Asian Antiques by Silk Road
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All Items : Antiques : Regional Art : Asian : Chinese : Architectural Elements : Pre 1900 item #153013 (stock #35-95)
Silk Road Gallery
$290.00
A bearded scholar gestures with a fan in this late 19th century Chinese relief carving. In old China, a fan often was used by scholars and officials as part of a gesture to emphasize a special point. Two visitors, a man and a woman, are shown outside the scholar's studio, which is suggested by a bit of roofline, window and a vase of flowers. Carved below the roundel is stylized bat, symbol of good fortune. A hanger has been added to the carving, which may have been an element in a large architec...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #154386 (stock #08-07)
Silk Road Gallery
$500.00
In Burma's remote villages, Buddha images displayed in temples and homes sometimes were the work of local artisans. The figures, created with great reverence, are humble and often quite appealing. This charming 18th century folk Buddha is from the Shan people, one of the numerous ethnic groups that make up Burma's devoutly Buddhist population. The image, carved from teak wood, was coated with several layers of black lacquer and then gilded, typical for Burmese carved wood figures. As a final ste...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #261283 (stock #57-66)
Silk Road Gallery
$175.00
The lid of this 19th century Burmese lacquer traveler's box is incised with a charming scene of two figures, separated by a tree, each of them with one hand raised in a farewell wave. Made by layering many coats of lacquer over a base constructed of fine strips of coiled bamboo, Burmese lacquerware is light and durable. The design on this box is hand drawn using a method called yun-incising. Lines were incised through the top coats of black lacquer to reveal the persimmon-colored lacquer underne...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #1136045 (stock #63-11)
Silk Road Gallery
$370.00
The cinnabar lacquer covering this late 19th/early 20th century Burmese “kwet,” or serving bowl, is satin smooth and cool to the touch. Years of daily use have enhanced both the look and feel of this large bowl, with black lacquer showing through the red in areas of wear. Six black ribs curve down to the feet, and the top is curved and rolled inward, giving the vessel beautiful balance. The old Burmese process of producing such lacquer pieces was labor intensive and time consuming. Woven an...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1940 item #924655 (stock #62-25)
Silk Road Gallery
$600.00
A tall carved teak Mandalay Buddha has an elegantly draped robe with a deep edging of thayo, a lacquering technique used for centuries by Burmese artisans to create the look and feel of intricate wood carving. The forehead band is also thayo, lacquer thickened with bone ash that dries to the hardness of wood. A thin brown/red lacquer applied over the carved teak allows the grain of the dense native wood to show. Traces of gold add richness to the figure and double lotus throne. The face is beau...
All Items : Antiques : Regional Art : Asian : Chinese : Wood : Pre 1910 item #884476 (stock #60-24)
Silk Road Gallery
$280.00
This late Qing wood pitcher from Shanghai is similar in form to provincial pitchers but is made of a harder wood, is more carefully constructed and has a sleeker look than its country cousins. The basic construction design is similar—shaped staves form the bowl and are held together with bands. The individual staves on this one are so tightly fitted that it looks as though it is carved from one piece of wood. The band around the bottom is metal but has been colored to match the wood; the uppe...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #929783 (stock #63-14)
Silk Road Gallery
SOLD
An especially handsome lacquer bowl, called a “kwet,” is from the Shan people, a southeast Asian tribal group living primarily in northeast Burma. Similar Shan bowls, though not identical to this one, are pictured in a book from the British Museum Press entitled “Visions from the Golden Land: Burma and the Art of Lacquer” by Isaacs and Blurton, on pages 183 and 184, where they are labeled with the spelling “khwet.” This bowl has an inscription on the bottom that is difficult to deci...
All Items : Antiques : Regional Art : Asian : Chinese : Wood : Pre 1910 item #1237426 (stock #11-19)
Silk Road Gallery
SOLD
Remarkable carving skill makes this late 19th/early 20th century container a handsome relic of the days when time and care were given to making utilitarian objects for Chinese households. The pleasingly clean form is created by the curved handle and spout, each carved seamlessly as part of staves that are integrated with 13 additional staves to form the container. A symbol carefully carved and gilded on the handle most likely had a significant meaning for the family. This piece, from Zheijian...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1940 item #1344377 (stock #11-14)
Silk Road Gallery
$600.00
A Burmese Buddha revered for healing the spirit as well as the body holds a pot containing the water of long life. Ornamentation is especially dramatic, with a high spired crown and the lavish use of a Burmese lacquer process called thayo on the robes to represent elaborate embroidery. The cape is flared at the sides giving the figure a striking silhouette. Small applications of gold leaf added by the devout when a Buddha is displayed add interest to the dark brown teakwood carving. This mid-19...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1920 item #815705 (stock #12-44)
Silk Road Gallery
$250.00
A small lacquer box incised with the Burmese “yun” technique has an unusual lid design of a scarf encircled with foliage. Using the yun method, the pattern is accomplished by cutting through top layers of lacquer to reveal one or more differently colored lacquer layers underneath. In this case, just black and light red lacquers were used, producing a container with a simplicity that sets it apart from the multi-colored intricate yun work seen on the larger cylindrical betel boxes from Burma....
All Items : Antiques : Regional Art : Asian : Indian Subcontinent : Sri Lanka : Pre 1837 VR item #795716 (stock #35-91)
Silk Road Gallery
$150.00
From the old capital of Kandy in the hill country of Ceylon, now Sri Lanka, this primitive bone carving represents a Singhalese king. Carving on the face and upper body of the figure is quite primitive and contrasts with finer detailing in the swirling patterns on the long skirt, which ends in carved, comb-like teeth. The surface of the large, heavy bone is darkened with age except for one area on the right near the hand, which is white and worn smooth. This suggests it was used as an implemen...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1492 item #724257 (stock #62-48)
Silk Road Gallery
$600.00
This well preserved tablet dating to the 11th century is a terracotta image of Buddha seated in bhumisparsa, or earth-touching position, within an arched niche under a tree. The tree possibly represents the bodhi tree where Buddha attained enlightenment. Relics such as this have been recovered from under stupa throughout Burma. Small clay votive plaques were first introduced in neighboring India as mementos for pilgrims visiting Buddhist sites. They were adopted in Burma during the 7th century a...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1970 item #809473 (stock #12-40)
Silk Road Gallery
$320.00
The Ramayana story of the heroic white monkey god Hanuman's rescue of Sita is portrayed by the carving that forms the handle of this teak wood rice scoop. Characters from the Indian epic Ramayana, familiar icons throughout Southeast Asia, are seen on folk and fine art, in children's books and on temple walls as representations of good and evil. In this carving, Hanuman is carrying Sita across the sea back to Rama after rescuing her from the evil king Ravanna. Hanuman is holding his long tail, wh...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #949034 (stock #57-73)
Silk Road Gallery
$850.00
This cast metal Buddha from Cambodia stands on a low pedestal with right hand raised in abhaya mudra, a gesture of blessing and protection. The facial features—full lips, short nose and heavy-lidded eyes, as well as the rounded head of tight curls with a wide usnisa (top knot) and no finial—are classic Khmer. Decorative detailing on the body-hugging robe is emphasized by the silver tone of the heavy metal alloy. This early 20th century Buddha is in good condition, with some surface pitting c...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #167330 (stock #39-12)
Silk Road Gallery
$675.00
The contrast of the smooth, dark sheen of the face with the light, dusty grey of the hair is a compelling feature of this well cast bronze head. Cast in Thailand about 30 years ago, it is in a style that originated during the Ayutthaya Kingdom (1350-1757), characterized by the full serene face with delicate eyebrows, slightly flared nostrils and well defined lips with the hint of a smile. Tightly curled hair in small spirals covers the head and unisha. The removable filial is an unadorned lotus...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1492 item #718754 (stock #40-85)
Silk Road Gallery
$1,100.00
A 600-year-old bronze Buddha from the old Shan capital of Pinya in northern Burma sits in padmasana position with right hand in bhumisparsa, or earth touching, mudra. The Shan, who migrated down into north Burma from Yunnan, China, established their first capital at Pinya in 1298 during Burma's early Ava Period (1287-1752). In 1364, a Shan capital was established in Ava, where the Shan stayed until 1555. This small Pinya Buddha, most likely unearthed from a stupa, is a very early example of the ...
All Items : Antiques : Regional Art : Asian : Chinese : Scholar Art : Pre 1900 item #899863 (stock #60-23)
Silk Road Gallery
$495.00
This 19th century Chinese scholar's box has delicate bone inlay in a pattern of butterflies and flowers that swirl upward within four rosewood panels. A narrow rectangle of inlaid bone encloses each pattern. The panels are set within two doors on the front of the piece that swing out to reveal three drawers on one side and a large open compartment on the other. A “secret” storage area is accessible when the bottom drawer is removed. As is typical for Chinese joinery of the Qing Period, the d...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1940 item #845521 (stock #12-46)
Silk Road Gallery
$690.00
A Burmese Buddha with elaborate thayo edging on the robe and throne sits in lotus position with right hand in earth touching mudra. Carved of teak, the figure is lightly gilded, allowing the dark wood grain to show through, particularly on the face, arms and feet. Generous edging on the robe and double lotus throne is made of thayo, a lacquer and bone ash mixture used by Burmese artisans for relief molding. The serene face and tightly curled hair with low rounded unisha are classic Mandalay styl...