Offered is this rare hand-painted 'Collars and Cuffs' lamp, made by Wavecrest around 1890. Overall, the lamp is 22 1/4 inches tall. The bottom glass part is 7 3/4 inches wide and 4 3/4 inches tall. The top glass shade is 9 inches wide and 7 1/2 inches tall. The chimney is 11 3/4 inches long and 3 1/2 inches wide. The lamp is in very good condition and the electrical wiring is in good condition (there is some age-appropriate tarnishing to the metal parts)...

Offered is this beautiful, hand-painted art glass vase. The vase is decorated with berries and leaves. The vase is 9 1/2 inches tall and 5 inches wide at its widest. It is in excellent condition. Like many Mt Washington objects, the vase is unsigned, except for the number, '20' in its polished pontil (see last picture)...

This is a large, signed Crown Milano glass jar/jardiniere made by Mt Washington. It is an exceptionally large jar: it is 10 3/4 inches wide and 8 1/4 inches high. The jar is in excellent condition - no chips, cracks or repairs (there is some expected, age-appropriate fading to the paint). It is signed in its polished pontil.

Offered is this rare and beautiful cameo glass lamp, made by Mt Washington around 1890. The lamp's bottom part is cameo cut while the shade is hand painted. The lamp is artist-signed by 'Alfred Howell'. Originally, it used to be an oil lamp that has been electrified. Overall, the lamp is 20 1/2 inches tall. The bottom glass part is 7 3/4 inches wide and 4 3/4 inches high. The shade is 10 1/2 inches tall and 9 1/2 inches wide. The lamp is in very good condition...

Offered is this exceptionally rare Cypriote glass shade, made by Tiffany Studios, around 1905. Superb iridescence. Though all Tiffany Studios Cypriote glass objects are rare, even rarer are Tiffany's Cypriote glass shades - one seldom comes across a Tiffany Studios Cypriote glass shade in the marketplace (since shades' fitter widths had to hand-made to be of a standard size, in general, it was much more difficult to make shades than vases)...

Offered is this very large and rare Mt Washington glass hand-painted lamp in their 'Crown Milano' decor. The lamp is 36 inches tall to the top of the chimney (34 1/4 inches tall without chimney). The exceptional lamp is decorated with as beautiful a painting of flowers as you are likely to find anywhere...

A large glass shade in the 'chipped ice' pattern, made by Handel around 1900. The shade is 8 1/2 inches tall, 4 1/4 inches wide and has an opening of 3 3/4 inches. It is in fine condition. It is signed, 'Handel 2916'.

A beautiful Findlay Onyx glass celery vase, made by Dalzell, Gilmore & Leighton company, around 1889. The vase is 6 1/2 inches tall and 4 1/2 inches wide. Except for the usual roughness around the rim, typical of Findlay Onyx glass items, it is in fine condition.

A rare and beautiful Signed Steuben Aurene sugar pot (with etched and acid-cutback flowers and branches, and a sterling cover). The glass piece is 3 5/8 inches tall and 3 1/4 inches wide at the bottom. Good condition. Polished pontil. Signed. Cover marked, 'Sterling' and the glass is marked, 'Aurene'.

A very fine and rare antique glass paperweight by Pairpoint. There sphere encloses a translucent red and opaque white double twist within a cloud of controlled bubbles. The foot is engraved in a design known as "Pattern No. 220". Pairpoint called this design "Veneti" and used it to produce candlesticks, compotes, vases and stemware. Veneti paperweights are quite uncommon.

Origin: America, ca. 1915. Condition: excellent, no chips or cracks. Dimensions: 3-3/4" tall.

RARE and in perfect condition! Designed by Frederick C. Carder for Steuben Glass this rare aurene etched perfume bottle is complete with an engraved sterling silver and turquoise enamel guilloche stopper. A collectors dream, it measures 5.25" high. Price includes shipping, no discounts. Circa 1915

A beautiful, signed, ribbed, amethyst glass vase made by Victor Durand during the early part of the twentieth century. The vase is 7 7/8 inches tall and 7 3/4 inches wide. It is in fine condition. Polished pontil. Signed on the vase's bottom.

Three Steuben articles (2 vases and a covered jar) in ivory, amethyst and blue-with-alabaster. The following are the details:Ivory vase is 7 1/2 inches tall and 6 1/2 inches wide; amethyst vase is 5 inches high and 4 inches wide; the covered jar is 12 1/4 inches high and 5 inches wide (tiny flea-bite on top of lid - see last picture). Unsigned, but in standard Steuben shapes.

A beautiful, large Peachblow glass bowl, made by New England glass company around 1890. The bowl is 7 1/2 inches in diameter and 3 inches in height. The non-cased glass bowl is in excellent condition, without chips, cracks or repairs. Polished pontil. Unsigned, as expected - a similar bowl is shown on page 125 of John A. Shuman III's book, 'American Art Glass', 2nd edition (shown in last picture here for your convenience).

A Victorian cobalt glass hand etched water pitcher. This mid-Victorian 19th century 7-3/8" high pourer features hand etched frond decoration and a clear applied heavy handle, and this unsigned serving item is in excellent condition with no chips, cracks, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may have slight signs of gentle use. Tracked Packet shipping to anywhere in the U.S...

Offered is this beautiful iridescent Favrile / Aurene type glass vase, made by Quezal around 1910. The signed vase is 6 1/4 inches tall and 3 1/2 inches wide at the shoulders. Polished pontil. In good condition (couple of scratches - see last picture).

Offered is this early Handel reverse-painted, 'chipped-ice'-shade lamp. The shade is signed, 'HANDEL 3157' with the artist's initials, 'R. g' (painted by either of Handel artists: R. Gillern or Robert Goodwin) - see pictures. The base is marked, 'B & H' (not to be confused with Bradley & Hubbard), which is an exceptionally rare early Handel mark (please refer to the 'handellamps.com' website) - see second-last picture. Initially, it used to be an oil lamp that was converted to electricity...

A nice example of an antique scrambled glass paperweight by the New England Glass Company. The set-up contains a colorful variety of complex canes, filigree and twists in a nicely compact grouping. There are least three complex canes with white eagle silhouettes against a field of dark purple...