Catalog: Vintage Arts (841)

Chinese pair of carved jichimu wood stools. The curved legs are carved with cusped edges and narrow to lingzhi mushroom shaped feet. The seats are inset with white dali marble.

Republic Period 1912-1949

Dimensions: 18 high x 13 1/2" wide

Chinese antique small display shelf with stand, made of hong-mu. A staggered shelf in the middle breaks up the square area. The front and sides of the unit is carved with delicate lined details and cusped edges. On each side of both the top and bottom shelf is a little window (four total) and the back is open. The underside of the base has a black lacquer panel painted with a butterfly and chrysanthemums.

Republic Period

Dimensions: 13 1/4" high x 12" long x 5 3/4" deep.

A contemplative and artistic rendering of a lotus leaf bowl with deteriorated edges. The lotus is a symbol of purity, beauty and a metaphor in teaching Buddhism. The lotus bowl has a small frog sitting on the leaf's edge with outstretched leg. The underside of the leaf bowl has 3 characters of the artist's signature.

Meiji Period (1868-1912)

Dimensions: 9" x 8 1/2" x 1 3/4" H

Antique Tibetan cabinet with 2 large compartments. The entire front of the cabinet is decorated in kyungbur technique (designs and pictures painted in raised lines of a gesso and resin mixture) on a deep red ground. Two large compartments are covered by 8 large panels decorated with phoenixes in medallions of scrolling vines and flowers. The middle four panels open to the compartments. The bottom of the chest has 3 additional stationary panels decorated similarly with flowers...

Chinese round table of natural gnarled, twisted hardwood roots, and a transparent russet lacquer. The table is constructed in two parts- The trunk-like pedestal base and the rooted edge, round top. This type of natural root furniture goes back to the 12th century aesthetic. Here is an example of the round center table produced during the Republic period, bearing the colonial form true to the Victorian Era.

Republic Period

Dimensions: 30" high x 42" wide diameter

Indian Jain bronze figure of Vishnu with Lakshmi seated on his knee. Six other figures are present including 2 attendants on the bottom. The figure on the bottom is their friend and vehicle, Garuda. Incised with writing on the base and back.

19th century

Dimensions: 5 5/8" high x 3 1/4" wide x 2 1/2" deep.

Small Indian bronze figure of a standing female deity, most likely the protective Jain Mother Goddess, Ambika. Although it is difficult to tell for sure, the popularity of the Yakshi goddess in Jainism makes it probable. The goddess stands in a very traditional straight pose associated with Jain statues. She holds various attributes in her four arms. Standing on either side are two smaller figures...

Small Indian Jain bronze depicting the seated figure of Vishnu with Lakshmi seated on his left knee. Lakshmi, the inseparable energy of Vishnu, sits with her right arm around Vishnu's waist. Below him on the rectangular platform is the tiny figure of his vehicle Garuda, identifiable by his tiny but unmistakable wings. Two other smaller figures hold up each of Vishnu's knees.

19th century

Dimensions: 3 1/2" high x 2" wide x 1 1/2" deep

Small Indian Jain bronze of a seated Vishnu. His wife, Lakshmi is seated on his left knee. Vishnu hold his attributes, the conch shell in his upper right hand and Sudarshana Chakra (discus) in his upper left. Patina and traces of vermillion pigment. The faces of both deities are smooth from years of reverent handling.

18th century

2 3/4" high x 1 7/8" wide x 1 1/2" deep.

Chinese small carved jade ink stone and brush washer in one piece. The ink stone side is carved with a leaning pine tree and mist. Turned on its reverse side, it functions as a brush washer. The sides are incised with a key fret motif.

19th century

Dimensions: 3 1/8" long x 2 1/2" wide x 1/2" deep.

Japanese low table with keyaki (elm) root burl top and deer antlers for the legs.

Showa Period

Dimensions: 17 1/4" high x 32 1/2" long x 25" wide

Chinese scholar rock of an over hanging ying stone, mounted on a carved Suzhou rosewood stand with five cabriole legs and an undulating stretcher. The base is decorated in high relief of lingzhi fungus and swirling clouds. Gongshi, also known as scholar's rocks, are naturally occurring or shaped rocks, which are traditionally appreciated by scholars. Gongshi rocks can be any color and contrasting colors are not uncommon...

Large standing gilded wooden Buddha. Dressed in full robes and with his down turned hands at this sides demonstrating the Calling in the Rain mudra, a gesture to bring the rain to nourish the rice fields. Tall pointed ushnisha and extended earlobes frame a face with down cast inlaid eyes and compassionate expression. From Luang Prabang, Laos. On custom metal stand.

early 18th century

81" high (93" high with stand)

Antique Japanese globular bronze vase. Very simple with 3 raised koi fish swimming together and cresting the surface of the vase as if it were water. The raised details of their eyes are highlighted with gold inlay. Signed Shihou and dated July 18, 1926.

Taisho Period

Dimensions: 9 1/2" high x 12" wide diameter

Tibetan bronze figure of Tara, goddess of compassion. She is seated on a double lotus base with her right foot extended and resting on a smaller lotus. Her left hand holds the stem of an utpala flower (symbolizing longevity) between her thumb and third finger in Vitarka Mudra or teaching gesture. Her right hand is resting palm up on her knee with just thumb and forefinger touching in Varada Mudra, the gesture of boundless giving. On her right side, blooms a lotus...

Large Original Japanese framed print by Toko Shinoda (born 1913), entitled "Reminiscence". Color lithograph with sumi-e ink brushwork in black, light blue and gold ink. Signed in pencil and numbered "ED 30AP 7/10". Floated in frame under UV acrylic.

36 1/2" high x 46 3/4" wide x 2" deep framed. Artwork: 28 3/4" high x 39 1/2" wide

"Diary March 5th '79" is a photographic silk screen print of a child holding a blanket in one hand with her other hand in a sling on a light ground of traditional woodblock technique. This is one of a series of "Diary entry" prints the artist is most famous for in which he depicts photographed scene from daily life. Born in 1940, Tetsuya Noda is considered to be Japan's most important living print artist...

"Diary June 3rd '78" is a photographic silk screen print of a child holding a blanket on a light ground of traditional woodblock technique. This is one of a series of "Diary entry" prints the artist is most famous for in which he depicts photographed scenes from daily life. Title, signature and date in pencil. Sealed with thumb print. Born in 1940, Tetsuya Noda is considered to be Japan's most important living print artist. He is a professor emeritus at Tokyo University of the Arts...