Catalog: Estate Jewelry: Gold: Pre Victorian (19)

Renaissance 22 Carat signet ring with a deeply carved intaglio puzzle in the form of a pictogram which uses pictures and letters to spell out words that convey its meaning. The rebus reads "Love You" with the heart symbolizing love and the V (based off the old Latin alphabet) for the letter U, representing the vowel U which represents "You". The ring is unmarked and a size 6 and in excellent condition.

A renaissance era poesy ring (spelled posy, posie, or posey), the outer ring of our posy has a chequerboard pattern with the darkly romantic inscription "Yours till death". The u in the letter Yours is written as a V because it is based off the Latin alphabet which used the letter V to represent both letters. Posey rings were popular in France and England between the 1400's and 1700's and were often given as gifts between lovers...

Late Georgian multi stone harlequin eternity band with individually carved stones bordered in gold which form a complete band, a series of circles within a circle. Rarely have we found an eternity band in a large size 13. The word "harlequin" comes from the kaleidoscopic costumes of the 16th Century European comedy actors known as ‘harlequins’, conversely, the harlequin ring is also vibrant and colorful...

Our poesy ring (spelled posy, posie, or posey) has the deep color of a 22carat ring along with a textured pattern and an interesting inscription "Seale up Secrets" that is both biblical and romantic in substance. The term "seale up secrets" with its Gothic spelling of seale, refers to the biblical phrase "seal up". In the Bible, the phrase "seal up" is often used to refer to something being kept secure until a specific time...

Impressive Georgian diamond cluster ring with nineteen diamonds in set in a silver setting with an 18K delicately incised and unusually shaped gold band dating to c. 1780. The pictures speak for themselves. The ring is oriented radially around a large central Georgian diamond and surrounded by 12 smaller Georgian diamonds with three diamonds are fitted into the remaining space around each side in a perfectly symmetrical form. The ring is a size 7.25 and sizeable.

This spectacular mourning band is of black enamel with accents of white enamel and bordered in gold accents. With its breathtaking miniature painting of a young girl, this ring is a fine example of the neoclassical influences of the Georgian period on mourning jewelry. The heavy graphic representations of death so prevalent before this time no longer suited the lightness of the Georgian era...

A most interesting mourning ring style of the period; the two sided mourning ring with a swivel bezel. One side has a lock of hair under crystal and is bordered with pearls, representing tears, in a pinched gold setting. The other side is a black enamel rectangle inscribed with Mark Hodgson ESQ died 12 July 1810 aged 52 in gold letters...

15K Rare Georgian diamond cluster ring consisting of 6 large stones cut en cabochon (no facets and polished smooth) and set in a radial pattern around a large center diamond. 6 smaller stones are set along the border. The border is crimped, a feature of hand wrought gold-work of this period. The diamonds are set in silver. There is nary a claw in sight as the Georgians believed claws detracted from the beauty of the diamonds...

Substantial 18K C1840 diamond cluster ring with 8 round diamonds in a crimped collet setting surrounding a central natural gem, sherry brown topaz and hand set with a decorative band with carved flourishes along the shoulders...

Our C1790 ring is an 18th century glass intaglio of an ancient signed gem depicting the head of a laughing satyr, or faun (a young satyr). Such carvings were called Tassies (explained further down). "Gems" in this case refers not to precious stones, but to ancient classical Greek carvings, highly valued miniature works of art. Our glass intaglio is signed in Greek for Ammonioy, meaning "by Ammonios"...

We love the patina of this antique delicate carved amethyst intaglio depicting a charming bird perched on solid ground, beak pointed upward mounted in a later, retro hammered 24K gold band. The ring is substantial at .38 inch high but not overwhelmingly large. At almost 14 grams and 24K (stamped), this ring is solid gold yet feels surprisingly light. This modern looking signet ring is easy to wear and marries beautifully with other rings. Not to be missed. The ring fits a size 9-9.5 finger.

Queen Anne period (1740) large beautifully faceted octagon cut amethyst solitaire ring in a later 18K gold band. This style of jewelry has been historically misnamed for Queen Anne, who reigned from 1695 to 1714, as so called Queen Anne jewelry dates to the mid 18th century. Among other details, we love this ring for its eighteenth century octagonal shape, the quality of the amethyst and the crimped collet gold setting...

This Georgian diamond solitaire ring is set in 15K gold and has lovely engraved shoulders (also referred to as chased). The old mine cut diamond, chased shoulders and smooth polished gold back (beautiful in its own right) make this ring classically Georgian. There is not a prong visible on this diamond as a Georgian era goldsmith only wanted the diamond to be visible...

Late Victorian signet ring, hallmarked for the year 1907-1908 and monogrammed with initials WW or MM, carved to a polished gold face and set into a band with carved scrolled shoulders. The ring featured on this listing is modeled on the ring finger. We think it looks great with other signet rings or by itself. The ring is fairly large in scale at over a half inch wide and a half inches tall (1.4 cm North-South and 1.2+ cm East-West), US size 8 and size-able.

The devil is in the details. Every detail of our 18K woven gold gloved hand bracelet with guilloche enamel cuffs are is a beauty to behold. Our bracelet was handcrafted by skillful Georgian goldsmiths who took care to make sure that every part of this bracelet met their exacting standards. And it shows. We call this a "woven" gold bracelet because during the Georgian period goldsmiths were adept at weaving gold so that it resembled and felt more like fabric than metal chain...

This ring has many Georgian era characteristics, including the symmetry of the 10 Georgian diamonds surrounding a central larger diamond, the silver surround of the gemstones and the impressive gold craftsmanship of the fully closed back. The band is 3 horizontal bands linked with 3 vertical elements and is comprised of 4 sections with a carved gold leaf set into each...

C1770 Silver gilt ring with Glass Tassie cameo portrait of an 18th century gentleman, thought to be young Prince William Henry Duke of Gloucester, younger brother of King George III. Rings set with portrait miniatures of sovereign figures were quite popular and widely distributed. A "Tassie" is a paste or glass copy of a cameo or intaglio. They were named for James Tassie, 1735-1799 who invented a technique for producing perfect copies of antique cameos and intaglios, which have the same deta...

This is a spectacular one of a kind cameo portrait signet ring collector's item made of an sardonyx, a variety of banded onyx and a form of chalcedony quartz of reddish brown. Portrait cameos were often commissioned by those who had amassed enough wealth to leave their mark on society. The wearer of such a ring would demonstrate admiration for a particular philosopher, writer or popular figure in society. The possession of a ring set with a cameo established the owner of the ring as a person o...