Small shrine holding the image of the Buddha Dainichi Nyorai, sitting on a lotus base, before a circular mandorla. Doors decorated on the inside with an exquisitely painted motif of star-shaped flowers. Wood decorated in mineral colors and gold. Very high quality. Thin metal for mandorla and crown. Japan, Edo period, 18th century.
H of case ca. 5 inches.
Most of the crown missing, some traces of usage but all in all in excellent condition.
Kabuto maedate, or ornament that sits in the front of the Japanese helmet. Ornament in the form of a karasu-tengu (crow tengu) mask, as used in the bugaku theater. Thin chased and corroded iron. Japan, 19th century.
H 5 ½ inches.
The Metropolitan Museum of Art in New York has a helmet with a similar ornament. Accession no. 36.25.133a–d. Viewable online.
Hanging scroll. The eight-armed deity, bearing arms and a coiled snake (the deity Ugajin) on her head, sits on a lotus-leaf-seat, flanked by Daikoku and Bishamonten. Before her are the 15 disciples, or jugo doji, above her the sun and the moon.. Ink, mineral colors and gold on silk. Japan, Muromachi period, around 1500.
Painted area: H 38 3/8 in. x W 18 5/8 in.
Few horizontal creases, but all in all in excellent condition.
A similar painting of Benzaiten and the 15 disciples is in the Museum of Fine Arts in Boston, inventory no. 11.4107. Even though it dates from an earlier part of the Muromachi period, and the composition is different, there is a striking similarity in the details on the garments and in the hairdo of the doji and the size of the painting. The Tokyo National Museum holds another comparable painting under inventory no. C0018069 /A-1228.
Bronze sculpture of a Dakini, dancing on a human body on a lotus base. Two part cast. Khmer, Bayon style, 19th century or later.
H ca. 13 inches.
Ex Doris Wiener, New York
Very small shrine holding the figure of Dakiniten riding a white (or silver) fox. Dakiniten is worshiped at the Toyokawa Inari temples. The zushi is on the inside encased behind a glass pane, surrounded by painted treasure symbols. These kind of zushi are sold at the temple to the patrons and other visitors. Polychromed wood with abundant gold and silver Japan, dated Taisho 13 (1924).
H of case ca. 4 inches.
Comes with original fitted kiri-wood storage box, inscribed with the receiver’s name (juyo), a Kyoto address, dated Taisho 13, 9th month, 17th day, Toyokawakaku and stamped with a red seal.
Enpukuzan Toyokawa, Myogonji is a temple dedicated to the eleven headed Kannon and Dakiniten and the fox Inari. It was originally founded in 1441 by Tokai Gieki. Most of these temples were rebuilt in the Meiji era or even later, hence many of the products of these temples are from modern times. Worshipers traditionally are merchants.
Small shrine containing the figure of the sitting 11 headed Kannon, holding a flask in his left hand, his head crowned with the 10 heads of the different Buddhist deities, including Amida. He is sitting on a lotus throne that holds inside the figure of a reclining lion. The back of the zushi has a small moveable segment (now glued shut) that is supposed to reveal something in the base of the Kannon. The doors are decorated with inscribed ihai or ancestral tablets set in a field of autumn flowers and river. Japan, late Edo period, 19th century.
H of case 7 inches.
Traces of usage, mainly on the in- and outside of the case, moveable segment glued.
Very small shrine holding the figure of a priest sitting in a typical chair, a fly whisk or hossu in his hands. He possibly is Todai Gieki, the founder of the Toyokawa Inari temple (1441). The zushi is on the inside encased behind a glass pane. These kind of zushi are sold at the temple to the patrons and other visitors. Japan, Taisho or Showa era, 20th century.
H of case 4 inches.
Excellent condition. Certain weather types prevent the doors from fully closing.
Enpukuzan Toyokawa, Myogonji is a temple dedicated to the eleven headed Kannon and Dakiniten. Most of these temples were rebuilt in the Meiji era or even later, hence many of the products of these temples are from modern times. Worshipers traditionally are merchants.
Small shrine with a wooden sculpture of Jizo, standing with a jewel in one hand (which are missing), his staff (which is missing) in the other. Here he is represented as Danda Jizo, assisting those who are suffering in hell and saving small children from the wheel of rebirth. The paintings on the doors show naked children chased by demons in hell. Polychromed wood with delicate details. Metal madorla. Japan, late Edo period, around 1800.
Height zushi: ca. 7 ½ inches.
Paintings on the doors rubbed, hardware fragile but functional. Jizo’s hands and attributes missing, glue stains on his back and feet.
Rare subject. Painting on the left door shows a human pleading with a demon holding a giant club, while below a child is being led away by a female soul. The right hand door shows a large red demon with club, chasing a child, while mothers seem to be wailing.
Shrine with a wooden sculpture of Shichimen Daimyojin in sitting pose, one leg crossed over the other. She sits on the summit of mount Shichimen, one of her shoes by her side, holding a (golden) jewel in her left hand and another object, likely a key that is now missing, in her right hand. The wood decorated with gold and mineral colors. Metal mandorla behind her head, decorated with flaming jewels. Japan, late Edo period, late 18th century.
Height zushi: ca. 11 inches
Some cracks in the wood, flaking lacquer at the base, some cracks in the lacquer on the figure, stabilized with clear finish, all in all in stable condition
Shichimen Daimyojin is the protectress of Minobu, the site of temple Kuonji, general quarters of the Nichiren sect and burial place of the founder of the sect. Mount Shichimen is south of Minobu.
Kabuto maedate, or ornament that sits in the front of the Japanese helmet. Dragonfly. Gilded iron. Japan, 20th century.
L ca. 6 ¾ inches.
Good condition, one leg damaged.
Kabuto maedate, or ornament that sits in the front of the Japanese helmet. Long-horned monster face with fangs and pointy ears and tufts of hair. Polychromed and gilded wood with horse hair and metal wire. Japan, 19th/ 20th century.
H 6 5/8 inches, W 6 5/8 inches.
Good condition, ear restored, a few abrasions
Kabuto maedate, or ornament that sits in the front of the Japanese helmet. Crescent moon. Thin bronze, ca. 1 mm thick. Japan, 19th/ 20th century.
L 6 ¾ inches.
Good condition, one tip a bit curved, few surface scratches
Large storage jug of typical Shigaraki stoneware with small white inclusions, made in three sections, decorated in multicolor enamel and gold with a cat making a mouse train come to an abrupt halt. A cat, high back, hissing at the mouse going at the head of a train, makes the train come to a dead stop and the following mice tumble, roll, spill in a ripple effect. Funny details: tumbling palanquin, spilling fish, flying papers. Either folk art or export. Japan, 20th century.
Height: ca. 18.5 inches.
Unsigned work from a studio that decorates household ceramics with funny or fantastic images in overglaze enamels that can be fired at low temperatures.
Hanging scroll with image of the ghosts of husband and wife. The wife is holding a skull. After a painting by Gotai. Ink and colors on silk. Japan, 20th century.
Image: H 43.5 x W 22 inches; overall: H 70.25 x W 26.5 inches.
Some creases in lower section of image.
thief who tries to run away with a pitcher full of oil. (In another version, the captured man appears to be a priest, refilling the oil in the lanterns and not the monster that he was held for). They are surrounded by the straight trunks of the high cryptomeria trees and by tall stone lanterns that seem to look at them with hollow eyes. Signed and sealed on the lower right side: Bai… and …… Black ink, color pigments and gofun on silk. Japan, Meiji/Taisho period.
Painted area: ca. 32 x 37.5 inches (81.7 x 95.5 cm); mounting ca. 54 x 43 inches (ca. 137 x 109.25 cm).
Few minor abrasions, all in all excellent condition.
Mori Bunrei (dates unknown). Hanging scroll with painting of insects simulating a samurai traveling with his entourage to or from the capital. A butterfly, suzumushi, praying mantises, yellow jackets and grass hoppers are traveling in a line, carrying flowers and grasses for poles, a hive and berries for luggage. Black ink and colors on silk. Signed Bunrei; two red seals reading bun and rei. Japan, mid 19th / second half 19th century.
Painted area: 14-½ x 20-1/8 inches. Total height: 461½ inches.
Painting with some light stains, otherwise in excellent condition, mounting damaged.
Mori Bunrei was the son and pupil of Mori Ippo (1798–1871), the Shijo painter. His style and technique closely follow those of his father’s.
A very similar painting by Nishiyama Hoen (1804-1867) is in the British Museum. This type of painting is typical for the Maruyama/Shijo school and could have originated with Maruyama Okyo.
Kogo or incense box in the shape of the God of Good Fortune Hotei, leaning on his treasure bag with a fan in his hands. Earthenware, Raku ware with black glaze and white slip. Japan, 20th century.
H ca. 1-½ inches; W ca. 2-¼ inches.
Traces of usage: two cracks in the cover, some chips in the cover and two tiny chips on the edge of the lower part, consistent with usage and the softness of the material. Otherwise good condition, charming piece.
Low and wide vessel, probably a container for waste water or kensui, with indentation in rim. Stoneware, Bizen kiln. Japan, 20th century.
H ca. 3-¼ inches; diam. Ca. 6-¼ inches.