Catalog: Vintage Arts: Regional Art: Asian (87)

Kashigata (wooden sweet mold,) Biwa (loquat fruit, Eriobotrya Japonica) motif, Japan, early 20th C. L.8.125"(20.5cm) x W.4.374"(11cm) x H.1.5"(4cm.) The image on this mold shows a bunch of loquat fruit, known as "biwa" in Japanese. Biwa are indegenous to SE China, and the Japanese name may refer to the oblong shape of mature fruit that resembles the shape of the musical instrument, lute (also "biwa" in Japanese.) In olden days, a type of cough medication was made from the syrup of the fruit...

Kashigata (wooden sweet mold,) Momiji (Japanese Maple) motif. Japan, early 20th C. L.8.125"(20.5cm) x W.3.0"(7.5cm) x H.1.75"(3.5cm.) This kashigata displays 2 Japanese maple leaves. As seasonality was often a concern in Japanese confectionery tradition, this image would have been a lovely inference to the autumn season...

Kashigata (wooden sweet mold,) Hi No De Tsuru (Rising Sun Crane) motif. Japan, early 20th C. L.7.0"(18cm) x W.3.75"(9.5cm) x H.1.625"(4cm). The Crane symbolizes long life, as does the Tortoise, in many Asian cultures. In Japan, it was a popular traditional motif for celebratory events such as weddings, New Year's, and birth. This particular example shows the rising sun, a symbol of Japan, behind the crane...

Kashigata (wooden sweet mold,) Matsu (pine) motif; Japan, early 20th C. L.8.5"(21cm) x W.4.0"(10cm) x H.1.75"(4.5cm.) The pine symbolizes "evergreen" and was a popular motif for celebratory occasions such as weddings and New Year's. It is one of the "Three Friends of Winter," which also includes plum and bamboo. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia...

Kogo (Incense Container) by Kawai Takeichi; Kyoto, 1972. Dark green glaze. 2.25"(5.75cm) square x 1.75"(4cm) high. This piece was acquired on a visit to the Kawai pottery on August 9, 1972 and has had one owner since then. Kawai Takeichi (1908-1989) is the nephew of legendary Mingei (Folk Craft) Movement potter Kawai Kanjiro (1890-1966;) who along with Yanagi Soetsu, Hamada Shoji, Bernard Leach, and others were the first-generation leaders of this movement...

Hamada Shoji saku (made by Shoji Hamada,) Ryuukyuu Kamado (Okinawa Kiln,) Aka-e Chawan (Red overglaze enamel Tea Bowl,) 1972. H. 3”(7.75cm) x Dia. 4.5”(11.5cm.) Footring diameter 2”(5cm.) Weight 13.5oz(384g.) Signed wooden box included. Okinawan motif and color palette (red, green, ochre on white background) on bowl with 9 facets around (see enlargement #2, bottom view.) Small areas of glaze loss around rim (see enlargement photos & comments below) measuring from 30mm to 2.5cm in length...

Paper mache Daruma Dolls from Tamashima district of Kurashiki in Okayama Prefecture by Ono Ichi, ca. 1972. Pair or single, smaller (FI-8b): H. 4.875"(12.2cm) x W.3.5"(9cm.); larger (FI-8a): H.5.25"(13.25cm) x W.3.375"(8.5cm.) Painted paper mache. These dolls were made in 11 sizes ranging from 11 - 45cm. The small one here is the second smallest size made, known as "9-go", and the larger is an "8-go" size...

Takamatsu Yomeiri Ningyo; Clay Bridal Trousseau Dolls from Takamatsu, Kagawa Prefecture, Shikoku Island. Set of 5 depicting auspicious images: Happy Couple, Dog, Rabbit, Ebisu with Tai (Sea Bream,) Dog with Tai. H. .75" to 1.125" (2cm-2.75cm) x W. .875" to 1.375" (2.25cm - 3.5cm;) painted clay, ca. 1972. Condition notes: .75cm paint chip on back of Ebisu, paint chipped away on fish of Dog with Tai figure...

Akebi Hato Guruma, Vine Pigeon on Wheels; Nozawa, Nagano Prefecture. L.4.75"(12cm) x W.2.375"(6cm) x H.2.5"(6.5cm.) ca. 1972, woven akebi vine. The region of Nozawa has long been known for vine weaving craftsmanship, producing utilitarian items like hats, baskets, and teapot trivets. Vines were sourced from nearby mountains and then bleached naturally in local hot springs. In the late Edo Period (1600-1868,) during the Tempo Reign (1830-1844;) these techniques were used to begin creating folk to...

Kubi Furi Tora; Bobbing Head Paper Mache Tiger from Nishi-Oodera, Okayama Prefecture. H.6.5"(16.5cm) x L.6.25"(16cm) x W.2"(5cm.) Painted paper mache, ca. early 1970's. Excellent condition WITH ORIGINAL BOX. Paper mache folk crafts were popular in Nishi-Oodera since the mid-late Edo Period (1600-1868.) This particular style of tiger with high hip, curled tail, heavy black stripes, and fierce countenace has been produced since about 1897. This tiger image has been sold in the Inland Sea region as...

Hirosaki Hato Bue, Clay Pigeon Whistle from Hirosaki, Aomori Prefecture. Painted clay; L.6"(15cm) x H.4"(10cm) x 2.5"(6.5cm.)ca. 1970's. Condition very good, small paint chip on left eye (see enlargement #3.) The hato bue has been a popular folk toy of Aomori, and other regions of Japan, since the Edo Period (1600-1868.) In particular, it is said that the fuedal lord of the Hirosaki district allowed local roof tile- making potters to use the fuedal kilns to make additional functional wares and f...

Tsuchi Ningyo, Clay Doll. Kintaro with Giant Carp. ca. early 1900's. H.4.25"(11cm) x W.3.375"(8.5cm.) Signed on bottom "Yano." Body is 100% intact and in good condition, but most of the paint has flaked off of the fish. The origins of this doll are unknown, as clay dolls were produced all over Japan since the early Edo period (1600-1868.) Most were influenced by the Fushimi Dolls made in Kyoto, and large production was even made in the far Northeast of the Tohoku region (such as Tsutsumi, Miyagi...

Matsue Hariko Koma, paper mache horse from Matsue, Shimane Prefecture. H.3.25"(8.5cm) x L.3"(7.5cm) x W.1"(2.5cm). Ca. early 1970's, made by H. Kimura. Painted paper, straw tail. Matsue paper mache dates back to the Edo Period (1600-1868) and has a wonderful robust charm. The horse, in this rural area, is a symbol of good harvest. Matsue is known in the West as the long-time Japanese home of writer Lafcadio Hearn (1850-1904.)

Matsue Hariko Tawara Ushi, Paper Mache Ox Carrying Rice Bales from Matsue, Shimane Prefecture. Ca. early 1970's. Made by H. Kimura. L.3.375"(8.5cm) x H.2"(5cm) x W.2.375"(6cm.) Matsue paper mache dates back to the Edo Period (1600-1868) and has a robust charm. In this rural area, the Ox signifies a good harvest. Matsue is known in the West as the long-time Japanese home of writer Lafcadio Hearn (1850-1904.)

Kashigata, mold for making Japanese sweets, in the shape of a wasabi root. Carved wood, ca. early-mid 20th century. H.1.5"(3.75cm) x L.8.25"(21cm) x W.3.5"(8.75cm). Kashigata have long been in use for making molded sweets in Japan and many other parts of the world (especially Asia and Northern Europe.) In Japan, shapes often include felicitous or auspicious themes for luck, long life, wealth, etc. This one, shaped as a wasabi root, is unusual and interesting.

Indigo-dyed heavy cotton shop Apron, Unknown business. Stencil-dyed on both sides with shop name and address: “Takara;” braided cotton waist tie. Top line: “Saikou Kyuu Hin” (Top grade Excellent Goods,) logo: “Takara” (Treasure) character with image of Daikoku’s (one of the 7 Lucky Gods) hammer, 3rd line: “Daibenkyo no Mise” (A Shop with great discounts/bargaining opportunities.) This apron could be used generically for any type of business. Very good condition. Late1900’s. L...

Four-panel kon (dark-blue) indigo-dyed cotton bed cover, red and white threads woven into warp and weft creating patterns of circles , squares, and checks. Top cover only, no backing or wadding, very good condition. Early 1900’s. L.69”(175cm) x W.55”(140cm.) Futonji, bed covers, were a common bridal trousseau item in feudal and early-modern Japan. They may have been made by the bride before marriage (in very rural areas,) or more likely commissioned by the bride’s family. The bed cover...

Outer kimono of kasuri (ikat) woven dark indigo-dyed cotton in pattern known as botan-kasuri (peony ikat.) Inner lining is a printed fabric depicting heroic imagery related to Chushingura, the saga of the 47 Ronin; snowy pine trees, helmets, drums, and the retainers themselves. This would have made an excellent kimono to wear on Tango no Sekku (Boy’s Day, which in Japan has recently become the more politically correct “Kodomo no Hi,” or Children’s Day.) Excellent condition, mid-late 1900...