teaching example board wrapped in thin paper
last 2 images
seller
claims this is from Oakland Museum seller claims it is signed by Maki the writing and the date are NOT Maki style Maki did the print but did he sign it? did he sign this "painting"
friend doubts Oakland Museum and Maki would not have meshed
A diptych of Maki prints, one done in 1968 and the other in 1969. In the best of Maki's spartan austere style, they are Poem 68-40 and Poem 69-13.
This Tiffany pin, designed by Paloma Picasso, is 18k gold and measures 3.5cm x 2cm(1 1/4in x ¾ in). It is imprinted on the back with Paloma Picasso, Tiffany & Co, 750.
The Tretiak Collection
July remains; Nov Dec SOLD
July remains; Nov Dec SOLD
Haku Maki started making embossed prints circa 1965. These in the main featured embossing that came out from the back to the front. However, I suddenly discovered that a number of prints in the 1976 - 1977 period were done with the embossing going into not out of the front This style or process does not seem to have hurt any aspect of Maki’s work nor benefited it. I have commented on this departure in style to a few friends but they have said the equivalent of "let It be." Is that all we can say?
Shown here are the images for July, November and December. In these 3 prints, Maki did the embossing in the way I just described.
Haku Maki produced this “pair” of prints in 1968. The first image is Child. This is the first time Maki produced an image with Child as a theme. Poem 68-52. The second one is his kanji for Water. Poem 68-53. This image was used again in the set of 21 prints he produced for Festive Wine, which was issued in 1969. The colors in both are strikingly beautiful in these images – as they also are as prints. Maki signed each in white ink, something he rarely did. Both prints have had hard lives, they were actually folded. Now they have been wonderfully restored.
Maki's Emanation series may well have been 100 different images. This is an early one. It shows a young man ready to grope a woman’s breasts. Who is the man and who is the woman? Adam and Eve?
Maki and his wife? Maki and another woman? It measures 16" x 16". Here I show images of the current emanation and single images of other prints in the Emanation series. The last frame is Emanation 100.
The Tretiak Collection
please contact me for price
please contact me for price
14.5" x 21" Edition 95 Mine is Yoseido 1980 Catalogue p 3
Watermark is BKS Rives France
73/95
One of Maki’s favorite themes was the image shown here. Some outstanding ones are shown in the listing. I reckon Maki did about 25 different prints with the theme Child. Several little children can be seen swimming in the image in frame 9. The child in the right of this list panel is the image imprinted in the cover of Festive Wine, to which Maki contributed 21 images in 1969.
The strokes in this print are "U", no meaning. This is an early print using Hiragana. It is two brush strokes piercing the space, leaving a trace of itself before coming to the bottom of the paper. It has but one splash across the top and a red tear along the side and then: Whoosh it goes as in the red image at the bottom. There is one sun at the outer edge of the stroke and two moons inside the curving stroke. Not so simple after all.
Maki not only did Large red kanji on black backgrounds, which I have denominated Big Reds.He also did Big Yellows, as in this dramatic print Poem 71-7 (Mind). Size: 32.6 x 17.2in/83 x 44cm.
For comparison, I've also included Poem 68-71 (Mind). It is in frame 8.