The Tretiak Collection
The Tretiak Collection
please contact me
A young American foreign student was passing through Japan in 1964 and bought this wonderful early saito. He has kept it stored away for all these years. He has asked me to help sell it, which I am pleased to do. is It is, 11 1/4” x 17.” Another is winter. Good condition. Many Americans got their first taste of modern Japanese prints by buying Saito. Saito did images for a few UN Greeting cards. This print is signed and chopped by Saito...
The Tretiak Collection
please contact me
A young American foreign student was passing through Japan in 1964 and bought this wonderful early saito. He has kept it stored away for all these years. He has asked me to help sell it, which I am pleased to do. is It is, 11 1/4” x 17.” Next is Summer Good condition. Many Americans got their first taste of modern Japanese prints by buying Saito. Saito did images for a few UN Greeting cards. This print is signed and chopped by Saito...
The Tretiak Collection
$195.00
The striking kanji means Rising. Maki produced this image in 1970 as a modest black on white print. This print is Poem 70- 48 (rising): The kanji,which is the print's core theme, is reiterated in the title. When this print first came out, it must have in a winner: 59/151 . This print has a golden yellow sun and a light blue tear or splash to give it verve. This is the Maki style. A year later in 1971 Maki produced a Big Red, the same character shown here was done as a Red kanji in striking image...
All Items : Popular Collectibles : Cultural : Japanese : Woodblock Prints : Pre 2000 item #634132 (stock #0089)
The Tretiak Collection
$40.00
Daniel Tretiak has written a book, The Life and Works of Haku Maki, the important Japanese printmaker of the second half of the 20th Century. Maki toiled alone most of the time between 1960 and 2000. His output was substantial, most of it was cool, crisp, elegant. An example is shown above. I wrote about it: "The print in the center is the kanji for Mr or or I; it swooshes across the print, as if written with a big brush." It is Poem 71-51, done in 1971. It had an edition of 151...