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Sumba | Vintage Ikat Man’s Cloth with Red Dye (<i>Hinggi Kombu</i>)

Sumba | Vintage Ikat Man’s Cloth with Red Dye (Hinggi Kombu)


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Directory: Popular Collectibles: Cultural: Pre 1990: Item # 1435062
Spottiswoode Gallery
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68 Spottiswoode Park Road,
Singapore 088657
+6596347376

Guest Book
 $220.00 
Indonesia, East Sumba, 1970-1990

Handspun cotton, commercial dyes, warp ikat, twining

A vintage example of one of the oldest ikat patterns for men’s cloths (hinggi) made in East Sumba, called patola ratu, that has a complex netting of geometric forms. The textile is constructed from two long identical panels hand-stitched together along the warp to form a double width. The primary motifs arranged in alternating red and blue-black columns are variations of the patola ratu motif which can be seen in its traditional form (a red shield-shaped motif), as the underlying basis of the design. A lattice of white diagonal lines, smaller internal diamonds of different sizes and shapes and an unusual amount of soft ochre yellow give the design a sparkling, animated effect. The textile is finished with a pleasing blue / red kabakil (a border of weft-wise rib woven on a special small loom, using the warps of the ikat as the wefts of the kabakil), and twisted fringes.

Context: The patola ratu design is often described as snakeskin, which symbolises regeneration because snakes regularly shed their old skins. It probably originated in Indian silk trade textiles, and was once reserved for the sole use of the ruler in some parts of Sumba. Textiles from east Sumba have traditionally been major status markers for the noble caste throughout the island, who at one time had the sole right to wear decorated textiles. Their exchange substantiates alliances between clans, and is necessary to the rituals of the local animist belief system (Marapu). Large quantities are required as prestige clothing and gifts on ceremonial and ritual occasions—a high ranking Sumbanese may be wrapped and buried in over 100 hinggi, that will protect the soul from malevolent forces, and identify the deceased (by motifs, colors, and quality) to ancestors in the next world (Jill Forshee, “Unfolding Passages”, in Decorative Arts of Sumba, 33-39).

The textile is in excellent condition, with no holes, stains or tears. The colors are all rich and fresh, with warm, lively tones. The handspun cotton is of relatively light, densely woven, with a grainy hand.

Length: 260 cm plus 8 cm fringes at each end. Width: 115 cm.
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