadon and Blue & White porcelain dish, 18th century.

The attractive dish with a misty village and waterfall scene within a moulded celadon border. The back celadon glazed to the foot-rim which contains a six-character Chenghua mark and five neat spur marks.

Approximately 29.3 cm diameter. Perfect condition.

Please study the photographs.

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A Japanese Arita dish, in Kakiemon style, of rhomboid shape with rounded, spreading sides rising from a circular foot. The inside is decorated round the sides with a continuous 'classic scroll' boldly moulded in relief, and below with a design painted in pale blue, red, green, black and pale yellow enamels. The rim is glazed brown. The exterior is painted in enamels with sprays of camellia and pairs of flying birds. Circa 1700 ~ 1725. An identical dish is in the collection of the V & A M...

A fine Japanese porcelain small tray-form dish with an upturned vertical rim decorated in the centre with a lake, waterfall and pavilion. The base with a fuki chosun mark. A solitary figure paddles past. Circa 1750 ~ 1780.

Approximately 10.5 cm diameter. Perfect condition.

Please study the photographs.

For new customers resident in China sadly I have to state that I am no longer prepared to accept payment by PayPal. I will accept payment only by bank to bank t...