This porcelain tea cup and saucer was produced in England by Brown, Westhead & Moore around 1875. It is not marked but we found the shape in “A Compendium of British Cups” by Berthoud. The saucer measures 5 ¼ inches and the cup is 2 ¾ inches high. The set has wonderful celeste blue enamel coloring. There are bands of tiny hand painted flowers accenting the rims. Gilded accents and gold trim on rims and handles add to the design. CONDITION: Excellent

Offered is this beautiful, hand-painted, three-vase glass set, made by Thomas Webb of Stourbridge, England, around 1900. The tall vase is 10 1/2 inches (27 cm) tall, 6 3/4 inches (17 cm) wide and 4 inches (10 cm) deep. Each of the smaller vases is 8 1/2 inches (26 cm) tall and 4 1/4 inches (10,5 cm) wide. They are in excellent condition, without chips, cracks or repairs. The tall vase is signed on its bottom with the faded Webb circular mark, 'Thos Webb & Sons' (see last picture)...

A wonderful cutlery tray, probably of Vermont origin, made around 1840. What makes it so exceptional is the decoration, closely akin to "vinegar painting." Red paint was put on a yellow base, and a solvent added. This made the combination of colors run together, producing a somewhat mottled effect.

Another notable point is that the tray is in excellent condition, with no cracks or breaks. The paint is all original and untouched, with a nice dry surface...

Early Chinese export Rose Medallion porcelain condiment dish. The details are very finely painted and vibrantly colored. China, ca. 1860's. Excellent condition; the gilding along the top edges is worn away; no chips or cracks. 3-1/8" x 2-3/8" x 11/16".

This porcelain vase was produced in England by Royal Doulton in the 1890s. It is signed by the artist Edwin Wood. He specialized in painting flowers and particularly roses. The vase is 8 inches high and 3 inches across the top. It is made of fine bone china. It has a pedestal foot and scrolled handles. The flower painting is exquisitely detailed. The colors are vibrant. A bouquet is in the center of a frame of roses. There is a different bouquet on the other side...

Francis Wheatley ( 1741-1801) first earned his fame as a portrait painter for the aristocracy, but when he fell out of favor, his landmark series of paintings of the Cries of London depicting the working poor hawking their wares on the streets of London ensured long lasting fame. Prints of his paintings were popular throughout the 19th century and early 20th...

Antique toy dog with a squeaker, glass eyes, hand sewn and was mohair of sorts but now is worn down to the brown fabric. He is firmly stuffed with straw. He has an old fabric collar tied around his neck. He is 7 1/2" long and is 5" tall and is circa 1880-90. He has a very nice face.

A lovely pair of Royal Crown Derby vases in the Old Imari pattern. In excellent condition with very little wear to the gold except on the ears and mouth rim. No chips, no hairlines, no repairs. They measure 6.5" high. Dates 1877-1890.

Antique 19th century, solid silver fork in Baroque style adorned with Lithuanian heraldic coat of arms Pahonia-Vytis.

The fork has 3 shaped tines and an elaborately designed stem topped with a finial depicting a woman's bust in classical style. This woman represents allegorically Poland, holding the crown of the Polish-Lithuanian Commonwealth and backed by a laurel wreath.

The back of the fork's handle is skillfully carved with a Lithuanian heraldic coat of arms known as Pahonia-Vytis...

This porcelain tea cup and saucer was produced in England by Minton in the mid 19th century. It is marked but the impressions are so light it is undecipherable. The saucer is 5 ¼ inches in diameter and the cup is 2 ½ inches high. The set is made of fine, white bone china. The decoration is completely hand painted. The pattern of rose, pansy and forget-me-nots was very popular in Victorian times. There is hand gilded trim around the rims. The rims are turquoise colored enamel...

A wonderful example of a pastel painting on sandpaper. The scene shows a man in 18th century garb, holding a fawn that his daughter is feeding. They stand on a dirt path lined with a wooden fence. Other deer are in the foreground and near the lake that occupies the mid-ground of this work. In the immediate background is a fantasy type building on a hill, with mountains in the background...

A Green and White Nailsea Victorian Baluster shaped Glass Vase with a Ruffled Top. There is a White Swirl Overall Design on the Green Background, which is Characteristic of Nailsea. Late 19th century. Dimensions 9.25" high x 4.5" wide. Excellent condition.

An exceptional Russian judean silver torah pointer, dating to the later 19th...

RUSSIAN 84 ZOLOTNIK SILVER & ENAMEL BELT. Russian 84 zolotnik (.875 fineness) silver belt with intricate enamel details. Inscribed "W. M." on belt fastener. Weight: 359g. Size: length of this fine item is 30 inches.

Four perfume bottles, all in white opaline: the first decorated in gilt with winding morning glory, a very small enamelled bottle, a matted opaline and enamelled bottle and a bottle with a blue snake. The smallest bottle c 1840, the others late 19th century. Height "2 ¼ - 5 ¼ / 6 – 13 cm. No stoppers. Condition: some wear to the gilt and a nick to tip of the snake’s tail.

Antique, Victorian 19th century English hand -blown cranberry glass vase of exceptional quality. Cranberry glass was made by adding gold to molten glass...

English Wedgwood Green Jasper ware Creamer, 2 1/2" high with beautifully detailed applied white classical Figures on Bisque finished Green background, impressed mark "Wedgwood" "England" on the bottom. Very tiny frit on the rim.

An attractive and well made hand-blown pair of early-mid Victorian stoppered glass liquor decanters. These matching 11-3/8" decanters have some hand cutting on the shoulder ribs and they retain their original blown and cut stoppers. They have polished pontils, they are unsigned, and they are in excellent original condition with no cracks, losses, damage or repairs other than some tiny fleabites on a few of the bottom of the ribs and at a few of the handcut facets, a small chip on one stopper a...