Asian Antiques by Silk Road
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All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1800 item #291897 (stock #02-34)
Silk Road Gallery
$600.00
Inscriptions cover the left and back sides of the throne under this 18th century seated Burmese Shan Buddha. Made of lacquered wood coated with gilt, the figure is graceful and well proportioned, with a finely carved face. Long, tilted eyes under high eyebrows that sweep upward toward the hairline are the most arresting features of the peaceful face, which is smoothly capped in dark lacquer and topped with an exceptionally tall finial. Hands and robe details are simple and realistic; the feet, d...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #903490 (stock #57-38)
Silk Road Gallery
$975.00
A Mon Buddha from 18th century Burma has the distinctive facial features and very high finial that identify Mon images from the Ava period. The waisted throne is edged with geometric decorations typical of Mon images of the era. We purchased this figure about 20 years ago in Burma from a dealer whose collection included mostly 19th century Shan images. This one is clearly from an earlier period and, although there is some overlap between the Shan and Mon sub-states in the characteristics of the...
All Items : Antiques : Regional Art : Asian : Central Asian : Textiles : Pre 1910 item #168408 (stock #15-40)
Silk Road Gallery
$900.00
Susani (sometimes spelled "suzani") is the word for "needle" in Farsi, and the large embroidered dowry textiles of Turkic groups are so named because of the many hundreds of hours of needlework required to produce them. This one is from Uzbekistan, where Uzbeks and Tadzhiks share similar textile traditions with the Turkmen and other neighboring peoples in Central Asia. Susani designs and colors vary quite a bit from one locale to another, and the city of origin often is apparent at a glance to s...
All Items : Antiques : Regional Art : Pre 1837 VR item #839958 (stock #10-81)
Silk Road Gallery
SOLD
An unusually large early to mid-19th century Shan hsun-ok from Burma, this piece has a diameter of 19 inches and stands 32 inches high. Full size offering bowls with the distinctive hsun-ok silhouette generally are about 13 to 15 inches in diameter. This one is a masterpiece of balance with the ten identifying Shan raised rings around the lid echoed with 10 raised rings around base. The carvings on the spire, punctuated by a large ball, complement the substantial circumference of the piece. Its...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1950 item #909778 (stock #11-02)
Silk Road Gallery
$875.00
This crowned Shan Buddha sits in bhadrasana, or Western position, on a tall stepped throne of unusual design. The carved teak wood figure has the winged side flanges and spired crown centered with high finial that identify royal Buddha figures from Burma. Shan artisans often added Arakanese accoutrements such as long ear pieces and ornate epaulets and chest ornaments to jambhupati (crowned) Buddha but this one has none of those; instead, the artisan provided a striking throne that nicely balanc...
All Items : Antiques : Regional Art : Asian : Central Asian : Textiles : Pre 1920 item #1014401 (stock #14-83)
Silk Road Gallery
$430.00
Flatwoven Kilim bags such as this one were used centuries ago by the nomadic Turkic tribes of Central Asia. The bags were made in various shapes and sizes to hold everything from salt to liquids to household goods. Woven of a combination of camel hair and wool, this bag is from the Uzbek people. The weaving is spectacular—tight enough to hold water—with a clean, intricate pattern inside six horizontal bands. Called “ jabors” or ” juvals,” rectangular bags in this size were tied to ...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1920 item #854196 (stock #10-68)
Silk Road Gallery
$390.00
This large lacquered early 20th century bowl from the Shan people, who live primarily in eastern parts of Burma and across the border in western and northern areas of Thailand, is called a “kwet” and was used to serve huge quantities of rice. It is made of split bamboo basketry supported by six sturdy ribs that curve down to end in six low feet. The basic bamboo construction is coated inside and out with layers of black lacquer overlaid with layers of red lacquer. The basketry shows through ...
All Items : Antiques : Regional Art : Asian : Central Asian : Jewelry : Pre 1920 item #714228 (stock #61-16)
Silk Road Gallery
$295.00
Worn as a powerful amulet, this silver ornament was sewn to the clothing of a woman of the Teke Turkomen nomadic tribe of the Central Asian steppes. Such ornaments hung in profusion from both the front and back of clothes, and were attached to headpieces and hair of young women to ward off evil and attract good fortune. The central shape of this one, a triangle bordered in braided silver wire, is an ancient symbol of fertility. The upper termination may represent a stylized animal horn. The blue...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #167518 (stock #16-44)
Silk Road Gallery
$160.00
This primitive carved wood mask is from the Batak people who live around mystical Lake Toba in the northern reaches of the island of Sumatra. The small collection of Batak protector masks pictured in this catalogue (see them all under our category "Tribal") shows the fascinating range of facial expressions artisans were able to achieve in these relatively simply carved masks. This particular mask is unusual because the face appears to be smiling; its world class bloodshot eyes, however, are simi...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #896352 (stock #63-23)
Silk Road Gallery
$695.00
An offering stand, or “kalat,” used by the Intha people who live in the villages around Inle Lake in one of the Shan states in northeastern Burma, is from the late 19th century. A similar though more recent piece in the British Museum is pictured in “Visions from the Golden Land: Burma and the Art of Lacquer,” by Isaacs and Blurton, British Museum Press, p. 163. Kalat stands such as this were used by families in much the same manner as the tall, spired hsun-ok to carry offerings of food ...
All Items : Antiques : Regional Art : Asian : Central Asian : Textiles : Pre 1920 item #152889 (stock #14-79)
Silk Road Gallery
$395.00
The kilim bags of the Central Asian Turkmen nomads were woven of camel or goat hair, sometimes combined with wool, on transportable looms. This tightly woven camel hair bag perhaps was made while the weaver was traveling by camel to a new location. Called jaloors or juvals, these rectangular kilim sacks were used to transport and store household effects and goods for trade. This one has three wide bands with geometric designs on a rich red background. The back is natural camel color. It is bound...
All Items : Antiques : Regional Art : Asian : Central Asian : Jewelry : Pre 1920 item #362722 (stock #61-15)
Silk Road Gallery
$295.00
The triangle, an ancient symbol of female fertility, is the shape frequently chosen for Turkomen (Turkmen) amulets. This one, made of silver, is inlaid with 19 turquoise stones and centered with another triangle of onyx. The blue of the turquoise was incorporated as protection against the evil eye, and the triangles as effective means of averting danger, thereby making this early 20th century pendant a powerful amulet. The condition of this piece of jewelry suggests that its protective propertie...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1837 VR item #1250809 (stock #06-84)
Silk Road Gallery
$320.00
pair
These teak hangers are from Solo on the Indonesian island of Java and date to the early 19th century. Painted carvings of Hanuman, the heroic white monkey from the Southeast Asian epic, “The Ramayana,” sit atop long curved tails that form textile hangers. Fabrics can be draped so the Hanuman figures face front or to the sides. The hangers have holes at the top end so they can be either suspended or affixed directly to a wall. (See a similar set of hangers with different carved figures by ...
All Items : Popular Collectibles : Cultural : Thai : Pre 1990 item #937270 (stock #01-81)
Silk Road Gallery
$135.00
A charming hand woven and decorated basket of split bamboo made in an Isan village in Northeastern Thailand is smoothed on the exterior with an application of brick red lacquer thickened with ash. Yellow and green flowers and dots on black grounds give the basket folk appeal. The Isan (also Isaan) people, though sometimes called Thai Isan, are a blend of Lao, Mon and and Khmer, and have their own language, which is Lao-like but written in the Thai alphabet. They are primarily agrarian and live i...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Paintings : Pre 1960 item #1128953 (stock #10-73)
Silk Road Gallery
$200.00
This Yao painting of tribal ancestor spirits originally was part of a set of 27 scrolls that comprised a full Yao (Mien) Bible. (See photos and descriptions of a complete set archived on our website www.silkroad1.com by entering 57-33 in the search box.) This painting is one of two “orphan” bible pages we found that most likely were replaced in a bible with similar new paintings, which is sometimes done to refresh the set. Bible paintings that are replaced are “decommissioned” by a Ya...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1960 item #813834 (stock #12-83)
Silk Road Gallery
$495.00
A slender Buddha figure from mid-20th century Burma stands on a double lotus throne with right hand in varada mudra, gesture of charity and compassion. The tall crown, ornate side flanges, chest ornament and epaulets are in the style of the old Arakan Kingdom that became part of Burma in 1752 AD. This relatively small (14" tall) carved teak image was made by the Shan, a minority people residing primarily in Burma and Thailand. Shan communities have continued to produce crowned figures with Araka...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Wood : Pre 1800 item #284166 (stock #08-04)
Silk Road Gallery
$450.00
Seated on a faded red lacquer throne, this little Buddha is a humble, quiet figure. With shallow carving that suggests rather than sharply defines the facial features, the smooth oval face takes on an enigmatic, ethereal look. The small body is compactly folded to fit precisely on the narrow throne, giving the impression that the figure is conserving space. Fingers on the right hand, in earth touching mudra, are exceptionally long. Three lines of script etched into the lacquer around the base of...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1950 item #933778 (stock #11-05)
Silk Road Gallery
$835.00
A royal Buddha, with right thumb and forefinger forming a circle, the vitarka mudra, sits in lotus position on a high double lotus throne. The vitarka gesture, sign of the Buddhist wheel of law, signifies intellectual discussion of philosophy and doctrine. This is one of several variations of the mudra, also conveyed with the circle sign given by the hand raised with palm outward, or the hand palm up resting in the lap. This figure, carved of dense Burmese teak wood, is attired in the distinc...