Catalog: Antiques: Regional Art: Asian (50)

Very pretty Satsuma earthenware bowl, round in shape, decorated with gold and polychrome enamels, representing inside the bowl, courtesans and children, in a garden, under maple trees, and near a lake. The kimonos are sumptuous by the thickness of gold used and the finesse of the details. The perimeter represents a meeting of samurai and on the other side courtesans under cherry blossoms. Signed: Kinkozan. Diameter: 12.5 cm, height: 5 cm. Period: Meiji around 1900. + Wooden box.

Round in shape and very decorative on a white porcelain base, the decoration, in polychromy of iron red, underglaze blue and gold enamels, represents a lake landscape with boats under sail and a mountainous background in the background. Period: Meiji (1868-1912). Diameter: 31 cm.

Bearing a roiro-nuri ground and decorated with an abandonned plough and oxen harness in inlaid-mother of pearl and gold takamaki-e, the reverse with a warber in the falling rain inlaid in gilt metal and gold togidashi maki-e, the cord runers lacquered kinji, the upper surface of the top case and the interior risers decorated with clouds, scattered cherry blossoms, and a crescent moon in gold togidashi maki-e, nashiji, and hirame. Signed Kajikawa saku with a red jar seal, and Goto Mitsunori (K...

On a roiro ground lacquered with a large ordhid extending onto the reverse in gold takamaki-e with détails of gold foil the interior of nashiji. Signed Yoyusai with a kao. A corla ojime. Height 9,2 cm.

On a fundame lacquer ground. The decor is in hira and taka maki-e of gold lacquer with coral and malachite inlays of green and red celestial bamboo berries in their foliage announcing the arrival of autumn. The interior of the compartments is in nashiji lacquer. Signed: Kajikawa and Shibayama. The ojime is made of horn. Height: 7.8 cm. The cord is pink and not blue.

Stunning Inro on a gold nashiji background decorated in aokin, takamaki-e, kirigane and takazogan inlaid with mixed metals of a man standing on the roof of a thatched cottage and a young boy carrying a fruit basket looking towards the man . A two-part antler manju beautifully matching the inro is intricately decorated with coral ojime signed Jiyosai. H 9,8 cm.

The decoration is in hira maki-e of gold and silver lacquer and kirikane, nashiji on a fundame lacquer background of a landscape, a stream in the middle of pines and cherry trees. flowers. The interior of the compartments is in nashiji lacquer. It bears the signatures of Kajikawa and Shunsho. Some slight marks of use. The ojimé is made of champlevé enameled metal decorated with flowers. The netsuke represents a monkey climbing on a chestnut. Height: 8.7 cm.

Bronze incense burner with brown patina with shibuishi inlays. Composed of an enormous wave or a dragon also in shibuishi emerging from the waves holds the sacred pearl in its claws. The sphere cover grip represents a tengu also holding a sacred pearl in one paw. The base of the wave is decorated with small crabs and octopuses. Period: Meiji (1868-1912). Height: 51 cm.

On a fundame lacquer base, the decoration, on one side, black and red, of a rooster, hen and chicks under bamboo with the sea in the background and on the other side a fisherman's hut by the sea in front of the imposing presence of Mount Fuji. The lacquer work is particularly subtle in hira and taka maki-e. The interior of the compartments is nashiji lacquer. The ojime is made of malachite. Signed: Nikkosai. Height: 8.4 cm.

Very refined Japanese lacquered wood tray representing a branch of plum blossoms and bamboo leaves in gold and brown lacquer. The decor is placed on a brown base in the style of a basket weave. The back is in black lacquer (ro-iro). The protective wooden box is original and signed on the lid and inside. Dimensions: 10 x 18 cm. Period: Meiji (1868-1912) 19/20th century.

Round in shape in the spirit of a kobako, this rare box in 2 parts in fundame lacquer represents a butsudan (small portable temple) inside which there are, very finely carved, a Buddha on the lotus and 2 apsaras. On the lids lotus leaves seem to fly.

The theme of this very rare screen traces the story of the great battle of Yashima, in the 12th century, between the Taira and Minamoto clans. It owes its name to the contraction of Minamoto Gen (Chinese reading) and the Taira Hei clan, hence the name Heike. Also called Heike Monogotari. This is a naval battle, the Battle of Yashima (ichi no tani) in 1184, where the Taira clan retreated to an island off Shikoku in the inland sea...

Of Hon-kozane Ni-mai-do type composed of thin bands with multicolored silk lacing. A 62-plates Akoda-nari suji-kabuto in brown iron, signed Myochin Yoshihiza. A finely chiseled bronze and gilt brass tehen with 5 levels. The golden brass kuwagata dai is carved with a floral decoration. The fukigaeshi are covered with leather and 6 rivets. The mabizashi is also covered with leather and silk strap, riveted and fukurin. The shikoro is imposing with 4 blades...

Rare Japanese 6 panel-screen in ink, color pigments and gold leaf. On the second screen, on the last panel on the left, one can distinguish many Tartar warriors hunting as well as falconers on horseback...

Important dish, very decorative, in porcelain enamelled in polychrome, underglaze blue and gold, Imari, decorated with chrysanthemums and peonies in reserves of different shapes. Period: Meiji (1868-1912). Diameter: 63cm.

Amusing character, smiling, with a plump belly, in polychrome sandstone, standing in a bundle, placed on a rock, from the Shiwan kilns. Origin: China. Period: 19/20th century. Height: 25cm.

Chinese figure in polychrome sandstone of the Shiwan kilns seated in a slipper-shaped boat surrounded by ripples. China 19/20 century. Length 35cm.

Ink and polychromy on silk. Charming kakemono of a musician on horseback holding her samisen. A child holds out a side of her richly decorated kimono. Courtesans seem to relax. One with a fan has lost her sandal (zori) while the other 2 are preparing to enjoy a tea. A poem at the top of the painting describes the scene. It is signed by 2 stamps which can attribute this painting to Kitagawa Fujimaro (1760-1850). Dimensions of the painting: H112 x W45.5cm.