A creamware mug, probably Liverpool, with a black transfer printed scene of a farm cottage with gate and outside the fence two men standing in front of a loaded one-horse cart. The oval transfer surrounded by foliage. Though much creamware was earlier it remained popular into the nineteenth century. 3 ¾ inches tall and 4 3/8 inches across the handle.

Condition: no cracks, hairlines or repairs. Fairly substantial chip that is mostly on the inside of the foot and another minor one on the foot...

Fine Larger Childs Plate, the centre printed with the name George, the finely moulded border decorated with bright Pratt type colours. The base impressed ROGERS. C1840. Diameter 7 3/16" (18.2 cm). Condition: excellent, there is some staining to the underside.

Fine Childs Plate, the centre printed with the name John, the finely moulded border decorated with bright Pratt type colours. The base impressed ROGERS. C1840. Diameter 5 1/4" (13.4 cm). Condition: excellent, there is some staining to the underside.

A molded roughly round stoneware small tureen with attached under tray, elaborate lid with finial and simple ladle. All transfer printed with blue floral sprays enhanced with overglaze enamels. The spoon with an additional transfer of water and a plant in the bowl. The lid and tureen with gilt highlights especially on the rams head cornucopia finial...

As mentioned for other similar items on the site, this type ware is often mistakenly referred to as Leeds and featheredge. In reality, many factories other than Leeds made items of this nature, and the type edge here is more properly called a molded edge. This particular plate was made by Riley, and is indicated as such with an impressed mark on the back. Being able to identify the maker does increase the value to some extent...

A group of five small pottery figures, four of people and one of a very smush faced lion. All painted in what look like both overglaze and underglaze colors. This type of figure was two part molded and produced in quantity. The tallest is 5 inches tall. These figures date to the first quarter of the 19th century.

Condition: All have some chips and the man with his head leaning on one hand has had the base repaired.

A molded roughly round stoneware small tureen with attached under tray, elaborate lid with finial and simple ladle. All transfer printed with blue floral sprays enhanced with overglaze enamels. The spoon with an additional transfer of water and a plant in the bowl. The lid and tureen with gilt highlights especially on the rams head cornucopia finial...

A Mortlake Saltglaze Tankard. With an sprigged fox hunting scene around the base below Toby figures. With silvered mounts. Mortlake C1800, Height of tankard 5 1/8" (13.0 cm). Excellent condition.

In referring to certain types of pottery, "Leeds" and "featheredge" are both common misnomers. People think of certain types of Staffordshire pottery as being Leeds while in actuality only a small portion was made by that factory.

Further, to be completely accurate, this platter is really what is known as "shell-edge", as opposed to featheredge. It is pearlware, made around 1810, and is an extremely large 17 3/4" by 13 1/4" in size...

Circa 1870, brown transferware platter, Staffordshire Nanking pattern, by E. Challinor. In very good condition, there is some crazing commensurate with age and some staining, most notably on the back. Measures about 18 inches long, 14" high, and 1.5" deep. Hanger included.

A beautiful English creamware plate decorated with violet swags with green trim along the rim of the plate and the edges of the swags. Aside from being of unusual structure, the violet color is rare, and the presence of a second color extremely rare.

This type ware is often mistakenly referred to as Leeds and featheredge. In reality, many factories other than Leeds made items of this nature, and the type edge here is more properly called a molded edge...

A very nicely painted Pratt Ware cottage decorated with a blue tiled roof, children at the windows with an oversize female standing beside it. On one end of the cottage is a woman with a cornucopia (?) and on the other a flowering tree. At the back in the roof is a slot for large pennies. The colors are well applied. Similar cottages are illustrated in John and Griselda Lewis Pratt Ware, 2006 edition page 249...

A Staffordshire punch bowl decorated with both freehand painting and the transfer of the Chinese ladies and part of the fence in the center of the bowl. The border and the four sprays that decorate the outside of the bowl are all hand painted, as is the pink lustre mountain behind the ladies. The decoration is bright and cheerful. 9 ½ inches diameter, 4 ½ inches tall.

Condition; Excellent, no chips cracks hairlines or repairs...

A pottery circular flask with the center of both sides decorated with a purple transfer of a man fishing in a river across from a church. The transfer surrounded by a brown/red raised band then hand painted purple flowers, green leaves, and red buds. The mouth with a beaded edge and neck decorated in the same red/brown. 7 3/8 inches from mouth to bottom, 6 ¾ inches across.

Condition: no chips, cracks or repairs...

A large tyg with hand painted apples and leaves with green dental banding and green dashes on the three handles. The tyg, or loving cup, is a popular form for Wemyss. Marked with impressed “WEMYSS WARE” in an arch over “R.H.&S.” 7 ½ inches tall, 87/8 inch diameter at base. Handles are about 2 ¼ inches out from the body.

Condition. No chips. There are two hairline cracks extending from the rim part of the way down the body. One handle broken off and restuck. There is minor paint lo...

A fine pottery dark blue and white Staffordshire platter, transfer printed in the "Birds and Fruit" pattern. Unmarked except for an impressed "12" on the reverse, but attributed to John Hall & Sons, Burslem, England.

The central scene features two birds amidst a panoply of fruit, including pears, strawberries, blackberries, grapes, etc. The cavetto and wide rim has a border of flowers and foliage.

The color of this platter is a deep, clear blue, with no blurriness, and with the desired ...

A 19th Century Staffordshire Earthenware Jug depicting Admiral Nelson. There is a similar example in the collection of the National Maritime Museum, Greenwich, London. Condition - excellent - no damages and no restoration. 28.6cm (11.25inches) high.

Panelled and diaper molded border picked out in blue and green, handpainted and signed "P. Vissier", and dated 1769. The plate has two labels, one from the Newman collection, and the other from the Harriet Carlton Goldweitz collection, considered one of the finest English pottery collections of the last 25 years. 9 5/8 inches in diameter, superb condition with deep, vibrant color, and no chips, cracks, or restoration.