Catalog (6144)

Japanese framed woodblock print by Nakayama Tadashi. Scene of five colorful horses running in multicolor white, yellow, rust, black with silver leaf. Signed in pencil, number 3/85.

Dated 1970.

Dimensions: 21 1/4" x 11 1/4" H (entire frame) 5 1/4" x 10" H (mat opening)

Japanese small choba tansu, constructed of Kiri (paulownia) and Sugi (cypress) natural finish wood. With hand-forged iron hardware and plates. The choba has hirute handles, with foliate edge motif lock plates, small pair of sliding middle doors with slats, and a corner bottom safe box with two small drawers inside.

Late Edo / Early Meiji Period (circa 1850's)

Dimensions: 23 3/4" x 14" x 24" H

An original Tibetan trunk, all hand-painted in red pigment with yellow pigment motifs of flowering vines and central mandala wheel. The sides of the chest are carved with foliate edge apron just below the iron locking clasp. The trunk's lid lifts away to access the roomy interior.

18th/19th Century Tibet

Dimensions: 52" x 20 1/2" x 25 1/4" H

Japanese pair of 2 panel byobu screens, with hand-painted scenes of small flying birds, a pond with foliage, a blossoming plum tree branch with gold flecks.Applied gold clouds and pigment on silk. enclosed in a black lacquered frame dating circa 1930.
Yamashita Chikusai (1885-1973) was born in Kyoto and studied under the important turn of the century master Yamamoto Shunkyo (1871-1933) from the age of fifteen, becoming one of his highest ranking pupils. He regularly exhibited at the Bun...

An unusual Japanese choba tansu (merchant's chest) constructed of Kiri (paulownia) wood with natural finish. This unusual piece contains a top compartment behind sliding panels as well as another below it, the lower compartment containing two shelves and a set of 3 small drawers with decorative locking plates, opened by kan (ring) pulls. The middle inner drawer contains a secret hidden compartment. All in original condition.

Edo Period (1603 - 1868)

Dimensions : 33" x 18...

A Japanese single section Sendai tansu, constructed of Keyaki (elm) front panels and Sugi (cedar) sides, with original light finish and black lacquered frame. The drawers of this chest have large, decorative, hand-forged iron lock plates with floral motifs and mokko (melon) handles. The side of the chest has a safe door with 3 small Keyaki burl front drawers inside.

Meiji Period (1868-1912)

Dimensions: 46 3/4" x 19 1/4" x 35" H

Japanese framed woodblock print by Nakayama Tadashi of a stylized multicolored horse with gold and silver leaf. Signed in pencil, number 23/85.

Dated 1968.

Dimensions: 12" x 17 1/2" H (entire frame) 5 1/4" x 17 1/2" H (mat opening)

Japanese framed woodblock print by Nakayama Tadashi of a stylized horse with gold and silver leaf. Signed in pencil, number 48/85.

Dated 1968.

Dimensions: 12" x 17 1/2" H (entire frame) 5 1/4" x 17 1/2" H (mat opening)

Japanese two section clothing tansu, made with Kiri (paulownia) wood. Decorated with classic round iron locks and handles. The lower section holds a corner safe box.

Meiji Period (1868-1912)

Dimensions: 37" x 16 1/2" x 43 1/4" H

Japanese two section tansu made with Kiri (paulownia) wood. The chest's four front drawers feature large, round Kiri wood mon (family crest) motif lock plates , while the Warabite style drawer pulls have small pierced plates below them in the style of a crane mon. The bottom section holds a small corner safe door with two small drawers inside.

Meiji Period (1868-1912)

Dimensions: 40 1/2" x 17 1/4" x 42" H

Japanese zenibako (money safe box) made with Keyaki (zelkova) burl wood in original red lacquer finish. The zenibako is fitted with brass hardware including side handles in a mokko (melon) motif. The hinged lid has a large front lock plate with matching key, and a calligraphy inscription on the underside. The interior of the zenibako holds two open compartments.

Meiji Period (1868-1912)

Dimensions: 20 1/2" x 12" x 7 3/4" H

Chinese brush pot made of huanghuali hardwood with the classic "ghost eye" grain seen throughout. Carved of a squared form with four very short feet.

Dimensions: 3" x 3" x 5" H

A large Chinese brush pot hand carved from solid Zitan hardwood. The brush pot has a cylindrical natural form with interesting root texturized edges. An unusual scholars brush pot holder. The zitan shows "gold threading" running with that of the dark grain.

Dimensions: 8" x 8" x 8 1/2" H

Chinese Zitan hardwood brush pot hand carved from solid heavy Zitan wood. Dramatic foliate edges and interior are nicely detailed. The zitan shows "gold threading" with the grain of the dark hardwood.

Dimensions: 5 1/2" x 5 1/2" x 6 1/4" H

A large Chinese ceramic vase of a classic green tea dust glaze, with rich glaze "drips" along the inner rim and just above the foot, which is left bare along its edges and its recessed center glazed in tea dust. The vase has an angular form with concave neck and foot, with different sets of characters on its front and back in relief.

Provenance: Jack Warner Studio Estate

18th/19th Century

Dimensions: 8" x 5" x 10" H

Chinese snuff bottle made of 2 color overlay red on translucent peking glass. Of a flattened globe form, with a tapered neck with jadeite stopper. This bottle has hand-carved red peking glass figures of the 12 Chinese zodiac animals.

Dimensions: 2 1/4" x 1" x 3" H

Antique Tibetan silver statue of the Tibetan Vajra Buddhist fierce deity Mahakala. He stands on top of two bodies atop a lotus pedestal, wielding two important symbols of Tibetan Buddhism: A dorje and a bell. He wears the skin of a tiger around his waist, a crown of five skulls to represent the Five Poisons- anger, desire, ignorance, jealousy, and pride- transformed into Five Wisdoms. A snake wraps itself around Mahakala's neck and arms. The copper base of the lotus pedestal is embossed with a f...

Antique Tibetan gilt bronze ritual vessel. In two parts, the cup and base both cast with lotus petals to represent purity undefiled by Samsara. The inner rim of the cup with deep forest green patina and wear from ritualistic use. The lotus base stands on a round, recessed foot.

18th Century

Dimensions: 3 1/4" x 1 5/8" H

A Sino-Tibetan gilt bronze statue of Maitreya, regarded by this world as a future Buddha in succession after the current Sakyamuni Buddha. Tradition teaches that Maitreya is a Bodhisattva who will one day appear on earth to achieve enlightenment and teach the pure dharma. The Bodhisattva is seated on a double-lotus pedestal to represent purity untouched by Samsara, the copper base impressed with a four point vajra to represent the four poisons of the earthly realm.

Late 18th Century ...

Antique Chinese ink stone with hand-carved motifs of a bird with lily pads. The stone is smooth with patina and wear from use. The scholar object is enclosed with a hardwood case with inlay shell lotuses. Maybe Zitan.

Dimensions: 5 1/2" x 6" x 2" H

Antique Chinese ink stone in the form of a lotus leaf with a small crab. The underside is signed with calligraphy inscription. With a hard stone inlay hardwood storage box.

Dimensions: 8" x 9" x 1.75" H

A Japanese Butsudan, or Buddhist shrine for in-home use. The exterior of the shrine is lacquered in red with black lacquer and gold gilt pigments. The gilt hardware of the butsudan are highly ornate with motifs of chrysanthemums, lotuses, vines, and dharmachakra wheels. The lower area of the shrine features two pull-out platforms and hidden drawers. Above are several black lacquered platforms with gold gilt nashiji lacquer panels, carved gilt panels of floral motifs, with miniature temple ranma ...

Large pair of Chinese wooden gate doors with hand-forged iron plates and hardware. The pair of doors are opened by iron fu dog heads with large ring pulls in their mouths. The top and bottom iron plates on the front of each door have foliate edges in lingzhi mushroom motifs, with iron studs and horizontal iron bands. The doors have wooden pegs to be inserted into a door frame.

Dimensions: 17 1/2" W by 76 3/4" H by 1 7/8" Thickness of wood (each door)

Museum grade very large Japanese Ginbari enamel vase. Ginbari is a technique using a foil design made with an embossing plate. The vase has a robin's egg blue enamel ground comprised of small flowers, with Wisteria branches bearing pastel green and purple flowers, small birds perched and flying through the tree branches. The elongated vase has a slightly tapered form with short, fluted foot and neck. The edges of the lip and the top of the foot are decorated in red and blue enamel of wire spiral...

Antique Japanese scroll painting of a flying goose, sumi ink on paper. With calligraphy signature and red chop. This scroll has the original two tomobako (storage boxes).

Early Edo Period Circa 1600's

Dimensions: 22" x 48 1/2" H (entire scroll) 15 1/4" x 11 1/2" H (artwork only)

24" x 3 1/2" x 3 1/4" (red lacquer tomobako)

Chinese hand-carved brush pot made from bamboo, with detailed scenes of maidens viewing a pair of swimming ducks below a bridge, with background of bamboo groves and scholar rock formations.

19th Century

Chinese circular porcelain plaque with enamel scene of Qingao in a green robe mounted on a carp. With calligraphy and red chop. Titled "Qingao kea li". The face of the plaque is on a step pedestal with a bare, textured backside.

Dimensions: 11 1/4" x 1/2" H

A collection of samurai arrows, or yajiri, mounted on a custom built museum display stand.

Dimensions: 5 1/4" x 1 1/4" x 9 3/4" H (overall)

A collection of twelve samurai arrows, or yajiri, mounted on a custom built museum display stand.

Dimensions: 8 3/4" x 3" x 16" H (overall)

Japanese 2 panel byobu screen painting on silk, of a male and female deer resting below a maple tree. Each panel is bordered in gold leaf and signed "Kagayama Hakuho" with a red chop.

Kagayama Hakuho (1880-?) was born in the Okayama Prefecture Japan. His studies continued under Takeuchi Seiho in Kyoto, and later moved to Kobe for his work. Works by Hakuho have been displayed at the Kyoto City University of Art.

Dimensions: 69 1/2" W x 68" H

Antique Chinese porcelain water coupe of a flattened globular form with a short neck, in tea dust green glaze, the foot slightly recessed with Qianlong mark.

Republic Period

Dimensions: 4 3/4" x 3 1/2" H

Chinese altar fruit offering in Blanc de Chine. The peach has a tendril like stem and three leaves. The base is left unglazed with a single ventilation hole to prevent it from exploding or cracking during firing.

19th century

Dimensions: 5" x 4" x 3 1/4" H

Antique Chinese pair of porcelain hat stands, glazed with a light orange ground, enamel motifs of various flowers including peony, chrysanthemum, birds, insects, gourd bottles, and other auspicious objects. Each stand is of a hexagonal form with pierced melon shaped areas. The feet are slightly recessed with white underglaze and buff edges.

Dimensions: 4 1/2" X 11 1/4" H

A Tibetan bronze ceremonial bell, with a gilt vajra shaped handled, finely cast with the image of a bodhisattva's head, the top of the bell with low-relief Sanskrit characters on lotus petals, small vajra pattern along the fluted edges of the bell, and an inner lotus petal design with signature inside the bell where the clapper hangs.

19th Century Tibet

Dimensions: 3 3/4" x 7 1/4" H

A Chinese gourd shaped water dropper in the form of a tiny tea pot with a hinged lid, cast with motifs of scrolling vines in low relief, with a long, prominent spout, with tripod feet. The base is imprinted with a foliate motif. With original patina.

Dimensions: 3" x 2" x 3 1/2" H

Pair of Japanese Kutani tall porcelain bottle vases, with elongated bodies slightly tapering to the short neck and gilt rim, decorated with red enamel landscape scene and gilt clouds over white crackle ground. Each vase signed with 2 character mark.

Circa 1900

Dimensions: 3" x 9 1/2" H