Lovely panel-cut footed crystal compote, the stem with a blown teardrop. The foot is shaped to conform to the panel cutting. The crystal is top quality, with excellent weight and color. The bottom has a polished pontil.

Origin: England or Ireland, circa 1830. Condition: excellent, no chips or cracks. Size: 5-5/8" tall, 7-7/8" diameter; bowl is approximately 2" deep.

Extremely rare oil lamp featuring a base of mercury glass decorated with floral painting and satin finishing. The floral decoration is an autumnal design depicting leaves and wheat in shades of brown, gold, green and cream, accented with cornflowers in blue and small orange flowers. The mercury glass has extensive satin finish which further emphasizes the shiny surfaces. The oil reservoir is flint glass of the highest quality cut in a 12-panel design...

Stunning single-vase epergne in blue opaline glass. The deeply ruffled edges of the trumpet vase contrasts with the gentler ruffle of the lower bowl. The coloring is particularly nice.

Origin: probably France, possibly England, c. 1840. Condition: the very bottom of the trumpet is broken off, but when the trumpet is in place, the break is below the juncture with the lower bowl and no problems are visible (there is a remote possibility that this damage was in the making); otherwise excellent...

Outstanding early South Jersey glass paperweight enclosing a frit design of an eagle with an American flag and the words "The American Fire Philadelphia A.D. 1810." I'm not sure if this refers to a fire department or a fire insurance company. The detailing, especially the feathery delicacy of the eagle's wings, is very nice. The glass is very good quality and the design achieves very nice magnification because of its placement low in the crown...

Lovely blown flint glass sugar bowl or covered comport in a panel design, the molded bell-shaped lid rising to a pointed finial. The bottom has a polished pontil. The glass is of heavy weight and good clarity.

Origin: American, possibly Sandwich or Cambridge, ca. 1840...

Stunning 2nd Empire pink opaline glass chalice with gilt and enamel decoration. The outside surface has a matte finish except along the lip, the foot rim and the knop rim, each of which is decorated with gilt lines. The primary decoration, however, fills nearly the entire surface with built-up layers of gilding accented with black enamel. The base has a slightly concave polished pontil.

Origin: France, possibly Baccarat, ca. 1840...

Stunning set of four enameled cocktail glasses, almost certainly by Moser. The quality of the glass is superlative. The enameled rooster motif is magnified through the thick glass of the base, so that it looks quite large from inside the bowl (it might be a bit frightening after drinking an entire martini!) The bowls are lightly paneled and are edged in a thin line of gilding.

One glass has a flake at the bottom edge (see photo) and two pinpoint roughnesses along the top rim...

Topaz Steuben crystal compote in a classic form by Frederick Carder. Unsigned. Excellent condition with only the very slightest surface wear in the bowl. 6" diam.; 4-1/8" tall.

American amberina glass tumbler of extraordinary coloring. The slightly ribbed outer surface complements the thumbprint interior design, creating an interesting optical effect. The glass is heavy and free of defects. The bottom has a concave polished pontil. Origin: New England. Size: 3-5/16" tall. Condition: mint.

Webb satin finish peachblow rose bowl, 3 inches in diameter and 3 inches tall. The bowl is cased in white with the exterior shaded from dark red at the top to a yellowish red at the bottom. The rim is crimped and edged in gold. The body of the rose bowl is decorated with gold prunus and a butterfly. There is a ground and polished pontil mark.

A rare Trevaise vase made by the Alton Manucturing Co. of Sandwich, MA in 1907. The 5 3/4 inch tall vase has the typical bulging center as well as a smaller bulge just below the rim. The vase is 3 ½ inches in diameter at the bulge while the top is 1 3/4 inches and the foot is 3 inches. The cream colored base glass of the vase is nearly covered with a spectacular yellow, green and gold feather-combed decoration. The foot bears a button pontil typical of Trevaise. There is no damage.

Beautiful 12 inch tall rose pattern signed “Locke Art” vase. The vase has a rayed pattern on the underside of the foot and an etched dentil pattern on the rim. The vase is 4 1/4 inches in diameter at the base and top while the main body is 2 7/8 inches in diameter. This rare form is in wonderful condition.

Low green pastel compote by Tiffany, the 5 7/8 inch diameter compote is 1 3/4 inches tall. The compote has an opalescent diamond pattern and the green rim is rolled to the underside of the bowl. The signature “1964 L. C. Tiffany” is inscribed on the foot and there is a broken pontil mark.

A Moser cranberry perfume or cologne bottle that is nicely enameled with some wear to the gold scrolls in the reserves. The stopper and the bottle both bear a small gold “5" indicating that these have always been together.

An unsigned Steuben acid cut back vase, Steuben factory shape 5145, 12 inches tall. The vase is green jade cased over alabaster in what may be a unique design. Ther are two panels each of two designs. The butterfly panels are similar to the pattern on a vase shown as Ill. 177 on page 113 of "The Glass of Frederick Carder" by Paul Gardner...

Acid (satin) finish Wheeling peachblow mustard pot with intact lid. The mustard pot is 2 3/4 inches tall and 2 3/8 inches in diameter. The base has a polished pontil. The mustard is shape number 226 and the finish is referred to as “Lustreless” in the Hobbs, Brockunier & Co. catalog.

A beautiful composite stem English wine glass with a tulip bowl above a stem with a multi-spiral air twist over a teared inverted baluster knop above a plain section. The glass has a domed foot with rough pontil.

The form itself is quite uncommon and when found is almost always with a pointed round funnel bowl or round funnel bowl, and of somewhat shorter height. For a glass of that type see Bickerton p. 193, fig 555...

This elegant green shell bowl with a swan on the scalloped rim, attr Salviati early 1900s, is an excellent example of the masterful craftsmanship of the Murano glass artisans. The ribbed green shell bowl and the blown foot have flecks of gold leaf; the swan is crystal with gold leaf. There is a pontil mark on the bottom of the foot. The piece stands 5" tall, 5" long, and 2 1/2" wide. In Carol M...