Kabuto maedate of rectangular shape. On the silver underground in golden, bold bonji characters the name of the deity Fudo Myoo (most likely). Wood with silver and gold lacquer. Japan, 19th century.
H 8 ¼ in. x W 1 ¾ in.
Front surface relacquered.
Fudo Myoo is one of the five Myoo, guardians of Buddhism. He scares humans into accepting the teachings of the Buddha Dainichi; he holds a sword in the right hand that symbolizes wisdom cutting through ignorance) and a in his left with which he catches and binds the demons. His image is often seen on a part of armour.
Wooden sculpture of an old man and woman taking a break from the rice harvest. They are sitting on an elevation. He is preparing his pipe, taking tobacco out of his tonkotsu. She is getting out a lunch box and two tea cups, while the tea kettle is at her feet. Behind them a sheaf of rice and two sickles. Perhaps a modern reference to Jo and Uba, the old couple on the island Takasago who symbolize longevity. Signed on bottom: the 74 year old man, Tomoyuki. Probably Taisho era (1912-1926) or early Showa at the latest.
H ca. 11 inches, W at bottom 10 ½ inches.
Few thin age/stress cracks, all in all fine condition.
Kabuto maedate, or ornament that sits in the front of the Japanese helmet. Antlers. Thin corroded bronze with patches of gilding. Japan, 20th century.
H 8 ¼ inches.
Very small shrine holding the figure of Dakiniten riding a white (or silver) fox. Dakiniten is worshiped at the Toyokawa Inari temples. The zushi is on the inside encased behind a glass pane, surrounded by painted treasure symbols. These kind of zushi are sold at the temple to the patrons and other visitors. Polychromed wood with abundant gold and silver Japan, dated Taisho 13 (1924).
H of case ca. 4 inches.
Comes with original fitted kiri-wood storage box, inscribed with the receiver’s name (juyo), a Kyoto address, dated Taisho 13, 9th month, 17th day, Toyokawakaku and stamped with a red seal.
Enpukuzan Toyokawa, Myogonji is a temple dedicated to the eleven headed Kannon and Dakiniten and the fox Inari. It was originally founded in 1441 by Tokai Gieki. Most of these temples were rebuilt in the Meiji era or even later, hence many of the products of these temples are from modern times. Worshipers traditionally are merchants.
Very small shrine holding the figure of a priest sitting in a typical chair, a fly whisk or hossu in his hands. He possibly is Todai Gieki, the founder of the Toyokawa Inari temple (1441). The zushi is on the inside encased behind a glass pane. These kind of zushi are sold at the temple to the patrons and other visitors. Japan, Taisho or Showa era, 20th century.
H of case 4 inches.
Excellent condition. Certain weather types prevent the doors from fully closing.
Enpukuzan Toyokawa, Myogonji is a temple dedicated to the eleven headed Kannon and Dakiniten. Most of these temples were rebuilt in the Meiji era or even later, hence many of the products of these temples are from modern times. Worshipers traditionally are merchants.
Kabuto maedate, or ornament that sits in the front of the Japanese helmet. St. Jacob’s shell. Gilded wood. Japan, 19th / 20th century.
H 7 ¾ inches, W 7 ½ inches.
Good condition, restored chip, some traces of usage.
Kabuto maedate, or ornament that sits in the front of the Japanese helmet. Stylized horns. Bronze with traces of gilding (mainly on back). Japan, 19th century.
H 6 inches, W 10 ¼ inches.
Good condition, few superficial scratches, repair on back.
Kabuto maedate, or ornament that sits in the front of the Japanese helmet. Dragonfly. Gilded iron. Japan, 20th century.
L ca. 6 ¾ inches.
Good condition, one leg damaged.
Kabuto maedate, or ornament that sits in the front of the Japanese helmet. Full body dragon with pearl. Gilded wood and metal wire. Japan, 19th/ 20th century.
L ca. 10 ½ inches.
Kabuto maedate, or ornament that sits in the front of the Japanese helmet. Long-horned monster face with fangs and pointy ears and tufts of hair. Polychromed and gilded wood with horse hair and metal wire. Japan, 19th/ 20th century.
H 6 5/8 inches, W 6 5/8 inches.
Good condition, ear restored, a few abrasions
Kabuto maedate, or ornament that sits in the front of the Japanese helmet. Crescent moon. Thin bronze, ca. 1 mm thick. Japan, 19th/ 20th century.
L 6 ¾ inches.
Good condition, one tip a bit curved, few surface scratches
Large storage jug of typical Shigaraki stoneware with small white inclusions, made in three sections, decorated in multicolor enamel and gold with a cat making a mouse train come to an abrupt halt. A cat, high back, hissing at the mouse going at the head of a train, makes the train come to a dead stop and the following mice tumble, roll, spill in a ripple effect. Funny details: tumbling palanquin, spilling fish, flying papers. Either folk art or export. Japan, 20th century.
Height: ca. 18.5 inches.
Unsigned work from a studio that decorates household ceramics with funny or fantastic images in overglaze enamels that can be fired at low temperatures.
Hanging scroll with image of the ghosts of husband and wife. The wife is holding a skull. After a painting by Gotai. Ink and colors on silk. Japan, 20th century.
Image: H 43.5 x W 22 inches; overall: H 70.25 x W 26.5 inches.
Some creases in lower section of image.
thief who tries to run away with a pitcher full of oil. (In another version, the captured man appears to be a priest, refilling the oil in the lanterns and not the monster that he was held for). They are surrounded by the straight trunks of the high cryptomeria trees and by tall stone lanterns that seem to look at them with hollow eyes. Signed and sealed on the lower right side: Bai… and …… Black ink, color pigments and gofun on silk. Japan, Meiji/Taisho period.
Painted area: ca. 32 x 37.5 inches (81.7 x 95.5 cm); mounting ca. 54 x 43 inches (ca. 137 x 109.25 cm).
Few minor abrasions, all in all excellent condition.
Kogo or incense box in the shape of the God of Good Fortune Hotei, leaning on his treasure bag with a fan in his hands. Earthenware, Raku ware with black glaze and white slip. Japan, 20th century.
H ca. 1-½ inches; W ca. 2-¼ inches.
Traces of usage: two cracks in the cover, some chips in the cover and two tiny chips on the edge of the lower part, consistent with usage and the softness of the material. Otherwise good condition, charming piece.
Water jar for the tea ceremony shaped as a bamboo segment, the handles shaped as bamboo shoots. Stoneware, Bizen kiln. Natural ash glaze specks. Black lacquer cover. Japan, 20th century.
H 6 inches.
Some traces of usage: a.o. few minor chips on the bottom edge, two very small chip at upper rim, lacquer cover with chips on inside, otherwise very good condition.
Low and wide vessel, probably a container for waste water or kensui, with indentation in rim. Stoneware, Bizen kiln. Japan, 20th century.
H ca. 3-¼ inches; diam. Ca. 6-¼ inches.
Mold for making rice flour cakes (uchigashi) in the shape of a prawn (ebi). Two parts. Wood. Inscription in black ink on the short side: ebi.
H 1-7/8 x L 8-¼ x W 4-5/8 inches.
Very good condition, some traces of usage (few chips on outer edges, some dents and stains), metal device on bottom section for hanging on wall.
Ex Roger Barber Company, California