Catalog (441)

It is Indigo & green Patched sashiko hand-Stitch silk rag�@edo era(1800-1867)Rare.It is sashiko- stitch for repair by hand.It can enjoy both sides . size:123cm x 68cm (48.4" x 26.7")

Edo Picture Hanabusa-Itcho Very rare screen Kano group. This is ground strewn with gold dust coloration Two Panel Screen drawn by Hanabusa-Itcho.� This is placed in "Gakusou" No. 10 of the Kyoto National Museum publication in March, 1988.� "Gakuso" is a very specialized book. The follows are extracted sentences �A Newly Discovered Screen with Bird-and-Flower Design on Gold-leaf �Decorated Paper by Hanabusa Itcho Hiroyuki Kano Hanabusa Itcho(1652-1724) was painter who was activ...

This is Sugido-e used in Kyoto Imperial Palace for Edo period. This was one of the collection of very famous kimono collector Shoujiro Nomura of Kyoto for the Meiji period. It is thought that this was drawn by Kano Eigaku of Edo period. He revived by a picture of the early period of Edo era in history. As for this, both sides reproduce design of the early period of Edo era together. Generally, Sugido-e has bad state. However, this is very good condition. And it is very important that the condit...

This is good-quality Noren used in the merchant's family of the Yamagata Shounai district for Edo period. The figure pattern of a wave and the plover means a good combination of attractive harmony. Merchants of Shonai thought about the harmony with local people to the first. And there was the harmony of a merchant and the farmer there. The good-quality hemp was dyed in Tsutsugaki. This does not have a stain and damage. The state is complete. Size 164cmx 178cm (64.5 "x 70"). Six width

Japanese Antique dark Indigo dye thick a little cotton& tsutsugaki Indigo dye jyofu(hemp) samurai dotyugi long coat of tha Edo era(1800-1867) rare.It has a few thin stains. and few remains of repair However, The stain does not stand out.It is no damage.They are not disturbing, and as a whole it is in very good condition.It is natural indigo dyed cotton and jyofu(hemp) and made of hand-spun . size:Length 130cm (51.1") sleeve to sleeve 125cm (49.2") Width of the shoulder 62cm (24.4")

This is shirushi-Hanten which a firefighter wore. A member of Nu-gumi wore this. The letter of the collar is written as Nu-gumi. The inside is good blue-colored cotton of the natural indigo plant. It is the good cotton that both sides were spun by hand. The small hole such as the image is it in three places and thin stain two places. The others are complete. Size 107cm x 120cm (42.1 "x 47.2")

This is Sashiko kimono used in Kaga area Kanazawa for the Meiji period. As for this, cotton is dyed with a natural indigo plant. The cotton is spun by hand. This is a very good texture. The pattern of Sashiko is a leaf of Basho. There are no stain, damage. The state is complete. Size: 132cm x 122cm (51.9 "x 48")

This is Tsutsugaki Noren used in the rich merchant's family of the Shonai, Yamagata district for Edo period. It is a characteristic of Edo period that a motif has dynamism. Good cotton spun by hand is used. The characteristic tortoise expresses Edo period well. This is dyed with a very good-quality indigo plant very densely. The movement of a crane and the tortoise. The movement of a wave and the cloud. The expression of the trees and plants. All these lines were created by good creativity. A fr...

This is one of the best Shounai-Noren used in Shonai, Yamagata area for Edo period. As for the hemp of this item, a delicate thread spun by hand is used. The pattern is full of Chadougu which was popular in Shikoku. Chadougu is an instrument used at tea ceremony. The Chadougu design reached shounai by a goods-carrying merchant ship. The artist Fujita displayed cloth full of Chadougu in the atelier of Japan. There was the picture near a great painter without sense of incongruity. As fo...

This is very rare Shibori Kimono produced in Akita Asamai area for Edo period. This is dyed with a natural indigo plant carefully. As for this, a pattern is Eba-gara. Three carps swim in the water like a brick. In the Hanada-colored ground, three bold carps and waterweeds with the force are expressed in indigo dyeing Shibori. This cotton is spun by hand. And it is a smooth good-quality texture item. The Eba-gara Shibori kimono was a great high-quality item ordered in particular for Nishimo...

This is Shibori Kimono produced in Akita Asamai area for Edo period. As for this, a pattern is Eba-gara. A carp swims in spray like a brick. The lower part is expressed in dark indigo dyeing Shibori in Shirakage-Shibori at the upper part. This cotton is spun by hand. And it is a smooth good-quality texture item. The Eba-gara Shibori kimono was a great high-quality item ordered in particular for Nishimonai-Bon dance. The Bon festival dance is enlivened wonderfully by a high Shibori technolog...

This is Sashiko Hanten which the leader of certain occupation group of Edo period wore. A technique to be called very high Sagara embroidery is used for this. This embroiders all by hand. The cotton thread used for embroidery is spun by hand. The thread is dyed with plant dye. It is clothes to identify social position promptly even if anyone looks. The part of the collar has a kanji of Toudori. Toudori meant the president of bank in the present age, but was used for a name of the head of variou...

This is Tsutsugaki Hanten of the very big size of the Meiji era. As for this, the powerful face of the dragon is very impressive. The good cotton of this texture is spun by hand. The part of the sleeve has two or three places of slightly thin stains. It does not stand out.As for this, the state is complete. There is no damage. You can enjoy it in this. This is dyed with a natural indigo plant�. shoulder length64cm(25.1�") Size: 125cm x 130cm (49.2 "x 51.1")

It is indigo dyeing Patched Sashiko-stitch beautiful BORO kimono of very rare and amazing in the Edo era . This is all an original state.This can enjoy both sides. As for this, the good cotton of a texture spun by hand in the Edo era is used. This was colored into Katazome, Shibori, solid color with an indigo plant of nature. This was found in the very rich area of the Tohoku district. It was food, money and an easy heart. As for this, hemp thread is used all for Sashiko. The thing is deep and t...

This was made in Amagi area in the Meiji era. This cotton was spun by hand. This Shibori was dyed with an indigo plant of nature. It is a swallow and a rainy image.In the small ring of Mame-ire Shibori, size delicately changes for handwork. And the vertical stripe has little rolling. It is a good point and fun of the handwork. F3.White cloth of the lining has thin stain and several places of eyelets. F1F2. However, they are hardly seen from the surface. An item of the same kind is placed in...

This is Tsutsugaki used in the Tohoku district. This was dyed with an indigo plant. As for it, dark blue and light blue contrast are fair. The cotton spun by hand has good texture. The local custom, the way of thinking affect the motif of Tsutsugaki. It is a very rare thing to adjust the hanging scroll of the letter to a theme happy. It is simple and sturdy, and this area assumes rusticity economy the history. There are two places of small stains. The others do not have any problem. Size: 152cm...

This is Asamai-sibori of the Akita area of the Edo era. It is dyed with an indigo plant of nature. This is good-quality thick cotton spun by hand. This is woven with a good-quality cotton thread spun in the country. The feel is good, and it is comfortable to eyes. A technique of good Shibori was introduced into the Asamai district from the Narumi district late in the Edo era. This is an expression method of early Asamai-Shibori. It is the simplest expression method of good-quality Shibori. The ...

This is Katsugi dyed with an indigo plant of the Edo era. This is made with high-quality hemp. The whole is dyed in Katazome. The part of the hem is drawn in Tsutsukaki. A rich family used Katsugi at the time of ceremonial occasion. This type of Katsugi was used in a part of Yamagata mainly. Jyofu-hemp Edo Katsugi often generally has heavy damage, but this item does not have damage at all.The width of Katazome is 13cm. There are several places of a few thin stains. Please enjoy bright indigo...

This is Tsutsugaki Yogi of the indigo dyeing tea service set of the Edo era. The cotton is spun by hand and is very thick. A color of the cloth is deep green. The green dyeing needs a technique higher than the dyeing only for indigo plants. Therefore it is a color required to the item of the upper class. And this was drawn in a good balance in very powerful Tsutsubiki. As for this, an instrument is expressed three-dimensionally. This bold picture and design were able to be produced only by Tsu...

This is Tsutsugaki firefighter coat of Edo era (1800-1860). This is cotton Hanten spun by hand of thick indigo dyeing. It is a design very impressive beautifully. Like F1 ~ F5, this has the part that some indigo blue changed. Both cuffs have damage such as F6. 108cm x 123cm (42.5 "x 48.4")

This is a rain jacket of the high-quality indigo dyeing cloth with splashed pattern cotton of the Edo era. The lining is indigo dyeing striped cotton cloth. The cloth with splashed pattern pattern is a referee's fan and a hat. The Western hat was a stylish item of the gentlemen at that time. There are a few stains to the hem. There is no damage. The cotton is spun by hand. Size: 92cm x 368cm (36.2 "x 144.8cm")

This is cloth of indigo dyeing cotton made in Aichi in the Meiji era. It colors the both sides (Ryoumensome) with the same paper pattern. Ryoumensome could use both sides, but the quantity of the work of the dyeing was double. Most Katazome dyes only one side. Because a craftsmAn imitated Shibori of the Narumi district, this Katazome is called NarumiKongata. And Narumikongata expresses delicate rhythm of Sibori smart in Katazome. There are no damage and stain. It is spun by Hand and dyed with an...

It is a silk kimono made in Akita region in the latter half in the Meiji era. In the times when better quality was found in the Meiji era, this is a superior expensive item. It is a kimono of precious silk not to be able to make in the present age.There are very few stains a little. I recommend this to collection of you. Size: 117cm x 114cm (46 "x 44.8")

This is made with crepe embroidery of the Edo era, printing silk, Akita silk. The time when this was made is the latter period of the Meiji. There is no stain dirt. The condition is good. The embroidery of four attractive cherry blossoms is impressive. Size: 89cm x 120cm (35 "x 47.2")

This flag is a very superior item produced by a bold line of Tutugaki, the delicate line of the sumi painting. The image of red Kintarou is an item to keep off an evil and smallpox. And the people prayed it in hope of the growth of the child. There are 22 places of embroidery marks of the flag. It is the embroidery that it is very unique, and is charming. 22 embroidery has each meaning. This has a thin stain. However, there is not the damage and is very high quality. The image of Tutugaki is d...

Douchuugi is Kimono which a person wore at the time of going out. This Douchuugi is the kimono which a samurai wore in a trip. List cloth is cotton. And lacquer is painted the surface with. Because it was able to rub against the surface which created beautiful changes. However, it is beautiful like "unintentional art". The lining is very good hemp of the Katazome- dye.It has three places of repair. There is one place of thin stain. Size: 83cm x 128cm (32.6 "x 50.3") It has three places of repair...

This is a hydrangea pattern and a high technique of yuzen dye, and shadow and the color of the leaf are expressed boldly. It is the gem which does not exist in other tsutsugaki. It is a painting of wonderful yuzen dye. Tsutsugaki is done by a considerably exact technology. It is a wonderful masterpiece of Edo at latter term. There is slightly a repair mark.It has several small holes.The material is hemp (superior grass cloth)and cotton. size:162cm x 140cm (63.7" x 55.1")

This is a cotton textile of the Edo era. This was introduced by Muneyosi Yanagi in the world in the 1900s. And it became very famous after it. It is woven by cotton and silk dyed with natural plant dye beautifully. You can enjoy cotton of Japan by touching it and the delicate change of the thread will be comfortable to your eyes. There are four places patchwork such as figure 1. It has a thin dirt of the aging in the whole. The same type of Tanba cloth is placed in the folk handicraft library...

This is an upper child kimono of the Shonai district (Yamagata). It features blue dyeing and beautiful Tutugaki The Yuzen process of the freehand drawing is beautiful, this is thick cotton spun by hand. And crane and tortoises of the freehand drawing run well too. Lining is cotton dyed with rouge made specially in Yamagata. There are four stains of approximately 1cm (figure 1). There are two places extremely thin stain (figure 2). And there is one place of old rectification (figure 3). You...

This is shijira Noshime kimono of the samurais with luster dyed with an indigo plant of nature of the Edo era. This has two places of small holes and thin stain This Nosime features deep indigo dyeing with clean luster and Kasuri of transparent blue. In this way, Nosime of the indigo dyeing of Sijira with the luster is rare. This was made in Kyoto and was used in Akita. Size 141cm x 132cm (55.5� x 51.9�)

It is Indigo dye silk shibori Pattern of impressive and charming sparrow kimono textile of the Taisho era.As for the change of the color of a white part, the paste which I used for dyeing changed.It has a few thin stains. However, The stain does not stand out.It is no damage. size:150cm x 121cm (59.0" x 47.6")

This is traditional Bugaku- clothes of the Edo era. This is the form that is traditional in silk twill fabrics. It has two extremely small holes. There are no stain and damage. The pattern is Ganryo- dyeing. It can be hardly exhibited at the market. Size 193cm x 186cm (75.9 "x 73.2")

It is indigo dyeing cotton Yogi of the Edo era. It uses technique of the ombre dyeing. It is dyeing of the high technique. It is handspan, handwoven and it is dyed with an indigo plant of nature. It has several places of repair traces. There is not the stain. It is all original in the Edo era. Size 147cm x 126cm(57.8"x49.6")

It is woven with common hemp thread, indigo-silk thread dyed beautifully and a double cotton thread dyed black. It is a very rare textile made in Iwate. The dye of the silk thread is bright blue. However, you can feel that you leave it a little in green. It is Noragi thick beautifully made in the Showa era from the Taisho era. Size 94cm x 116cm (37 "x 45.6")

This is chirimen-silk yuzen-dye and Embroidery yogi kimono in Edo period(1800-1867)Very rare.This yuzen-dye yogi kimono is a museum class.It all is expressed with embroidery and yuzen-dye. It is wonderful beautiful kimono. It does not have a stain. There is a small hole in several places. There is the part which a thread of the embroidery came off. However, it is excellent condition. size:186cm x 156cm(73.6" x 61.4")

It is considered that the sacredness which symbolizes the crop of a rich grape tree is a tree.The tree of the grape has a feeling of a lively motion very much. This is a "yogi", a kind of futon in the shape of kimono made of hand-spun cotton of Edo era (1800-1867). It is stuffed with cotton and has hand-spun cotton lining dyed with vegetable color. It is damage few very good condition.The motif of the tree of this grape is very rare and precious tsutsugaki textile. I recommend this tsutsugaki...