Catalog: Vintage Arts: Regional Art (787)

Chinese scholar rock of an over hanging ying stone, mounted on a carved Suzhou rosewood stand with five cabriole legs and an undulating stretcher. The base is decorated in high relief of lingzhi fungus and swirling clouds. Gongshi, also known as scholar's rocks, are naturally occurring or shaped rocks, which are traditionally appreciated by scholars. Gongshi rocks can be any color and contrasting colors are not uncommon...

Japanese low table with keyaki (elm) root burl top and deer antlers for the legs.

Showa Period

Dimensions: 17 1/4" high x 32 1/2" long x 25" wide

Chinese small carved jade ink stone and brush washer in one piece. The ink stone side is carved with a leaning pine tree and mist. Turned on its reverse side, it functions as a brush washer. The sides are incised with a key fret motif.

19th century

Dimensions: 3 1/8" long x 2 1/2" wide x 1/2" deep.

Small Indian Jain bronze of a seated Vishnu. His wife, Lakshmi is seated on his left knee. Vishnu hold his attributes, the conch shell in his upper right hand and Sudarshana Chakra (discus) in his upper left. Patina and traces of vermillion pigment. The faces of both deities are smooth from years of reverent handling.

18th century

2 3/4" high x 1 7/8" wide x 1 1/2" deep.

Small Indian Jain bronze depicting the seated figure of Vishnu with Lakshmi seated on his left knee. Lakshmi, the inseparable energy of Vishnu, sits with her right arm around Vishnu's waist. Below him on the rectangular platform is the tiny figure of his vehicle Garuda, identifiable by his tiny but unmistakable wings. Two other smaller figures hold up each of Vishnu's knees.

19th century

Dimensions: 3 1/2" high x 2" wide x 1 1/2" deep

Small Indian bronze figure of a standing female deity, most likely the protective Jain Mother Goddess, Ambika. Although it is difficult to tell for sure, the popularity of the Yakshi goddess in Jainism makes it probable. The goddess stands in a very traditional straight pose associated with Jain statues. She holds various attributes in her four arms. Standing on either side are two smaller figures...

Indian Jain bronze figure of Vishnu with Lakshmi seated on his knee. Six other figures are present including 2 attendants on the bottom. The figure on the bottom is their friend and vehicle, Garuda. Incised with writing on the base and back.

19th century

Dimensions: 5 5/8" high x 3 1/4" wide x 2 1/2" deep.

Chinese round table of natural gnarled, twisted hardwood roots, and a transparent russet lacquer. The table is constructed in two parts- The trunk-like pedestal base and the rooted edge, round top. This type of natural root furniture goes back to the 12th century aesthetic. Here is an example of the round center table produced during the Republic period, bearing the colonial form true to the Victorian Era.

Republic Period

Dimensions: 30" high x 42" wide diameter

Antique Tibetan cabinet with 2 large compartments. The entire front of the cabinet is decorated in kyungbur technique (designs and pictures painted in raised lines of a gesso and resin mixture) on a deep red ground. Two large compartments are covered by 8 large panels decorated with phoenixes in medallions of scrolling vines and flowers. The middle four panels open to the compartments. The bottom of the chest has 3 additional stationary panels decorated similarly with flowers...

A contemplative and artistic rendering of a lotus leaf bowl with deteriorated edges. The lotus is a symbol of purity, beauty and a metaphor in teaching Buddhism. The lotus bowl has a small frog sitting on the leaf's edge with outstretched leg. The underside of the leaf bowl has 3 characters of the artist's signature.

Meiji Period (1868-1912)

Dimensions: 9" x 8 1/2" x 1 3/4" H

Chinese antique small display shelf with stand, made of hong-mu. A staggered shelf in the middle breaks up the square area. The front and sides of the unit is carved with delicate lined details and cusped edges. On each side of both the top and bottom shelf is a little window (four total) and the back is open. The underside of the base has a black lacquer panel painted with a butterfly and chrysanthemums.

Republic Period

Dimensions: 13 1/4" high x 12" long x 5 3/4" deep.

Chinese pair of carved jichimu wood stools. The curved legs are carved with cusped edges and narrow to lingzhi mushroom shaped feet. The seats are inset with white dali marble.

Republic Period 1912-1949

Dimensions: 18 high x 13 1/2" wide

Chinese antique porcelain brush container with unusually detailed scenes skillfully incised into each of its four sides. These pictorial reserves show figures in various scholarly pursuits including the study of written texts, scroll painting, playing music and board games, all in garden settings with various trees and vertical rock formations. The body of the container stands on four small corner feet. Glazed a turquoise blue and incised with a Qianlong mark (1735-1796)...

Chinese white Peking Glass vase with painting in reddish-pink overglaze of a mountain palace scene. On one side, three figures approach a mountain pavilion where rocky crags rise out of the mist, trees bend and flocks of birds fly. On the reverse side is a lake with fishing boats and mountain peaks rising up in the distance. An inscription in black ink is written on the lake side of the vase. A thin painted ring of gold encircles the rim of the vase...

Tibetan antique silver tripod censer. Rounded form with pierced lid. The lid has a simple incised detail around a decorative finial.

18th/19th century

Dimensions: 5 1/8" high x 3 1/2" wide.

Japanese woodblock print of a geisha applying red pigment to her lips in front of a mirror. The print is titled "Rouge" by Torii Kotondo (1900-1976). From his "12 Aspects of Women" series. Signed with red chop, and publisher's seals in left margin. With original storage folder.

Dimensions: 12" W x 19" H (entire print) 10" W x 16" H (artwork only)

Japanese woodblock print of a geisha holding a fan against a blue ground, titled "Summer Geisha" by Torii Kotondo (1900-1976). From his "12 Aspects of Women" series. Signed with red chop, and publisher's seals in left margin. With original storage folder.

Dimensions: 13" W x 19" H (entire print) 10" W x 16" H (artwork only)

Japanese woodblock print of a robed geisha emerging from behind a red cloth noren, titled "After the Bath" by Torii Kotondo (1900-1976). From his "12 Aspects of Women" series. Signed with red chop, and publisher's seals in left margin. With original storage folder.

Dimensions: 13" W x 19" H (entire print) 10 1/4" W x 16" H (artwork only)