A very good cut glass vase by Clark in the "Iris" pattern. The lower third and the flared rim are cut with elongated hobstars flanked by mitred triangles of strawberry diamond cutting enhanced with fans; and the neck is cut with panels of printies alternating with notched prisms. The base is cut with a 20-point hobstar and has Clark’s script acid signature. The pattern is either "Iris" or a variant of “American Beauty”...

Fine Bohemian green-to-clear cut glass Biedermeier footed spa beaker ("spaglas") featuring five panels, each beautifully engraved with Classical symbols. Beakers of this sort originated in the great spa towns of Bohemia, where they were used to take the waters. Wealthy visitors often brought back a goblet as a souvenir of their restorative stay at the spa...

Riverside Glass Company made Brilliant in 1897. There are no chips or cracks in the glass. Thanks for looking.

The perfect server for caviar, toast points and accessories! This antique piece is a fine Victorian engraved crystal server was originally purposed to hold crackers and cheese, made by the Pairpoint Corporation in the "Butterfly and Thistle" pattern, circa 1909, consisting of a round plate for the crackers and an attached dish for holding the cheese, thick base enhanced by a forty-eight point radiant star; Measures 9" d x 2 1/2"h, dish is 4 1/2"d, Excellent condition and beautiful.

A cranberry thumbprint pattern glass pickle cruet on a silver plated stand from the 1890 era. The ornate stand is 11-3/4" tall and it has a nice decorative design as does the original silver plated lid; it is stamped with the Standard Silver Co. mark, which was in business in Toronto before 1893 (they later merged with International in 1913). The cranberry glass liner/jar has a thumbprint pattern and it fits snugly in the rim on the base...

A very nice peacock or electric blue glass inkwell, the body cut in large facets. The hinged lid is topped with a figural cherub cast in glass of a matching color. The figure is completed with a matte acid finish that contrasts beautifully with the main part of the inkwell’s body. We’ve only seen this particular lid once and the figure was molded in colorless glass.

Origin: America, ca. 1900. Condition: excellent, a very small flake to the cherub's toes...

A classic Sandwich glass hyacinth vase in a rich amethyst shade. The vase is entirely hand blown, shows the traces of hand marvering. The deeply concave base has a rough pontil and a basal ring showing the expected wear. Hyacinth vases, sometimes called tulip vases or bulb vases, were used to force flowering bulbs for wintertime blooms indoors. They were quite the rage and some Victorian homes had numbers of vases arrayed on windowsills. Pieces by Sandwich are uncommon...

A 19thC. pressed milk glass syrup jug. This attractive mid-19th Century 6-3/4" tall pressed milk glass syrup jug has an applied silver plated hinged lid. This unsigned tableware serving item has an attractive climbing flowers and ribs design, and the glass colour is a pale misty green...

A lovely teal green blow glass hyacinth or bulb vase in the classic cone shape. The flared rim was intended to hold a hyacinth or other bulb just above the water line to root. Forcing bulbs was a popular Victorian pursuit and hyacinth vases were lovely adornments for kitchen and conservatory windows. The teal green is an unusual shade. The bottom has a sheared pontil.

Origin: America, probably New England, ca. 1890. Condition: no chips or cracks, some water staining on interior...

A fine glass cocktail shaker by Hawkes. The glass blank is blown in an optic paneled style and highlighted with gilding at the neck. The body is beautifully enameled with a colorful rooster and the reverse side is engraved with the recipe for a "Bronx" cocktail. The stopper is finished with floral intaglio engraving. The The double-lip form of the shaker is very similar to the shape Hawkes used for oil & vinegar cruets...

An early Phoenix Art Glass hobnail sandwich peachblow pitcher. Graduating from shades of pink to yellow/cream, this pitcher features an applied clear satin reeded handle. A delightful piece to add to you collection, it is in excellent antique condition and measures 4.5 inches high x 5" diameter. Dates 1880's.

Topaz Steuben crystal compote in a classic form by Frederick Carder. Unsigned. Excellent condition with only the very slightest surface wear in the bowl. 6" diam.; 4-1/8" tall.

This Queen Heart lamp is 9 3/8" tall without the chimney. It was made by Dalzell, Gilmore, and Leighton in 1898. The collar is loose.

You are buying 5 Cambridge community footed open salts.

There are no chips, no cracks, no hairlines and no repairs to any of the 5 Cambridge Community footed open salts. All 5 of the Cambridge footed open salts are in excellent condition.

These are circa 1900.

Each salts is 1 3/4" in diameter and 2" tall.

This fernery is 7 1/2" x 4 1/2" . There is a nick in one of the feet.

Serious offers considered. FREE SHIPPING insured priority mail on all jewelry and wrist watches over $100.00 to U.S. customers only.

A lovely cobalt blue blown glass hyacinth or bulb vase in the classic cone shape. The flared rim was intended to hold a hyacinth or other bulb just above the water line to root. Forcing bulbs was a popular Victorian pursuit and hyacinth vases were lovely adornments for kitchen and conservatory windows. The quality of glass is very good and cobalt blue is a desirable color. The bottom has a sheared pontil.

Origin: America, probably New England, ca. 1890. Condition: no chips or cracks. Size: 6-1...

A nice South Jersey glass paperweight with a frit “Home Sweet Home” design. The motif features a log cabin with puffs of smoke coming out of the chimney, surrounded by the “Home Sweet Home” legend and a laurel wreath bough at the bottom. The top is cut with a single printy. The bottom is flat and polished, without the incised ring that appears around the periphery of many South Jersey weights.

Origin: America, ca. 1890. Condition: excellent, very light normal scratches to surface, ...

Offered is this pair of Mt Washington Burmese glass vases with applied handles in their 'Egyptian' pattern. Each vase is 7 inches tall, 4 1/4 inches wide (handle-tip to handle-tip) and both vases are in excellent condition (mentioned for accuracy: there is a black mark on the inside of one vase, perhaps from the flowers displayed in it - see picture). The vases glow when exposed to black-light showing the presence of Uranium salts in the vases' glass blanks, typical of genuine Mt Washington Burm...