Asian Antiques by Silk Road
All Items : Vintage Arts : Regional Art : Asian : Chinese : Snuff Bottles : Pre 1970 item #710691 (stock #54-35)
Silk Road Gallery
$130.00
An amber-colored snuff bottle has carvings of eight fish, auspicious Chinese symbols of wealth, abundance, freedom and harmony. Four fish swim on one side below calligraphy incised on a shoulder of the bottle; four fish on the other side swim among lotus plants, emblems of fruitfulness. For good measure, a ninth fish is incised between the two carved areas. Dating from mid to late 20th century, this piece is a relative newcomer in the venerable snuff bottle field...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #969594 (stock #10-78)
Silk Road Gallery
SOLD
This graceful Mandalay Buddha, nearly two feet in height, seems to float above its low double lotus throne. The floating effect is achieved with the robe, edged in a Burmese lacquer technique called thayo that ripples lightly across the wide pedestal and cascades in loose folds down the front and back of the slender figure’s left shoulder. The face is serene, with wide downcast eyes and finely executed nose and mouth...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #945150 (stock #40-09)
Silk Road Gallery
$160.00
This silver and clay pipe is from a Lawa tribal group living in northern Thailand. (For Lawa pipes similar to this one, see “Peoples of the Golden Triangle,” by Paul and Elaine Lewis, Thames and Hudson, 1998, p. 66.) The Lawa, also called Lua or Wa/Lawa, are a lowland people, one of the smaller tribal groups among the hill tribes of Thailand, Burma and Laos...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #167518 (stock #16-44)
Silk Road Gallery
$160.00
This primitive carved wood mask is from the Batak people who live around mystical Lake Toba in the northern reaches of the island of Sumatra. The small collection of Batak protector masks pictured in this catalogue (see them all under our category "Tribal") shows the fascinating range of facial expressions artisans were able to achieve in these relatively simply carved masks...
All Items : Vintage Arts : Regional Art : Asian : Japanese : Textiles : Pre 1940 item #790468 (stock #54-14)
Silk Road Gallery
$360.00
A Japanese silk summer-weight hitoe obi has impressionistic designs of graceful dancers and tori gates in cooling shades of silver on a purple background. This woven silk kimono belt is unlined and constructed of one layer of fabric, unlike the more formal maru and fukuro obi...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #1345209 (stock #64-46)
Silk Road Gallery
SOLD
Eight bronze weights, commonly known as opium weights, are cast in the image of a mythical wild goose. The bird, referred to as "hintha" in Burmese or as "hamsa" in Sanskrit, is regarded as a sacred icon and also is the symbol of Burma's Mon People. Weights in the forms of mythical birds and animals were used in Burma from the 18th century into the 20th century to weigh small household items purchased in the marketplaces...
All Items : Vintage Arts : Regional Art : Asian : Chinese : Sculpture : Pre 1940 item #1345065 (stock #10-50)
Silk Road Gallery
$675.00
Carved from stone, weighing 98 pounds and standing 32 inches tall, this Buddha is unique--both spare and complex. From the side the figure is simplified and angular; the front and back are rounded, and the face is detailed. The figure conveys both strength and warmth through facial expression and hand gestures. A touch of hauteur in the face is softened with hand gestures (mudra)...
All Items : Vintage Arts : Regional Art : Asian : Japanese : Textiles : Pre 1930 item #636196 (stock #92-31)
Silk Road Gallery
$600.00
This Japanese silk shibori jacket (haori) is an exceptional example of the artistry of textile craftsmen in early 20th century Japan. The shibori technique practiced in Japan required that the many thousands of circles that form the fabric's intricate patterns be created by tying off each tiny section of about one-half centimeter with silk thread. The dot patterns on this haori form a dazzling variety of waves, clouds, flowers, leaves, stars, traditional Japanese symbols and geometric designs...
All Items : Vintage Arts : Regional Art : Asian : Chinese : Jewelry : Pre 1980 item #334861 (stock #41-23)
Silk Road Gallery
$275.00
This delicate carving of Guanyin, the revered Chinese goddess of mercy and compassion, was done in Burma in Burmese jade. Evidently carved for the ethnic Chinese community there, it is Chinese in style, with the goddess wearing her traditional headpiece and robe, holding a vase and standing on waves. She is carved in relief against a large curving dragon, which is fully visible in detail on the back side of the pendant. This jade piece is in excellent condition, and hangs from a fine gold chain...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #167330 (stock #39-12)
Silk Road Gallery
$675.00
The contrast of the smooth, dark sheen of the face with the light, dusty grey of the hair is a compelling feature of this well cast bronze head. Cast in Thailand about 30 years ago, it is in a style that originated during the Ayutthaya Kingdom (1350-1757), characterized by the full serene face with delicate eyebrows, slightly flared nostrils and well defined lips with the hint of a smile. Tightly curled hair in small spirals covers the head and unisha...
All Items : Vintage Arts : Regional Art : Asian : Indian Subcontinent : India : Pre 1980 item #654371 (stock #61-39)
Silk Road Gallery
$90.00
The graceful musician in this Rajasthani miniature gazes at birds while she plays a stringed instrument. The painting, from the late 20th century, is in a style that originated in the Kishangarh area of the Indian state of Rajasthan. It is done on heavy old parchment and includes two lines of calligraphy in Urdu above the painted area. A signature in the lower left indicates the painter was Yogya Pralash. The miniature is in very good condition...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #811124 (stock #64-05)
Silk Road Gallery
$450.00
The monks Sariputta and Mogallana have been honored in Burmese Buddhist art as the two chief disciples of Buddha for more than 800 years, as evidenced by their images on 12th century plaques excavated at Pagan. Until the late 18th century they were most often integrated into carvings and bronzes of the Buddha. After artisans started carving and casting each of the figures separately, the pose of each monk evolved into the traditional poses seen on these black lacquered carvings, and now vary mai...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1950 item #909778 (stock #11-02)
Silk Road Gallery
$875.00
This crowned Shan Buddha sits in bhadrasana, or Western position, on a tall stepped throne of unusual design. The carved teak wood figure has the winged side flanges and spired crown centered with high finial that identify royal Buddha figures from Burma. Shan artisans often added Arakanese accoutrements such as long ear pieces and ornate epaulets and chest ornaments to jambhupati (crowned) Buddha but this one has none of those; instead, the artisan provided a striking throne that nicely balanc...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #800345 (stock #11-25)
Silk Road Gallery
$450.00
Monks Sariputta and Mogallana, two chief disciples of Buddha, are carved in heavy Burmese teakwood. Important to the Buddhist iconography of Burma, the two are said to have been Brahmin ascetics who were among the earliest followers of the Buddha. The figures have a long history in Burmese art, appearing beside Buddha on 12th century plaques excavated at Pagan and down through the centuries in bronzes, paintings and carvings, always accompanying Buddha. Around the late 18th century, artisans beg...
All Items : Vintage Arts : Regional Art : Asian : Chinese : Paintings : Pre 1980 item #999275 (stock #29-54)
Silk Road Gallery
SOLD
The orchid and bamboo, classic Chinese brush paintings, were prized by Chinese scholars who positioned the paintings prominently in their studios because, they said, the nature of the orchid and bamboo closely mimicked laudable human virtues. Orchids represented love, beauty and refinement, and bamboo stood for longevity and durability. They were among the four plants the literati identified as “Noble Paragons.” (Also included were the chrysanthemum and plum blossoms.) These two paintings ar...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1940 item #924655 (stock #62-25)
Silk Road Gallery
$600.00
A tall carved teak Mandalay Buddha has an elegantly draped robe with a deep edging of thayo, a lacquering technique used for centuries by Burmese artisans to create the look and feel of intricate wood carving. The forehead band is also thayo, lacquer thickened with bone ash that dries to the hardness of wood. A thin brown/red lacquer applied over the carved teak allows the grain of the dense native wood to show. Traces of gold add richness to the figure and double lotus throne. The face is beau...
All Items : Vintage Arts : Regional Art : Asian : Indian Subcontinent : India : Pre 1940 item #704729 (stock #61-23)
Silk Road Gallery
$350.00
A bracelet of braided silver has three silver emblems that are an identifying symbol of Janism, an ancient belief system practiced primarily in India, where small but influential Jain communities are scattered throughout the country. The symbol on this bracelet often is seen outside Jain houses. The Jains, typically well educated and prosperous, are known for business acumen and for their prominence in India's jewelry trade. This bracelet is from Jaisalmer, a remote western Indian city on the ed...
All Items : Vintage Arts : Regional Art : Asian : Indian Subcontinent : Himalayas : Pre 1980 item #719796 (stock #55-98)
Silk Road Gallery
$90.00
Lapis and carnelian stones in an ornate setting mounted on a band of light, feathery etching is somehow evocative of Nepal where this bracelet originated. The bracelet is sized relatively large and, while it can be adjusted, may fit and look best when worn over a heavy sweater or jacket cuff. From the late 20th century, the piece is in excellent condition. We do not know the silver content but suspect it is relatively low as is typical for jewelry from Nepal. The inside width of the bracelet mea...