Catalog: Antiques: Regional Art: Asian (174)

A well-carved ivory snuff bottle depicting two of the sixteen Buddhist Arhat. The bottle is undoubtedly carved in Japan as the neck is made from a separate piece of ivory and screws into the body of the bottle. The carving style suits the subject matter and the bottle has a pleasing patina from handling. There is an unidentified studio marking on the base.

Approximately 5.7 cm high...

A splendid Chilong Dragon with a bifurcated tail is presented on the front of this unusual bottle. The material is limestone of a dark hue but under decent lighting exhibits a snowstorm of whitish inclusions.

Approximately 6.6 cm high. Fine condition. The coral stopper is not original.

Please study the photographs.

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An 18th century Japanese Arita porcelain moulded dish, circa 1750 ~ 1780. The dish with a cavetto moulded with foliage and lotus flowers within a barbed rim. The centre sporting a fine underglaze blue ferocious dragon and pearl amongst coloured clouds. Within the foot-rim is an unusual six-character Yongzheng mark. A dish of this design is illustrated in Shibata, “Complete Catalogue of the Shibata Collection” The Kyushu Ceramic Museum, # 3359.

Approximately 21.2cm diameter...

A large Arita celadon and Blue & White porcelain dish, 18th century.

The attractive dish with a misty village and waterfall scene within a moulded celadon border. The back celadon glazed to the foot-rim which contains a six-character Chenghua mark and five neat spur marks.

Approximately 29.3 cm diameter. Perfect condition...

A Japanese Arita dish, in Kakiemon style, of rhomboid shape with rounded, spreading sides rising from a circular foot. The inside is decorated round the sides with a continuous 'classic scroll' boldly moulded in relief, and below with a design painted in pale blue, red, green, black and pale yellow enamels. The rim is glazed brown. The exterior is painted in enamels with sprays of camellia and pairs of flying birds...

A fine Japanese porcelain small tray-form dish with an upturned vertical rim decorated in the centre with a lake, waterfall and pavilion. The base with a fuki chosun mark. A solitary figure paddles past. Circa 1750 ~ 1780.

Approximately 10.5 cm diameter. Perfect condition.

Please study the photographs.

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A Japanese Export Imari plate decorated with a pavilion amongst flowering trees. The reverse plain with four spur marks. Arita porcelain circa 1750.

Approximately 23.5 cm diameter. Perfect condition.

Please study the photographs.

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A Japanese Imari dish decorated with various celebratory motifs within an octagonal border. The back with a ‘running fuku’ mark. 19th century.

Approximately 24 cm diameter. Perfect condition.

Please study the photographs.

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A fine and expressive carved stag horn netsuke of Shoki, The Demon Queller...

A Japanese woodblock print of a kneeling male figure drying a shō, a traditional musical instrument of the reed family, a form of mouth organ, over a brazier. The print is attributed to Kitao Masanobu, 1761~1816 and probably dates to the late 18th century.

A good impression with some gauffrage on the kimono collar. The mount is inscribed in pencil “Mafsanobu”.

Approximately 20.3 x 14.4 cm. The print is laid by the edges to thin card. It is foxed at the edges.

A Fine Large Japanese Imari Bowl, Meiji, 19th Century.

A fine and substantial Arita Imari rinka bowl. Six panels, inside and out, are alternatively decorated with ho-o birds and flowers.

The centre of the bowl depicts the shochikubai, the three friends of winter. A suggestion of breaking waves can also be observed to the left of the screens.

Approximately 24.5 cm diameter. Perfect condition.

Please study the photographs.

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A Japanese Arita shallow plate decorated with radishes, daikon, iron-dressed rim. The back with four kiln support spur marks.19th century.

Approximately 19 cm diameter. Some light wear from use, otherwise perfect.

Please study the photographs.

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A Chinese “Master of the Rocks” Saucer Dish, Kangxi, late 17th century. Typically, the decoration relies heavily on the techniques of contemporary ink painters with attention to naturalistic detail and various wet brush effects. The border of waterweed-like fronds appears on many such Master of the Rocks ceramics. The back is entirely plain.

Approximately 13.8cm diameter. There is one very shallow chip on the rim, noted in the photographs, otherwise perfect.

Please ...

A Fine Chinese Carved Blue Overlay Glass Snuff Bottle, 1800~1850. The bottle of opaque white glass with snow-like inclusions, cased in blue glass. The blue glass is carved away to leave the Eight Horses of Mu Wang in a continuous landscape. The carving is very fine indeed. The stopper is hardstone with an ivory collar and spoon.

A bottle of the same design from perhaps the same workshop was sold at Christie’s “The Art of China: Online Winter Sale” Dec. 2017. Lot 36. The colour comb...

A small lobed Arita porcelain bowl decorated with scrolling karakusa. The interior with the shochikubai, the three friends of winter. The base has a four-character Fuki Choshun, "good fortune and long life" mark. Late 18th or early 19th century.

Approximately 10.8 cm. Diameter. Perfect condition.

Please study the photographs.

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A small lobed Arita porcelain bowl decorated with scrolling karakusa. The interior with the shochikubai, the three friends of winter. The base has a four-character Fuki Choshun, "good fortune and long life" mark. Late 18th or early 19th century.

Approximately 10.8 cm. Diameter. Perfect condition.

Please study the photographs.

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A Japanese Arita lobed dish decorated with a dragon descending from clouds, grasping the pearl of wisdom. The back with a fuku mark. The dish dates from 1750~1790. A similar design to Chinese examples of the Yongzheng period.

Approximately 14 cm diameter. Perfect condition. A little kiln dross in the cloud.

Please study the photographs.

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Fine Japanese Arita Imari Wucai Dish c.1700. # 1 An attractively decorated dish styled after late Ming wucai enamelled wares, noted for their bold and vivid colouring. A meandering vine with various flowers surround a central kotobuki or good luck character. The back is decorated with various lingzhi motifs and within the foot-rim is a apocryphal Chinese Ming reign mark for Jiajing.

For a similar dish see pp 282-3 No 157 of the complete catalogue of the Kurita Museum where it is des...