Asian Antiques by Silk Road
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #792803 (stock #13-03)
Silk Road Gallery
$1,150.00
A crowned bronze Buddha in the Arakan style sits in meditation on a double lotus throne that rests atop a large figural pedestal. This early 20th century lost wax casting of a royal Buddha follows a form introduced in the 14th century Arakan Kingdom that was located in what is now Rakhine in Western Burma. The high opulent crown, side flanges, ear plugs and elaborate chest ornament are Arakan jambhupati features. Origin of the unusual pedestal is not so easily discerned. The central figure most ...
All Items : Antiques : Regional Art : Asian : Chinese : Wood : Pre 1910 item #1240857 (stock #51-27)
Silk Road Gallery
$295.00
This late Qing Dynasty carved wood home altar, referred to as a “Buddha House,” is from Shandong Province in East China. It includes a wood cover that was slipped down over the altar, where a small Buddha was displayed. The cover was removed for family devotions. Gilded pierced carving framing the altar, while it appears to be scrolling or foliage, on close inspection is two stylized dragons that form the sides of the frame. The altar is just deep enough to display a figure up to 9 ¼” ...
All Items : Antiques : Regional Art : Asian : Japanese : Textiles : Pre 1910 item #763043 (stock #18-20)
Silk Road Gallery
$500.00
The phoenix, emblem of peace, shimmers in shades of yellow, blue and purple on both sides of this Meiji era silk obi. A background pattern in cream and brown provides a counterpoint to the colorful birds and flowers. This is a "hitoe" obi, which means it is woven and unlined, meant to be worn during the hot Japanese summers. Hitoe obi were made in varying widths and lengths and in either single or double layers. This one, at 12-3/4 feet long and nearly 13 inches wide is exceptionally large for a...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #896352 (stock #63-23)
Silk Road Gallery
$695.00
An offering stand, or “kalat,” used by the Intha people who live in the villages around Inle Lake in one of the Shan states in northeastern Burma, is from the late 19th century. A similar though more recent piece in the British Museum is pictured in “Visions from the Golden Land: Burma and the Art of Lacquer,” by Isaacs and Blurton, British Museum Press, p. 163. Kalat stands such as this were used by families in much the same manner as the tall, spired hsun-ok to carry offerings of food ...
All Items : Popular Collectibles : Cultural : Chinese : Pre 1990 item #776684 (stock #03-77)
Silk Road Gallery
$90.00
A Chinese folk painting from a remote village in the mountains of Yijun County, Shaanxi Province, shows a mythical beast with feathery fangs and a pinwheel on his rump. Paintings from this isolated community above the tree line, drawing on centuries-old embroidery and papercut patterns used by the women of the village, often featured extraordinary creatures in fantasy-like settings. The work of Yijun's peasant painters is included in "The Best of Modern Chinese Folk Painting," published by Fore...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #886035 (stock #11-15)
Silk Road Gallery
$600.00
An early 20th century Buddha from a Shan village in Burma wears an outer robe that flares wide at either side framing a lavishly adorned robe pulled tightly across the legs in a form fitting look originally associated with Pagan figures. The Buddha has the right hand turned palm out in varada mudra, a gesture of wish fulfillment and charity. Carved of teak wood, it is coated with dark red lacquer touched with gilding. Robe adornments were created with a uniquely Burmese lacquer process involvin...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #877672 (stock #63-04)
Silk Road Gallery
$800.00
This mid-19th century wood offering bowl is from Pagan, an area recognized for producing the finest lacquer items in Burma. Many layers of black lacquer cover the wood base and are topped with a lacquer mixed with cinnabar pigment. These outer red layers have worn away in many places, showing the black lacquer underneath and creating an attractive patina. (For a similar offering bowl see "Burmese Crafts Past and Present" by Sylvia Fraser-Lu, Oxford University Press, 1994, color plate 45.) The ta...
All Items : Popular Collectibles : Cultural : Contemporary item #1074923 (stock #19-71)
Silk Road Gallery
$230.00
Pair
The faces of comedy and tragedy are represented in this pair of masks carved of hibiscus wood by I. W. Mudano, a second generation master carver from Indonesia. Mr. Mudano, who has exhibited internationally for decades, works primarily in yellow hibiscus wood, and is recognized for his special talent in making delightful artistic use of the natural variations in the wood’s grain and shades. These masks were purchased more than 20 years ago from the carver in his studio in the small town of Mas...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1970 item #698608 (stock #30-99)
Silk Road Gallery
$395.00
This triptych tableau featuring the Buddhist earth goddess, Wathundaye, is carved of teak and fitted with wood hinges to form a folding altar. The mid-20th century piece is from the countryside in Burma, where Wathundaye is a revered Buddhist icon. She is shown in the act of wringing water from her long hair, depicting a Jataka story that credits her with using the water to drown the evil Mara and his armies who were attempting to disrupt Buddha's path to enlightenment as he meditated under the ...
All Items : Antiques : Regional Art : Asian : Japanese : Furniture : Pre 1837 VR item #894121 (stock #07-61)
Silk Road Gallery
$890.00
A merchant’s money box, or zeni-bako, from Japan’s Edo Period carries an inscription that reads, “Purchased one lucky day in November in the 12th year of Bunsei,” which was 1829. The small copper coins in use at that time were called “zeni” and led to the development of simple, strong boxes for merchants to store coins during the business day. This box is made of thick keyaki wood and fitted with an iron lock and hasp. The top is constructed in two sections with a hole in the middle ...
All Items : Antiques : Regional Art : Asian : Central Asian : Textiles : Pre 1910 item #168408 (stock #15-40)
Silk Road Gallery
$900.00
Susani (sometimes spelled "suzani") is the word for "needle" in Farsi, and the large embroidered dowry textiles of Turkic groups are so named because of the many hundreds of hours of needlework required to produce them. This one is from Uzbekistan, where Uzbeks and Tadzhiks share similar textile traditions with the Turkmen and other neighboring peoples in Central Asia. Susani designs and colors vary quite a bit from one locale to another, and the city of origin often is apparent at a glance to s...
All Items : Vintage Arts : Regional Art : Asian : Chinese : Jewelry : Pre 1980 item #719121 (stock #41-24)
Silk Road Gallery
$275.00
Lavender jade from Burma is carved into a figure of Quanyin, the Buddhist bodhisattva revered in China as the goddess of mercy. Quanyin stands on the head of a dragon that curves up and behind her, with the tail curving over her head to create a halo. The figure, shown here hanging on a chain as a pendant, is carved on both sides. The lavender hue of the jade is most pronounced across the bottom of the piece where the jade has the greatest depth for the carving of the dragon head with a ball in ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1920 item #854196 (stock #10-68)
Silk Road Gallery
$390.00
This large lacquered early 20th century bowl from the Shan people, who live primarily in eastern parts of Burma and across the border in western and northern areas of Thailand, is called a “kwet” and was used to serve huge quantities of rice. It is made of split bamboo basketry supported by six sturdy ribs that curve down to end in six low feet. The basic bamboo construction is coated inside and out with layers of black lacquer overlaid with layers of red lacquer. The basketry shows through ...
All Items : Vintage Arts : Regional Art : Asian : Indian Subcontinent : India : Pre 1980 item #418264 (stock #61-21)
Silk Road Gallery
$350.00
Fine silver wire braided into three ropes gives texture to this mid-20th century sterling bracelet from India's remote Western outpost city of Jaisalmer in the Thar Desert. Three disks, each with an embossed flower, are affixed to three of five bars that clamp the ropes together. This elegant, understated piece of jewelry is in excellent condition. About 70 years old, it was made by the Jain people, a minority group in India who practice Janism, an ancient belief system that includes elements fr...
All Items : Antiques : Regional Art : Asian : Chinese : Textiles : Pre 1900 item #890110 (stock #52-16)
Silk Road Gallery
$450.00
An embroidered silk cloud collar made for a child in late 19th century China has seven silk lappets, each embroidered with a lamb. In both city and provincial households, embroidery, an ancient Chinese art form, used symbolic animals, birds and flowers in free designs to express hopes for the future of family members. The lambs on this charming Shaanxi Province collar symbolized filial piety, an important Confucian trait that was encouraged on this piece seven times over. Called cloud collars, s...
All Items : Vintage Arts : Regional Art : Asian : Indian Subcontinent : India : Pre 1940 item #704729 (stock #61-23)
Silk Road Gallery
$350.00
A bracelet of braided silver has three silver emblems that are an identifying symbol of Janism, an ancient belief system practiced primarily in India, where small but influential Jain communities are scattered throughout the country. The symbol on this bracelet often is seen outside Jain houses. The Jains, typically well educated and prosperous, are known for business acumen and for their prominence in India's jewelry trade. This bracelet is from Jaisalmer, a remote western Indian city on the ed...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1800 item #284166 (stock #08-04)
Silk Road Gallery
$450.00
Seated on a faded red lacquer throne, this little Buddha is a humble, quiet figure. With shallow carving that suggests rather than sharply defines the facial features, the smooth oval face takes on an enigmatic, ethereal look. The small body is compactly folded to fit precisely on the narrow throne, giving the impression that the figure is conserving space. Fingers on the right hand, in earth touching mudra, are exceptionally long. Three lines of script etched into the lacquer around the base of...
All Items : Antiques : Regional Art : Asian : Chinese : Scholar Art : Pre 1900 item #145210 (stock #38-57)
Silk Road Gallery
$390.00
The wide wing span of a bird forms the top of this mid-19th century Qing Dynasty inkstone. The dark purple-grey stone is unusually shallow for an inkstone, which contributes to the sleek look of the bird motif. Scholars selected inkstones with great care and had them carved with symbols they hoped would encourage and inspire their higher sentiments as they created poetry, calligraphy and paintings. This inkstone is in perfect condition, with a nice ink-coated patina and a well used ink grinding ...