Catalog: Antiques: Regional Art: Asian: Japanese (133)

A Japanese porcelain “100 Boys” plate, 18th century.

This unusual plate was made in Arita between 1720 and 1760. It shows a hall crammed with boys, an elevated youthful figure surrounded by attendants, two of which are carrying fans. To me it looks like the interior of a temple with children depicting the abbot and gathering of monks. Above the Abbot can be found a sign, Hyakushindo, “The Hall of 100 Children.” ( Baizitang in Chinese )...

A fine gourd-shaped bottle decorated in Chinese Transitional style. Arita 1660 – 1680.

The bottle is decorated in late Ming style with the enjoyment of nature. These bottles are not uncommon but are seldom encountered with such fine painting.

The Catalogue of the Shibata Collection exhibits two similar bottles.

Approximately 20.4 cm high...

A fine and large Arita export octagonal jar, 1680 ~ 1700. The jar has similar painting around the neck and shoulder as those produced at the Kakiemon kilns.

Approximately 40 cm high. In fine undamaged condition. I have shown some very shallow flakes on the inside of the neck, this appears to have occurred before the firing...

A kakemono presenting an example of calligraphy by Shunsui Rai, 1743 ~ 1813. Shunsui was a Confucian scholar of some influence in the Hiroshima district and an historian. He is the father of Sanyo Rai, 1781~1832, who also became a notable calligrapher and a painter and scholar.

Overall the dimensions are 170cm x 36cm. The picture size is 91cm x 25cm. The scroll ends are rosewood. Good condition overall with just minor horizontal creases noted...

A Japanese porcelain chawan, tea bowl, decorated with a continuous landscape. The concave foot left unglazed. The rim has a number of kintsugi, repaired chips using lacquer and gold dust.

A similar tea bowl is shown in Sekai Toji Zhenshu, Ceramic Art of the World, Vol 8. Edo Period III, no:240, described as Nakano Kiln, Hirado, mid 18th century.

Approximately 11 cm diameter. Fine condition...

A fine early 18th sake flask, Tokkuri, of European form, the shape derived from Dutch Gin bottles. It is decorated with alternating panels of the Three Friends of Winter, Shochikubai, and a rather unusual combination of a Dragon amongst clouds, and stylised Ginko. The shoulders of the bottle are decorated with stylised Lotus mon amongst karakusa, and the top with a tako-karakusa, octopus scroll, border.

Approximately 19 cm high...

A Japanese porcelain plate decorated with a dignitary beneath a parasol, attended by his servant, in a garden. The cavetto is unusually decorated with a continuous landscape, a device not often encountered on Arita porcelain. The use of linear shading is reminiscent of Chinese “Master of the Rocks” style. The back is entirely plain with four spur marks within the foot-rim. Arita, circa 1680~1700.

Approximately 21 cm diameter...

A Japanese Export heart-shaped dish with an European harbour scene by Frederik Van Frytom. Arita 1680 ~ 1700. Frederik Van Frytom was a notable painter in 17th century Holland who was commissioned to produce Delft pottery samples for copying at Arita. This dish is a copy of one of a special set of five Delft dishes that were taken to Japan in 1684 and used in the tea ceremony. The moulded shape of the dish is reminiscent of silver tableware...

A Japanese Arita Export porcelain spoon tray after a design by Frederik Van Frytom. Within the foot-rim is found an eccentrically written apocryphal Chinese reign mark, a feature seemingly of most wares the with Van Frytom designs...

A very fine and unusual square plate. Arita 1790 - 1820. This fits into a group of porcelains that more accurately could be called ’white and blue’ produced at the end of the 18th century and beyond. This plate features exotic figures and an elephant. See the Shibata Collection, item 3831, for an octagonal plate of similar design.

Approximately 18.6 square. Perfect condition.

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A fine old ceremonial sake pourer, hisage, hand made from copper and decorated with shochikubai (pine, plum and bamboo), minogame and cranes. Also present are two prominent Tokugawa family crests and on the handle three 16 petalled chrysanthemum crests and another on the rear handle mount. 19th century or earlier. Fine work.

The body of the pourer has probably been raised from one sheet of copper. It is quite thick-walled and notabley the section grows thicker at the edges, as does the ha...

A Japanese wood carving of a seated figure, probably the poet Matsuo Basho (1644~1694), the most famous poet of the Edo period. 19th century or earlier. Fine old patina.

Approximately 14.5 cm high. Fine condition with only a chip on the hat and the nose noted.

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Pl...

An unusual shallow Japanese porcelain plate (#2) decorated with confronting dragons, one in blue and gold, the other gold and red. The plain back with 5 neat spur marks.

Arita porcelain, circa 1750 ~ 1780.

Approximately 18.7 cm diameter. Fine condition with only slight wear to the gold.

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An unusual shallow Japanese porcelain plate (#1) decorated with confronting dragons, one in blue and gold, the other gold and red. The plain back with 5 neat spur marks.

Arita porcelain, circa 1750 ~ 1780.

Approximately 18.7 cm diameter. Fine condition with only slight wear to the gold.

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A heavily potted Arita porcelain dish featuring a rural pavilion beside a waterfall, the moulded cavetto with a celadon glaze. The blue and white landscape with touches of iron-red and gold enamel.

Arita, circa 1750 ~ 1780.

Approximately 22.5cm diameter.

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...

An attractive Japanese porcelain dish, the blue & white decoration depicting the King of Beasts and the Queen of Flowers. The Lion-Dog and the Peony, shi-shi and botan in Japan, represent bravery and elegance . A popular motif.

Arita, circa 1790.

Approximately 29 cm diameter. Perfect condition.

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An Arita porcelain plate (#2) decorated with a leaping carp within a moulded border based upon Chinese Ming export porcelain, ‘Kraak’ style. The dishes have faux chattering in imitation of Wanli Kraak dishes.

Arita, 1750 - 1780.

Approximately 21.5cm diameter. Perfect condition.

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A large Japanese export porcelain charger decorated with a design based upon a Ming Chinese ‘Kraak’ porcelain dish. Arita, 1680.

For a similar but smaller plate see item 12 in the Impey Collection. ‘Ko-Imari Porcelain from the Collection of Oliver Impey’, Barry Davies Oriental Art, 1997.

Approximately 28.2cm diameter. Perfect condition.

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A Japanese bronze vase decorated with dragons and clouds. Meiji period, mid to late nineteenth century. Unsigned. The work is reminiscent of Murata Seimin.

Approximately 21 cm high. The weight is just over 1.9 kg.

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A Japanese porcelain steep-sided dish depicting a traditional zashiki room or perhaps a temple interior. The plants seen through the windows are banana and cycad, both common in warmer climates as experienced in Kyushu or Okinawa. Arita 1730 - 1750. Two plates with similar central designs are found in ‘The Story of Imari’, Goro Shimura. ‘The Story of Imari, The Symbols and Mysteries of Antique Japanese Porcelain’, Ten Speed Press, Toronto. 2008. Items 61, 62.

Approximately 19.8 cm...

A very large plate decorated with a kylin surrounded by panels of cranes among pine and prunus trees, separated by formal lotus flowers.

Just a tad under 41 cm diameter. No cracks, chips or restoration. Some light wear from use.

Stand not included.

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A Japanese Arita deep dish, early 19th century. The dish is decorated with Ho-o birds and branches of flowering paulownia. The back with clouds and bats and a single spur mark. The Dutch refer to this palette of red and gold on white porcelain as ‘Milk & Blood’.

There is the remains of a collectors mark on the back

Approximately 20 cm diameter. Perfect condition.

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A Japanese Arita deep dish, early 19th century. The dish is decorated with Ho-o birds and branches of flowering paulownia. The back with clouds and bats and a single spur mark. The Dutch refer to this palette of red and gold on white porcelain as ‘Milk & Blood’.

There is the remains of a collectors mark on the back

Approximately 20 cm diameter. Perfect condition.

Please study the photographs.

For new customers resident in China sadly I have to state that...

A fine Arita blue & white porcelain flower vase to be mounted on a wall, kakehana. 18th century.

The flower vase is heavily moulded with a leaping Chinese Lion or karashishi in a landscape of rocks and Tree Peonies, a classic subject in Japanese art known as “Botan-ni-Shishi”, an auspicious subject.

This old kakehana was manufactured in Arita in the mid Edo period, probably for the home market.

Approximately 16.7 cm high. A tiny glaze chip on the mouth-rim,...

An unusual Arita enamelled wall-vase, kakehana, circa 1750. The seed-shaped hollow body is moulded with trailing vines supporting a dragonfly. The painter has used two different greens, aubergine, yellow and black. The unglazed back is pierced for suspension. It is probable that this kakehana was made for the home market.

Approximately 16.7cm long. Perfect condition with only a little wear to the enamels from use.

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An Arita cup possibly for noodles, Soba Choko, from the end of the 18th century or the beginning of the 19th. Shibata illustrates this mark as 1790~1810.

Approximately 7.2 cm high. Flea bite to one point, otherwise perfect.

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Fine Japanese Arita Imari Wucai Dish c.1700. # 2 An attractively decorated dish styled after late Ming wucai enamelled wares, noted for their bold and vivid colouring. A meandering vine with various flowers surround a central kotobuki or good luck character. The back is decorated with various lingzhi motifs and within the foot-rim is a apocryphal Chinese Ming reign mark for Jiajing.

For a similar dish see pp 282-3 No 157 of the complete catalogue of the Kurita Museum where it is des...

Fine Japanese Arita Imari Wucai Dish c.1700. # 1 An attractively decorated dish styled after late Ming wucai enamelled wares, noted for their bold and vivid colouring. A meandering vine with various flowers surround a central kotobuki or good luck character. The back is decorated with various lingzhi motifs and within the foot-rim is a apocryphal Chinese Ming reign mark for Jiajing.

For a similar dish see pp 282-3 No 157 of the complete catalogue of the Kurita Museum where it is des...

A Japanese Arita lobed dish decorated with a dragon descending from clouds, grasping the pearl of wisdom. The back with a fuku mark. The dish dates from 1750~1790. A similar design to Chinese examples of the Yongzheng period.

Approximately 14 cm diameter. Perfect condition. A little kiln dross in the cloud.

Please study the photographs.

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A small lobed Arita porcelain bowl decorated with scrolling karakusa. The interior with the shochikubai, the three friends of winter. The base has a four-character Fuki Choshun, "good fortune and long life" mark. Late 18th or early 19th century.

Approximately 10.8 cm. Diameter. Perfect condition.

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A small lobed Arita porcelain bowl decorated with scrolling karakusa. The interior with the shochikubai, the three friends of winter. The base has a four-character Fuki Choshun, "good fortune and long life" mark. Late 18th or early 19th century.

Approximately 10.8 cm. Diameter. Perfect condition.

Please study the photographs.

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A Japanese Arita shallow plate decorated with radishes, daikon, iron-dressed rim. The back with four kiln support spur marks.19th century.

Approximately 19 cm diameter. Some light wear from use, otherwise perfect.

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A Fine Large Japanese Imari Bowl, Meiji, 19th Century.

A fine and substantial Arita Imari rinka bowl. Six panels, inside and out, are alternatively decorated with ho-o birds and flowers.

The centre of the bowl depicts the shochikubai, the three friends of winter. A suggestion of breaking waves can also be observed to the left of the screens.

Approximately 24.5 cm diameter. Perfect condition.

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A Japanese woodblock print of a kneeling male figure drying a shō, a traditional musical instrument of the reed family, a form of mouth organ, over a brazier. The print is attributed to Kitao Masanobu, 1761~1816 and probably dates to the late 18th century.

A good impression with some gauffrage on the kimono collar. The mount is inscribed in pencil “Mafsanobu”.

Approximately 20.3 x 14.4 cm. The print is laid by the edges to thin card. It is foxed at the edges.

A fine and expressive carved stag horn netsuke of Shoki, The Demon Queller. Early 19th century.

Shoki is the Japanese styling of the Chinese spirit Chung Kui who protects households from malevolent demons. In this example the gifted carver shows Shoki studying closely, an off stage, mischievous oni whilst carefully hiding his Chinese sword close to his body.

Approximately 4.8cm high. Stag horn is mostly hollow and so the carver plugs each end in order to complete the ...

A Japanese Imari dish decorated with various celebratory motifs within an octagonal border. The back with a ‘running fuku’ mark. 19th century.

Approximately 24 cm diameter. Perfect condition.

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A Japanese Export Imari plate decorated with a pavilion amongst flowering trees. The reverse plain with four spur marks. Arita porcelain circa 1750.

Approximately 23.5 cm diameter. Perfect condition.

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A fine Japanese porcelain small tray-form dish with an upturned vertical rim decorated in the centre with a lake, waterfall and pavilion. The base with a fuki chosun mark. A solitary figure paddles past. Circa 1750 ~ 1780.

Approximately 10.5 cm diameter. Perfect condition.

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A Japanese Arita dish, in Kakiemon style, of rhomboid shape with rounded, spreading sides rising from a circular foot. The inside is decorated round the sides with a continuous 'classic scroll' boldly moulded in relief, and below with a design painted in pale blue, red, green, black and pale yellow enamels. The rim is glazed brown. The exterior is painted in enamels with sprays of camellia and pairs of flying birds. Circa 1700 ~ 1725. An identical dish is in the collection of the V & A M...

A large Arita celadon and Blue & White porcelain dish, 18th century.

The attractive dish with a misty village and waterfall scene within a moulded celadon border. The back celadon glazed to the foot-rim which contains a six-character Chenghua mark and five neat spur marks.

Approximately 29.3 cm diameter. Perfect condition.

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An 18th century Japanese Arita porcelain moulded dish, circa 1750 ~ 1780. The dish with a cavetto moulded with foliage and lotus flowers within a barbed rim. The centre sporting a fine underglaze blue ferocious dragon and pearl amongst coloured clouds. Within the foot-rim is an unusual six-character Yongzheng mark. A dish of this design is illustrated in Shibata, “Complete Catalogue of the Shibata Collection” The Kyushu Ceramic Museum, # 3359.

Approximately 21.2cm diameter. P...

A Japanese blue & white porcelain dish, moulded in ‘kraak’ style with the cavetto featuring butterflies and peaches in relief. The rinka or petalled edge with flowers. The centre of of the dish has a depiction of a gated pavilion set in a fabulous garden. Arita 1750 ~ 1770. A bowl with a very similar border design and alternate moulded butterflies and peaches is shown in the Catalogue of the Shibata Collection, item 3321.

Approximately 18.5 cm diameter. Fine condition.

A Japanese blue & white porcelain dish, moulded in ‘kraak’ style with the cavetto featuring butterflies and peaches in relief. The rinka or petalled edge with flowers. The centre of of the dish has a depiction of a gated pavilion set in a fabulous garden. Arita 1750 ~ 1770. A bowl with a very similar border design and alternate moulded butterflies and peaches is shown in the Catalogue of the Shibata Collection, item 3321.

Approximately 18.6 cm diameter. One ‘fleabite’ on t...

An Arita blue & white porcelain dish decorated with a pavilion and poetry, an equestrian and servant in the foreground. The dish is moulded with a shallow ‘rinka’ edge. The back is plain and has three spur marks within the foot-rim.

An identical dish is illustrated in the Shibata Collection Vol.4, #303 where it is dated to 1770~1800.

Approximately 17.8 cm diameter. The dish has some light wear from normal use but is otherwise in fine condition. There is a slight glaze blem...

An Arita blue & white porcelain dish decorated with a pavilion and poetry, an equestrian and servant in the foreground. The dish is moulded with a shallow ‘rinka’ edge. The back is plain and has three spur marks within the foot-rim.

An identical dish is illustrated in the Shibata Collection Vol.4, #303 where it is dated to 1770~1800.

Approximately 18 cm diameter. The dish has some light wear from normal use, plate stacking for example, but is otherwise in fine condition. ...

A JAPANESE ARITA PORCELAIN SQUARE DISH, EDO PERIOD.

An attractive Japanese Arita porcelain square dish with canted corners, decorated with an oversized sage lost in reverie by a lake. The unusual borders completely painted with figures in a landscape. Late 18th ~ early 19th century.

By repute once part of the Bigelow Collection and disposed by auction in New England a few years ago.

Approximately 15.5cm square. The dish has a small edge chip, otherwise in perfect condition...

A JAPANESE ARITA PORCELAIN SQUARE DISH, EDO PERIOD.

An attractive Japanese Arita porcelain square dish with canted corners, decorated with an oversized sage lost in reverie by a lake. The unusual borders completely painted with figures in a landscape. Late 18th ~ early 19th century.

By repute once part of the Bigelow Collection and disposed by auction in New England a few years ago.

Approximately 15.5cm square. The dish is in perfect condition.

Please study the p...

A JAPANESE ARITA PORCELAIN SQUARE DISH, EDO PERIOD.

An attractive Japanese Arita porcelain square dish with canted corners, decorated with an oversized sage lost in reverie by a lake. The unusual borders completely painted with figures in a landscape. Late 18th ~ early 19th century.

By repute once part of the Bigelow Collection and disposed by auction in New England a few years ago.

Approximately 15.5cm square. The dish is in perfect condition.

Please study the p...

A JAPANESE ARITA PORCELAIN SQUARE DISH, EDO PERIOD.

An attractive Japanese Arita porcelain square dish with canted corners, decorated with an oversized sage lost in reverie by a lake. The unusual borders completely painted with figures in a landscape. Late 18th ~ early 19th century.

By repute once part of the Bigelow Collection and disposed by auction in New England a few years ago.

Approximately 15.5cm square. The dish is in perfect condition.

Please study the p...

A JAPANESE ARITA PORCELAIN SQUARE DISH, EDO PERIOD.

An attractive Japanese Arita porcelain square dish with canted corners, decorated with an oversized sage lost in reverie by a lake. The unusual borders completely painted with figures in a landscape. Late 18th ~ early 19th century.

By repute once part of the Bigelow Collection and disposed by auction in New England a few years ago.

Approximately 15.5cm square. The dish is in perfect condition.

Please study the p...

AN ARITA BLUE & WHITE MOKKO DISH, 2ND HALF OF THE 18TH CENTURY.

An attractive mokko (lobed) and moulded dish decorated with a figure seated beneath mist enshrouded trees. The cavetto is moulded with swirls and flowers, the rim with a dark iron rich kuchibeni dressing.

Approximately 22.5 cm wide. Fine original undamaged condition.

Please study the photographs.

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AN ARITA BLUE & WHITE MOKKO DISH, 2ND HALF OF THE 18TH CENTURY.

An attractive mokko (lobed) and moulded dish decorated with a figure seated beneath mist enshrouded trees. The cavetto is moulded with swirls and flowers, the rim with a dark iron rich kuchibeni dressing.

Approximately 22.5 cm wide. Fine original undamaged condition.

Please study the photographs.

Within the UK payment by bank to bank transfer is preferred.

Customers from other countries may pay...

A Japanese Arita porcelain Kakiemon style dish, circa 1720~1750 The square dish with indented corners, the rim with a deep kuchibeni brown rim, the centre with a gobenka motif. The cavetto is decorated with flowers and grasses amongst rocks. Tiny touches of coloured enamels have been applied to the design, a style first seen in the early 18th century. Within the foot-rim can be found a six-character imitation of a Chinese Ming Chenghua reign mark ‘Daimin Seika Nensei’. The first character D...

A Japanese Arita porcelain Kakiemon style dish, circa 1720~1750. The square dish with indented corners, the rim with a deep kuchibeni brown rim, the centre with a gobenka motif. The cavetto is decorated with flowers and grasses amongst rocks. Tiny touches of coloured enamels have been applied to the design, a style first seen in the early 18th century. Within the foot-rim can be found a six-character imitation of a Chinese Ming Chenghua reign mark ‘Daimin Seika Nensei’. The first character...

A good Japanese ukiyo-e painting on paper of a Kabuki actor. Early 19th century.

Approximately 47.3 x 23.4cm long. Laid onto backing paper. Some paper and paint losses. General wear and tear as expected with an old painting but such a good image, well worth some restoration.

Please study the photographs.

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A Japanese woodblock print from Ukiyo fuzoku Yamato nishiki-e (Japanese colour prints in Ukiyo style). The portrait is by Kabukido Enkyo, active 1796, of the Kabuki actor Ichikawa Yaozo III as Umeomaru.

This print is from the celebrated set of reproductions of the best of ukiyo-e art published in 12 large vols. 240 woodblock-printed reproductions of famous ukiyo-e prints. 1914. The project was overseen by Hashiguchi Goyo, 1880-1921, who also provided text and cover designs. ...

The right-hand sheet from the Yokohama-e triptych by Utagawa Hiroshige III (1843–1894) titled Yokohama Kagandori no fûkei, ‘Foreign Ships at the Seafront in Yokohama’. Signed Oju Hiroshige hitsu. Published 5th month, 1870.

He was a pupil of Andō Hiroshige.

A striking and decorative depiction of an European trading ship, ‘Black ship’,

Approximately 34.5cm x 23cm. Laid onto thick paper. A few stitching holes on right edge. Small damaged area on top...

Shirohato Hachiman Shrine from the series ‘Scenes of Famous Places along the Tôkaidô Road’ Tôkaidô meisho fûkei, also known as the Processional Tôkaidô, Gyôretsu Tôkaidô, here called Tôkaidô meisho no uchi. Published by Seibundô Masakichi. 1863 (Bunkyû 3), 5th month.

Ichieisai Yoshitsuya 1822 ~ 1866. was a pupil of Kuniyoshi.

Approximately 36 cm x 25cm. A few sewing holes in left margin. A good impression with fine fresh colour and in very good condition....

A Japanese palace scene painted by an unknown painter of the Tosa School, circa 17th century.

The Tosa School was founded in the Muromachi Period of the 15th century, and its painting was devoted to the aristocracy and its lifestyle.

Painted in pigments including silver leaf and black lacquer on paper. The fan is mounted on a paper backing sheet.

Approximately 49 cm. maximum length. 18.2 cm. width. Generally in good condition, wrinkled corners. A few extraneous m...

Family name Kanō Morizumi, Gō: Tanrei. Japanese style painter. Studied under Kanō Tambi Moritaka. After the Restoration, active as a Kanō painter; showed at several exhibitions sponsered by the government, receiving prizes. Member of the committee of the Nihon Bijutsu Kyōkai and Nihongakai. Produced a number of paintings for imperial buildings. ( from ‘A Dictionary of Japanese Artists. Laurance P. Roberts, Wetherhill, 1977.) He also founded the Kano-kai (Kano Associati...