Catalog: Antiques: Regional Art: Asian (50)

In very nicely cracked light green celadon, it has a large, slightly flared neck, a round base, a motif of clouds and cranes in flight, and lotus flowers at its base. H28.5 cm D13.5 cm.

On a slightly cracked celadon cover, it has 4 loops at the shoulder. Rare shape, the body of the vase seems to be placed on a cup. It bears a signature close to its base of Yu Hegan (1894 - 1993). Very pretty vase in perfect condition from the early 20th century. H 25 x D14 cm.

Relatively rare, this tanto comes from a large Japanese family as evidenced by the different elements that compose it. The entirely gold and brown lacquered scabbard with stylized clouds presents 2 mons from the Tokugawa and Matsudaira families. A dragon, made of silvered copper, crosses this sheath in several parts. The tsuka covered with shagreen has a frame also in silvered copper, finely chiseled, as well as the other frames up to the kojiri...

Very refined covered box in satsuma earthenware. The polychrome decoration of gold and colored enamels represents courtesans walking in a lake landscape. The gold powder border is decorated with stylized chrysanthemums. The interior presents butterflies finely made in polychrome. A signature drawn in gold lacquer, in a cartouche, by Kinkozan. Meiji period (1868-1912). Diameter: 11 cm height: 3.5 cm

Important and rare bowl, large in size, scalloped in shape, with a small heel, from the Satsuma kilns. On a blue enamel background, the decoration represents cherry blossoms with a couple of peacocks among peonies inside. The whole is of a very good quality of gold and polychrome enamels. Meiji period (1868-1912). Signed Koshida. Diameter 18,5 cm height : 7 cm.

Superb covered incense box entirely gold lacquered with decoration of bamboo leaves and wisteria in a lake environment and on a base of nashiji gold powder. The 2 parts of the box are surrounded by shibuishi (silver and copper alloy). Edo period 18/19th century. Diameter 6cm x Height 3,5cm.

Very pretty and rare boxes of a pair of gold and polychrome lacquered ducks in perfect condition. On a base of taka maki-e lacquer (feather reliefs) and nashiji (gold powder) inside. Period: Meiji (1868-1912). Length 14.5 cm x height 7.5 cm. Wooden box.

Cornet-shaped, in bronze with a brown patina, it rests on 3 feet scalloped in foaming waves rising towards a base decorated with other waves. The body is also decorated in its center with an openwork knot of vine branches and bunches of grapes. The neck is widely flared into a floral corolla. Signed Toto Hidemitsu Kansei under the base. Height: 39.5 cm.

Stoneware chawan with black glaze and floral spatula decoration. Diameter: 13 cm. Height: 8 cm. Origin: Japan. Period late 19th century. Attributed to Ogata Kenzan school.

Kakemono (kakejiku), black ink (sumi-e) scroll painting on paper of a bamboo whose top is lost in the clouds evanescently. The power of the line, as traced by a single brushstroke, gives a strength synonymous with permanence in the face of the vagaries of time. Bamboo, a symbol of prosperity, is one of thte three auspicious plants, pine-bamboo-plum (shochikubai). Height approximately 2meter.

Very interesting and unusual water dropper in the shape of a lying fish, the scales in slight relief and clearly visible in blue under cover. In very good condition except for small barely visible chips. Origin: Korea, length: 7.2 cm. height: 2.2 cm. Period: 19th century.

Stoneware chawan with beige cracked glaze. The decoration represents bamboo and plum blossoms. Attributed to Aoki Mokubei (1767-1833). Width: 12 cm Height: 7.5 cm. Period: 19th century.

Very beautiful and rare large porcelain bowl with polychrome enamels with very finely made decorations of birds, florals and mountains, Fuji... The quality of production is remarkable and characteristic of Kyoto pieces where the decorations are made by the greatest craftsmen Satsuma vases in particular are the most sought after. This large cup has an unidentifiable stamp under the base. Diameter: 27,5cm height: 19cm.

Very decorative dish decorated in underglaze blue and polychrome enamels in the style of kakiemon palette of rocks and flowers on the front and dragons on the reverse. Period: 19th century. Diameter : 31,5 cm.

Very refined earthenware vase, from the Satsuma kilns, with polychrome enamels, presents a decoration of courtesans (bijin) and a child under a flowering tree with on one side, in the background, a cottage at the foot of a hill. At the base of the collar, the shoulder is covered with chrysanthemum flowers. A barely legible mark under the base in a red lacquer cartouche, partly covered by a collector's label, could be attributed to Fujan (?). Height: 15 cm. Period: Meiji (1868-1912) 19/20th.

Globular in shape, on a nashiji gold lacquer base, the decoration represents pines and bamboo in gold and black hira maki-e, hedatsu and kirigane of vegetation at the edge of a watercourse and stylized medallions of chrysanthemums. The interior is also in nashiji. Origin: Japan. Period: Edo (1603-1868) 19th century. Height: 5.5 cm.

Rare and very refined metal box, decorated with gold and silver hirazogan and takazogan inlays on a black background, pagodas in a mountainous landscape, cottages and bridge near a river in rippling shibuishi. The sides are enhanced with flower bouquets, crab and snail. Ryumin's signature is encrusted in a silver metal cartridge. Dimensions: 7.2 x 6 x H 2.5 cm.

Very pretty Satsuma earthenware bowl, round in shape, decorated with gold and polychrome enamels, representing inside the bowl, courtesans and children, in a garden, under maple trees, and near a lake. The kimonos are sumptuous by the thickness of gold used and the finesse of the details. The perimeter represents a meeting of samurai and on the other side courtesans under cherry blossoms. Signed: Kinkozan. Diameter: 12.5 cm, height: 5 cm. Period: Meiji around 1900. + Wooden box.

Round in shape and very decorative on a white porcelain base, the decoration, in polychromy of iron red, underglaze blue and gold enamels, represents a lake landscape with boats under sail and a mountainous background in the background. Period: Meiji (1868-1912). Diameter: 31 cm.

Bearing a roiro-nuri ground and decorated with an abandonned plough and oxen harness in inlaid-mother of pearl and gold takamaki-e, the reverse with a warber in the falling rain inlaid in gilt metal and gold togidashi maki-e, the cord runers lacquered kinji, the upper surface of the top case and the interior risers decorated with clouds, scattered cherry blossoms, and a crescent moon in gold togidashi maki-e, nashiji, and hirame. Signed Kajikawa saku with a red jar seal, and Goto Mitsunori (K...

On a roiro ground lacquered with a large ordhid extending onto the reverse in gold takamaki-e with détails of gold foil the interior of nashiji. Signed Yoyusai with a kao. A corla ojime. Height 9,2 cm.

On a fundame lacquer ground. The decor is in hira and taka maki-e of gold lacquer with coral and malachite inlays of green and red celestial bamboo berries in their foliage announcing the arrival of autumn. The interior of the compartments is in nashiji lacquer. Signed: Kajikawa and Shibayama. The ojime is made of horn. Height: 7.8 cm. The cord is pink and not blue.

Stunning Inro on a gold nashiji background decorated in aokin, takamaki-e, kirigane and takazogan inlaid with mixed metals of a man standing on the roof of a thatched cottage and a young boy carrying a fruit basket looking towards the man . A two-part antler manju beautifully matching the inro is intricately decorated with coral ojime signed Jiyosai. H 9,8 cm.

The decoration is in hira maki-e of gold and silver lacquer and kirikane, nashiji on a fundame lacquer background of a landscape, a stream in the middle of pines and cherry trees. flowers. The interior of the compartments is in nashiji lacquer. It bears the signatures of Kajikawa and Shunsho. Some slight marks of use. The ojimé is made of champlevé enameled metal decorated with flowers. The netsuke represents a monkey climbing on a chestnut. Height: 8.7 cm.

Bronze incense burner with brown patina with shibuishi inlays. Composed of an enormous wave or a dragon also in shibuishi emerging from the waves holds the sacred pearl in its claws. The sphere cover grip represents a tengu also holding a sacred pearl in one paw. The base of the wave is decorated with small crabs and octopuses. Period: Meiji (1868-1912). Height: 51 cm.

On a fundame lacquer base, the decoration, on one side, black and red, of a rooster, hen and chicks under bamboo with the sea in the background and on the other side a fisherman's hut by the sea in front of the imposing presence of Mount Fuji. The lacquer work is particularly subtle in hira and taka maki-e. The interior of the compartments is nashiji lacquer. The ojime is made of malachite. Signed: Nikkosai. Height: 8.4 cm.

Very refined Japanese lacquered wood tray representing a branch of plum blossoms and bamboo leaves in gold and brown lacquer. The decor is placed on a brown base in the style of a basket weave. The back is in black lacquer (ro-iro). The protective wooden box is original and signed on the lid and inside. Dimensions: 10 x 18 cm. Period: Meiji (1868-1912) 19/20th century.

Round in shape in the spirit of a kobako, this rare box in 2 parts in fundame lacquer represents a butsudan (small portable temple) inside which there are, very finely carved, a Buddha on the lotus and 2 apsaras. On the lids lotus leaves seem to fly.

The theme of this very rare screen traces the story of the great battle of Yashima, in the 12th century, between the Taira and Minamoto clans. It owes its name to the contraction of Minamoto Gen (Chinese reading) and the Taira Hei clan, hence the name Heike. Also called Heike Monogotari. This is a naval battle, the Battle of Yashima (ichi no tani) in 1184, where the Taira clan retreated to an island off Shikoku in the inland sea...

Of Hon-kozane Ni-mai-do type composed of thin bands with multicolored silk lacing. A 62-plates Akoda-nari suji-kabuto in brown iron, signed Myochin Yoshihiza. A finely chiseled bronze and gilt brass tehen with 5 levels. The golden brass kuwagata dai is carved with a floral decoration. The fukigaeshi are covered with leather and 6 rivets. The mabizashi is also covered with leather and silk strap, riveted and fukurin. The shikoro is imposing with 4 blades...

Rare Japanese 6 panel-screen in ink, color pigments and gold leaf. On the second screen, on the last panel on the left, one can distinguish many Tartar warriors hunting as well as falconers on horseback...

Important dish, very decorative, in porcelain enamelled in polychrome, underglaze blue and gold, Imari, decorated with chrysanthemums and peonies in reserves of different shapes. Period: Meiji (1868-1912). Diameter: 63cm.

Painting in ink, polychromy and gold on silk. The scene represents (several sennins) Taoist immortals with children or servants. In the background we can distinguish mountains more or less masked by golden clouds. In the center of the screen we can see Chokaro with his gourd, Chinnan with two dragons emerging from his alms bowl, and Tekkai leaning against his cane and pointing his finger at Jurojin who is mounted on a white crane...

Amusing character, smiling, with a plump belly, in polychrome sandstone, standing in a bundle, placed on a rock, from the Shiwan kilns. Origin: China. Period: 19/20th century. Height: 25cm.

Chinese figure in polychrome sandstone of the Shiwan kilns seated in a slipper-shaped boat surrounded by ripples. China 19/20 century. Length 35cm.

Ink and polychromy on silk. Charming kakemono of a musician on horseback holding her samisen. A child holds out a side of her richly decorated kimono. Courtesans seem to relax. One with a fan has lost her sandal (zori) while the other 2 are preparing to enjoy a tea. A poem at the top of the painting describes the scene. It is signed by 2 stamps which can attribute this painting to Kitagawa Fujimaro (1760-1850). Dimensions of the painting: H112 x W45.5cm.

Ni-Mai do complete armour, (tosei gussoku), the helmet (kabuto) of the hoshi suji bachi type (visible rivets) with 62 lames. Signed inside the bowl but illegible. Tehen in gilded and chiseled copper. Maedate with demon head (oni) and gilt lacquered wakidate. The mabizashi and the 5-lame shikoro are made of black lacquered iron. The menpo in brown lacquered iron and mustache is of the ressei type. The teeth are silver lacquered. The gorget (yodarekake) of 4-lame...

Very beautiful and rare scene in ink and natural color pigments on a background of gold leaf and gold spangles of a Chinese scholar surrounded by students or disciples. He is leaning on a table where his tablets, brushes and a basket are placed. He observes a flight of wild geese over a rocky mound, a pine tree and a body of water that ripples among the reeds. Edo period late 18th early 19th century.

Rare and exceptional tanto of the Koto period with a polishing perfectly revealing the metallurgical qualities of the blade accompanied by a completely extraordinary lacquer and inlays sheath. The blade is in hira zukuri with a forge (hada) itame, a quenching in suguha. The tip (boshi) is chu maru. On the nakago in ubu keitai there are 2 mekugi ana...

Interesting and unusual in shape, two contiguous cylinders of different diameters, the lacquer decoration with marbled shades is rare. Inlays, all around the edge of the box, of branches of vines whose flowers are in polished mother-of-pearl and hard stones in different shades of iridescence. The cover features two mother-of-pearl horses on top, and inside a snail and a flying ant. Origin: Japan. Epqoue: Meiji...

Small silver vase with flared and hemmed neck. A finely chiseled snake is wrapped around the neck and an enameled chrysanthemum. The lower body is enamelled in polychromy by silver wire partitions. Under a round base there is a signature in a golden cartouche of Mitsu Shige. Period: Meiji. Height: 10cm (4")

Two Japanese beauties (bijn) in shimmering kimono in the imari red, blue and gold enamel palette. Some erasure and wear due to age. Heights: 46.9cm and 47.3cm. Origin: Japan. Time: Meiji (1868-1912). Price : 2000€ each. Can be sold separately.

Very beautifully sculpted in the mass of bamboo, the decoration in gold lacquer and polychrome represents 2 Tengu (Japanese legendary creature or demon) under a pine pointing with a finger a vajra (ritual Hindu and Buddhist object, representation of the lightning and the indestructibility...). On the other side a decor of butterflies fluttering over a box in gold lacquer and a lance with at their feet are flowers in polychrome...

Painting in ink and polychromy on paper framed with silk of Fugen Bostasu (Great Bodhisattva) accompanied by two attendants. His elephant out of a cloud. Japan. Edo 19th century. Overall dimensions: L52 (20.4")x H137cm (53.7"). painting Dimensions: L37,5 (14.7")x H91cm (35.7").

Original Japanese 4-panels screen. Painting on silk representing Buddha surrounded by bodhisattvas, Kanon and Hiten and Hoho twins among the clouds in a mountainous landscape. Good condition considering its age. Origin: Japan. Period: 19th century. Signed and 2 seals : Akihura. Size: 51 (x4) x H163 cm (20"x4xH64").

Framed Ship painting named "S.S Causasier" before Mount Fuji signed bottom right SS "Caucasier" by H. Shimiozu "Yokohama Japan 1930.

Hanging scroll painting ink and polychrome of Buddha sitting on lotus and many figures and animals representative of the Buddhist pantheon. Origin: Japan. Edo Period 19th century.

A Pretty little Bronze vase with finely crafted gold and silver leaf decoration. Origin: Japan Period : Meiji 19th Century Dimensions : 20cm (7.5")

A very original large Japanese cup Satsuma style for ikebana floral presentation. Meiji period around 1900. diameter : 37cm x height 5,5cm (14.5"x2.1") (Wooden stand not included)

A bronze vase widely flared neck finely carved decor with a cord encircling it. A mark is incised at the bottom.Period : Edo/Meiji late 19th century Excellent condition Height 30cm (11.7")