Catalog: Antiques: Regional Art: Asian: Japanese: Textiles (90)

Antique Japanese fireman's hood. Made of layers of indigo cotton sashiko and decorated on the inside with a scene of a tiger and lightening storm.
Fires were common in Japanese urban areas due to the dense population as well as construction material (primarily wood and paper). Fire brigades were made up of samurai class (buke hikeshi) as well as common class (machi hikeshi). Their primary goal in containing a fire was to tear down the surrounding buildings so the fire had no more fuel...

Antique Japanese kimono made of chirimen silk died black with a dramatic paste resist and painted design depicting a group of shōjō. The red-haired mythical fairies that live in the sea are shown drinking sake from a large jar. They have long handled ladles and red sake bowls. They are dressed in beautifully patterned robes...

Antique Ainu robe, Hokkaido Area, Japan. Created by the indigenous people of northern Japan. Made of indigo dyed cotton and embroidered with traditional Ainu designs. The detailed patterns of the Ainu were past down through generations of women and were believed to protect the wearer from evil spirits. The Ainu began trading for items such as cotton with the Yamato Japanese of southern Japan during the Edo Period...

Antique hakama (trousers) worn by a Noh theatre actor. Decorated all over with a design of gold dragons and lattice work on a dark blue ground. Traditional squared form with pleating and wide white cotton ties. These hakama would have been part of the Noh theatre ôguchi (costume).

Age: Taisho Period (early 20th century)

Dimensions: 44" high x 33" wide

Antique Japanese hikeshi banten, fireman's coat. Made of layers of cotton fabric and stitched in the sashiko quilting technique. Fires were common in Japanese urban areas due to the dense population as well as construction material (primarily wood and paper). Fire brigades were made up of samurai class (buke hikeshi) as well as common class (machi hikeshi). Their primary goal in containing a fire was to tear down the surrounding buildings so the fire had no more fuel...

Antique Japanese hikeshi banten, fireman's coat. Made of layers of cotton fabric and stitched in the sashiko quilting technique. Fires were common in Japanese urban areas due to the dense population as well as construction material (primarily wood and paper). Fire brigades were made up of samurai class (buke hikeshi) as well as common class (machi hikeshi). Their primary goal in containing a fire was to tear down the surrounding buildings so the fire had no more fuel...

Antique Japanese Buddhist Pilgrim's coat. Buddhist monks associated with the teachings of Kukai (or Kobo Daishi) would embark on a pilgrimage to visit the 88 temples on the island of Shikoku. Upon arriving to each temple, the monk would bathe before giving offerings and reciting prayers as well as receive a stamp distinctive to each temple. Normally a monk would carry around a special stamp book however it is not unusual to stamp the monk's coat as seen here...

Antique Japanese Buddhist Pilgrim's coat. Buddhist monks associated with the teachings of Kukai (or Kobo Daishi) would embark on a pilgrimage to visit the 88 temples on the island of Shikoku. Upon arriving to each temple, the monk would bathe before giving offerings and reciting prayers as well as receive a stamp distinctive to each temple. Normally a monk would carry around a special stamp book however it is not unusual to stamp the monk's coat as seen here...

Antique Japanese light summer kesa (Buddhist Priest's vestment). Made with a sheer layer of black silk embroidered with silver crayfish medallions and lined with white silk.

Often described as a mantel or robe, the kesa is worn draped diagonally over the left shoulder and under the right armpit. Meant as a reminder of the Buddha's own simple patched garment, kesa are formed from many fragments of cloth...

Antique Japanese lady's kimono made with grey-green chirimen silk and white silk jacquard with orange and green embroidery of bamboo and plum blossoms with cranes. Details in wrapped gold thread and use of tiny shibori technique in the leaves and flowers. The front hem of the kimono is decorated with a delicate design of plum blossom in resist and white silk embroidery. The kimono interior is lined with red silk.

Meiji period (1868-1912)

Dimensions: 60" high x 48" wide

Antique Japanese kimono, made of silk and printed with a design of shells decorated with flowers and mist. The large shells float on an intricate design of small chrysanthemums on a purple ground. Beautiful yellow tones with details in burgundy, green, white and black. Lined with white and yellow cotton with sleeves that are lined in red silk.

Taisho Period (early 20th century)

Dimensions: 58" high x 49" wide

Large antique Japanese Buddhist temple textile made of green silk and woven with gold gilt-paper weft (ginran or kinren) in a design of dragon medallions floating amongst billowing clouds. Dragons have long been used in Buddhist art symbolizing the endless cycle of transformation. This textile piece consists of two long woven panels sewn together and backed with white cotton fabric. Has inscription on back.

Age: Edo Period dated 1836

Dimensions: 59" x 91"

Antique Japanese cotton yogi, sleeping kimono for a woman. Thickly padded and decorated with a paste resist and red family crest. More paste resist characters on the front collar. Lined with a dark indigo-dyed cotton.

Age: early 20th century

Dimensions: 50" high x 50" wide

Japanese cotton hanten made of indigo-dyed cotton for a child. Decorated with a paste resist design of joyful, spinning pinwheel-like motifs. A large red character on the back and four more in white on the front collar.

Age: early 20th century

Dimensions: 25" high x 38" wide

Antique traditional robe of the Ainu people of northern Japan. Attush (attusi) fabric was made of the inner fibers of elm tree bark (ohyo). The bark was harvested by the men but refined and woven by the Ainu women. This robe is edged with dark indigo-dyed cotton cloth. The back of the neck of the robe is sewn with a bit of lighter blue cotton fabric with a white paste resist pattern.

Age: late 19th/early 20th century

Dimensions: 54" high x 58" wide

Antique Japanese hikeshi banten, fireman's coat. Made of layers of cotton fabric and stitched over every inch using sashiko quilting technique...

Antique Japanese Buddhist temple banner made of silk and woven with gold gilt paper weft (ginran or kinren) in a dynamic design of a pair of water dragons each facing the center where a burning pearl (woven with silver leaf) floats on a golden cloud. Dragons and pearls together in Buddhist art symbolize the endless cycle of transformation. The flaming pearl is one of the Eight Treasures and represents pure intentions as well as the sacred wish-granting pearl of the Buddhist faith. The back si...

Antique Japanese bandori, peasant's woven back pad for carrying heavy loads. Woven of re purposed cotton cloth, this bandori is outfitted with shoulder straps and is folded on the bottom for extra padding. The back pad is made of cotton from two different textile: a brown striped cotton and light blue and white pattern on cotton. A bandori is made specially for the person carrying the load so it is beautifully unique in it's materials and construction.

Age: Taisho Period (1912-1926...

Japanese Antique Kesa Cloth (Buddhist Priest's Vestment) made with prized brocade displaying the crest of the Tokugawa shogunate and framed with a rare purple and gold silk brocade with red accents. The "triple hollyhock" mon belonged to the Tokugawa feudal military government of Edo Japan (1600-1868).

Often described as a mantel or robe, the kesa is worn draped diagonally over the left shoulder and under the right armpit. Meant as a reminder of the Buddha's own simple patched ga...

Japanese antique rectangular kesa or priest/monk's outer vestment cloth. The silk brocade of this kesa is a pale orange color and finely woven with colorful designs of dragons in clouds. The silk is Imperial Chinese, as shown by the five clawed dragons. Lined with dark blue silk.

Often described as a mantel or robe, the kesa is worn draped diagonally over the left shoulder and under the right armpit. Meant as a reminder of the Buddha's own simple patched garment, kesa are formed f...

Antique Japanese textile decorated with a design of tea ceremony utensils. Small items such as a bamboo ladle for water (hishaku), a container of charcoal, cups, a tea whisk (chasen), a container for water (mizusashi), and other items surround a large central image of a portable iron tea kettle (kama) and brazier (furo). This design in done using a paste resist and indigo dye. A lovely blue color in four panels sewn together. 5 tabs at the top suggest it was used for a curtain similar to a...

Antique Japanese Buddhist Pilgrim's coat. Buddhist monks associated with the teachings of Kukai (or Kobo Daishi) would embark on a pilgrimage to visit the 88 temples on the island of Shikoku. Upon arriving to each temple, the monk would bathe before giving offerings and reciting prayers as well as receive a stamp distinctive to each temple. Normally a monk would carry around a special stamp book however it is not unusual to stamp the monk's coat as seen here. Made of asa (hemp).

Age: Me...

Japanese small kesa, Buddhist priest's vestment cloth to be worn over robes. Often described as a mantel or robe, the kesa is worn draped diagonally over the left shoulder and under the right armpit. Meant as a reminder of the Buddha's own simple patched garment, kesa are formed from fragments of cloth donated to the temple by wealthy devotees. Within each garment, the fragments are typically organized in a series of columns framed by a border with angled corners. The number of columns, in this...

Antique Japanese long silk altar cloth embroidered with three phoenix birds, also called Hou-ou birds. The mythical birds represents fire, sun, justice, obedience, fidelity, and the southern constellations. The phoenix also symbolizes the imperial household, specifically the empress. The embroiderer expresses flowing movement in in the wings and feathers of the great birds.

Age: Edo Period (early 1800's)

Dimensions: 23 1/2" high x 145" long

Japanese antique rectangular kesa or priest/monk's outer vestment cloth. This asa (hemp) kesa is a yellow/gold color and finely woven with a design of phoenixes and clouds.

Often described as a mantel or robe, the kesa is worn draped diagonally over the left shoulder and under the right armpit. It is meant as a reminder of the Buddha's own simple patched garment, kesa are formed from many fragments of the same cloth. Within each garment, the fragments are typically organized in a...

A reversible leather firefighter's hanten 半纏 (heavier weight coat made popular in the 18th century). At this time in Japan, fireman were vollenters and carried other professions. In this case, The inside logo represents that the wearer would have been a high ranking carpenter for roof making.

Features tsutsugaki 筒描 (resist dying process) using the smoke of pine needles to produce the light patterns, and ink to dye the black side. The black sleeves appear to have been...

Antique Japanese long silk textile, possibly used as an altar cloth. Made of blue silk and woven with thin strips of metal leaf covered paper in a dramatic scene of a dragon in swirling clouds above waves. Framed in antique silk textile with woven designs of dragons.

Meiji Period (1868-1912)

Dimensions: 36" wide x 11 1/2 feet long

Antique Japanese kesa, Buddhist monk's traditional outer garment. Made from rich fragments of silk donated by wealthy devotees, kesa are traditionally made of square and rectangular swatches of material symbolizing the Buddha's patchwork garments. In contrast with this idea is the material itself, made of fine woven silks. The textile that makes up this kesa is woven with a multi color design of flowers with squares of a different silk woven with swirling clouds.

Edo Period

Japanese silk kimono with shibori style ground, motifs of coins with peonies, kiri leaves, pine trees, and other floral elements against geometric patterns. Splashes of pink add a touch of feminine color to the kimono.

Size: 49" L x 66" H

Antique Japanese large indigo Tsutsugaki yogi robe made out of a futon cover, with a paste-resist Kikumon, or Chrysanthemum crest on its back, also called the Imperial Seal of Japan. Tsutsugaki is a technique in which bindings are applied to the cotton threads in any desired pattern and dye is applied over them. The bindings resist the dye, leaving behind patterns in the original color of the threads. The edges of fabric are sewn together using white sashiko stichwork.

Size: 62.5" L...

Japanese indigo ikat cotton coat, with neutral color sakiori (rag woven) cotton collar, its edges reinforced with white sashiko stitching.

Size: 35.25" L x 36" H

Important Antique Japanese Buddhist Pilgrim's coat. Buddhist monks would embark on a pilgrimage to travel temple to temple. Upon arriving to each temple, the monk would bathe before giving offerings and reciting prayers as well as receive a stamp distinctive to each temple. Normally a monk would carry around a special stamp book however it is not unusual to stamp the monk's coat as seen here.

Very rare to find one with so many locations marked and visited. Condition is very good origin...

A very fine Japanese framed embroidery from the renowned Sozayemon Nishimura Silks and Embroideries, depiction of a row of cherry trees along the edge of a large lake with boats. Absolutely stunning condition and incredible hand-embroidered details with tasteful framing. Late 19th/early 20th century.

Size: (entire frame) 35" L x 1.5" D x 28" H (artwork only) 26" L x 19" H

An absolutely stunning Japanese silk embroidery of a hound with a freshly caught pheasant in its mouth. Incredible hand-embroidered detailing and realism, with artist's embroidered chop in the bottom left corner, Hayashi Youma. Late Meiji period (1868-1912) c. 1905

Provenance: From the London dealer, Kevin Page. Reference of similar work: "Splendors of Imperial Japan, Arts of the Meiji Period from the Khalili Collection", p. 395 (shown in photos)

Size: (entire frame) 33....

A gorgeous Japanese framed silk hand-embroidered fukusa (gift-wrapping or tea ceremony cover), with the image of Jurojin, one of the Seven Lucky Gods. He holds his attributes, a staff and a fan. A crane, tortoise, and a deer accompany him, all of which are symbols for longevity. The detailing is very careful and breathtaking such as the glass eyes of the crane and deer. Meiji period (1868-1912)

Provenance: Early Warren Imports Collection

Size: (entire frame) 34" L x 34...

A beautiful framed work of art, Japanese silk embroidery panel of a pair of Japanese Chin puppies playing with a tasseled floral ball. The imagery is reminiscent of fu dogs, in which the ball represents rule over the world. Hand-embroidered in gorgeously stunning condition, with very high-end and tasteful framework. Late Meiji period (1868-1912)

Provenance: Early Warren Imports collection

Size: (entire frame) 34.5" L x 30" H (artwork only) 23.25" L x 18.5" H