Fissured Jar, Wood-Fired, by George Gledhill; Payette, ID. Natural Clay, & Natural Ash Glazing caused by 3 days of Wood-firing in the fire box of George's Anagama Kiln in 2005. A large fissure had occurred in firing which turned out to be a serendipitous accident. H. 15"(38cm) x Dia. 11.5"(29cm.) The beauty of this piece is dynamic in depicting the force of the kiln fire, yet still quiet in its naturalness. It is truly a one-of-kind piece that demonstrates the spirit of Zen. It can stand alone as a sculptural piece or better yet, still contain a botanical arrangement.
There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helped to shape much of his recent work. In the past, George served in the Peace Corps in Bolivia, working with local potters and using only materials available locally. They dug all of the clay, made the bricks, built the kilns, and formulated glazes from whatever materials they could find. The only firing fuel was wood. This experience led to a great respect for the results of working with unprocessed materials, and especially for the magical qualities of wood firing a “primitive” kiln. Many of George's pots are fired in a noborigama (climbing kiln) built by George in 2012, on his farm in Payette, Idaho. The kiln has been named Shozangama (Pine Mountain Kiln.)They are created using mainly raw materials available in the Pacific Northwest. The whole process is marked by a great deal of physical labor, but this is the only way to get the results he desires.