Asian Antiques by Silk Road
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1492 item #718754 (stock #40-85)
Silk Road Gallery
$1,100.00
A 600-year-old bronze Buddha from the old Shan capital of Pinya in northern Burma sits in padmasana position with right hand in bhumisparsa, or earth touching, mudra. The Shan, who migrated down into north Burma from Yunnan, China, established their first capital at Pinya in 1298 during Burma's early Ava Period (1287-1752). In 1364, a Shan capital was established in Ava, where the Shan stayed until 1555...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1492 item #724257 (stock #62-48)
Silk Road Gallery
$600.00
This well preserved tablet dating to the 11th century is a terracotta image of Buddha seated in bhumisparsa, or earth-touching position, within an arched niche under a tree. The tree possibly represents the bodhi tree where Buddha attained enlightenment. Relics such as this have been recovered from under stupa throughout Burma. Small clay votive plaques were first introduced in neighboring India as mementos for pilgrims visiting Buddhist sites...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #903490 (stock #57-38)
Silk Road Gallery
$975.00
A Mon Buddha from 18th century Burma has the distinctive facial features and very high finial that identify Mon images from the Ava period. The waisted throne is edged with geometric decorations typical of Mon images of the era. We purchased this figure about 20 years ago in Burma from a dealer whose collection included mostly 19th century Shan images...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1700 item #699949 (stock #25-64)
Silk Road Gallery
$1,100.00
This Ava Period (1287-1752) limestone Buddha head was found in Burma in the mid-1990s. It obviously was cut from a stone backslab, indicating an early to mid Ava timeframe since the use of backslabs, prevalent during the earlier Pagan Period, declined during the late Ava years. The Buddha has a wide, squarish face, prominent eyebrows, well modeled lips and smooth cap, all Ava attributes...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1837 VR item #396830 (stock #39-38)
Silk Road Gallery
$1,200.00
Shimmering gold and blue tiles represent scales on this 200-year-old naga (sea dragon) that stands 50 inches (127 cm) tall. Used in Thailand as temple roof finials or in pairs at entrances to guard against evil spirits and natural disasters, the powerful, mystical naga are among the most revered Buddhist symbols. With its soaring, curving form and large size this particular naga is especially sculptural...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #265851 (stock #10-44)
Silk Road Gallery
$300.00
One of the most exotic sculptural forms in Southeast Asia, the naga, a sea dragon with a high curving spire, is seen at temple entrances an on roofs. This 19th century carved teak wood naga was once a finial on a temple roof in Thailand. The mythical serpent is said to have protected the Buddha from lightning as he sat meditating under a bodhi tree and so is used to guard against evil spirits, particularly natural disasters...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #686777 (stock #63-41)
Silk Road Gallery
$795.00
Right hand raised in jnana (teaching) mudra, this Burmese bronze Buddha sits in lotus position on a double lotus throne. The Buddha's thumb and index finger form a circle to signify the Buddhist wheel of law, the dharmachakra. This early 20th century Buddha is Ava in style, with the body tilting slightly forward on a waisted lotus throne that is tall relative to the height of the figure...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #792803 (stock #13-03)
Silk Road Gallery
$1,150.00
A crowned bronze Buddha in the Arakan style sits in meditation on a double lotus throne that rests atop a large figural pedestal. This early 20th century lost wax casting of a royal Buddha follows a form introduced in the 14th century Arakan Kingdom that was located in what is now Rakhine in Western Burma. The high opulent crown, side flanges, ear plugs and elaborate chest ornament are Arakan jambhupati features. Origin of the unusual pedestal is not so easily discerned...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #678034 (stock #63-44)
Silk Road Gallery
$595.00
Seated in lotus position, this early 20th century bronze Burmese Buddha has classic Ava features. The right hand is in bhumisparsa mudra (earth touching, centering), the robe is quite simple, the face triangular with small upturned mouth and the head is topped with an onion-shaped finial--all Ava attributes. Unlike the more ornate double lotus throne seen on many Ava figures, however, this Buddha of later vintage sits on a plain waisted throne...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1700 item #191478 (stock #41-10)
Silk Road Gallery
SOLD
This is a museum-quality 16th century bronze Ava Buddha with a dedication inscription on the back of the high stepped throne. The bronze has aged to a wonderful black patina, and remaining gold leaf on the finely modeled figure and throne adds richness. The face has sweeping brows and well executed eyes. The high usnisha is topped with a narrow lotus bud finial. The Buddha sits in interlocking lotus position with the bottoms of both feet prominently displayed...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #1245861 (stock #57-74)
Silk Road Gallery
$500.00
A Khmer face with full lips, short nose and eyes that tilt upward at the outer corners identifies the Cambodian origin of this early 20th century cast metal standing Buddha...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #894706 (stock #63-51)
Silk Road Gallery
SOLD
These lacquered wood figures of Buddha and five monks are from Burma, where they are displayed to commemorate Dhama Sakya, or First Sermon Day, in honor of what is believed to have been the Buddha’s initial teaching following enlightenment. The important event is celebrated annually on the fourth day of the sixth month of the Buddhist calendar, which falls sometime in June or July. In the tableau, the Buddha, after just achieving enlightenment, meets five ascetics at the town of Saranath, nea...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #936671 (stock #41-17)
Silk Road Gallery
$1,800.00
A dolomite plaque carved with the eight great scenes in the life of Buddha dates to the early 16th century during Burma’s Ava Period (1364 -1752 A.D). Plaques from as early as 700 A.D. depicting these eight events have been unearthed in Burma, and during the Pagan Period (1084-1287 A.D.) carved tablets representing the eight episodes became prevalent. This dolomite (limestone) piece has Pagan attributes such as the definition of the robe on the central Buddha but signals of its later Ava orig...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #768181 (stock #63-56)
Silk Road Gallery
$850.00
This very unusual rotund 19th century Burmese Buddha is patterned after a statue said to be carved of the wood of the sacred Bodhi tree in Anuradhapura, Sri Lanka. See a photo and description of a similar Dakkhina Sakkha Buddha in the periodical "Arts of Asia" June 1981 issue in an article on Burmese Buddha figures by Burma art expert Sylvia Fraser-Lu. Nine small knob-like disks representing auspicious marks are prominent on this Buddha--one on each shoulder, elbow and knee, two on the posterior...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #981876 (stock #10-47)
Silk Road Gallery
$890.00
A classic Burmese bronze Buddha from the late 19th/early 20th century, with the simple, unadorned lines of the Ava Period, is softened with roundness in the face and body. The stepped throne, rather than the traditional diamond shape, also is rounded, adding to the settled, secure look of the figure. Legacies of the traditional Ava style also are seen in the well defined brow over lowered eyes, the slight smile, and a band separating hair and forehead. It was a common practice during the 19th a...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #949034 (stock #57-73)
Silk Road Gallery
$850.00
This cast metal Buddha from Cambodia stands on a low pedestal with right hand raised in abhaya mudra, a gesture of blessing and protection. The facial features—full lips, short nose and heavy-lidded eyes, as well as the rounded head of tight curls with a wide usnisa (top knot) and no finial—are classic Khmer. Decorative detailing on the body-hugging robe is emphasized by the silver tone of the heavy metal alloy. This early 20th century Buddha is in good condition, with some surface pitting c...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #757166 (stock #08-03)
Silk Road Gallery
$375.00
A modest little folk Buddha with right hand in earth touching mudra sits on a red and black double lotus throne. Made of lacquered teak wood, the carving is from the Shan minority in Burma. The gilded Buddha has the downcast eyes, prominent brow, small chin and large finial generally seen on Shan figures. It most likely was displayed in a village daimyo, a covered outdoor pavilion with a stepped altar holding a number of Buddha figures of various sizes, a local gathering place for daily devotion...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1700 item #694620 (stock #25-65)
Silk Road Gallery
$1,100.00
This limestone Buddha head has been in our collection since the mid-1990s when we purchased three of them, each with features distinctive from the others but all carved from the same stone and of Burma's Ava Period (1287-1752). The other two of the three appear to have been cut from a back slab; this one is almost fully in the round. All three heads have the Ava characteristics of prominent sweeping eyebrows over half-closed eyes, well modeled lips and a smooth cap over the hair but differences ...