An attractive Russian judean silver torah pointer, dated 1895 and makers mark of O.C..

A Torah pointer is used when reading the Torah scroll so as not to touch the sacred text with the finger...

The origins of the hookah come from the north western provinces of India along the border of Pakistan in Rajasthan and Gujarat nearly a millennia back. In Persia, before the age of cigar and cigarette, hookha was used for generations and generally they were made from clay. The aristocrasts and wealthy had the upper section of their hookha made from silver and the base was porcelain or crystal...

This porcelain vase was produced in England by Copeland in the mid-19th century. It has the name Copeland impressed in the porcelain. The vase is 9 1/2 inches high. The porcelain is fine, white bone china with a high gloss glaze. The vase is trumpet shaped with high relief decoration of trees and branches. There are three dolphins supporting the vase in the center. It is all supported on a triangular base of three feet...

An amazing whimsical game board reverse painted on glass. The checkerboard design is worked in bright shades of lime green and burgundy, the individual squares outlined with borders painted in orange, red, lavender ocher and gray. The board is decorated with ornate flourishes at each corner bearing the names “Agnes”, “Edd”, “Beulah” and “Mother”. The outer edge is painted in burgundy. The overall appearance is very graphic and reminds us of a good patchwork quilt...

Authentic antique over 100 years old, circa 1900 AD, solid silver gold gilt spoon, with Polish–Lithuanian Commonwealth coat of arms. An ovoid deep bowl with an elaborate stem surmounted at the top by a finial depicting a woman's bust in a classical style...

Rare large ironstone platter in the Imari taste with a cobalt blue border by G.L. Ashworth, the successor to Mason’s. The platter’s rim is unusually decorated with reserves showing Japanese ladies with parasols and floral elements surrounded by gilding. The central design shows an Asian-themed still life including peonies, lotus blossoms, pagodas, etc. The back is printed with Ashworth’s mark, is impressed “Real Ironstone China”, and has a decorator’s mark.

Origin: England, ca...

A Elegantly Designed Sprig Pattern Pitcher With a Mulberry Design on the Handle and Body on a white Background. Circa 1850; some hairlines, but otherwise in very good condition.

A Victorian Hand Blown Amber Satin Glass Vase, with Enameled Flowers; English. c. 1870-1880. Height 8". Excellent condition.

A charming hooked rug depicting a woman holding a flower and sitting in a chair beside a large kettle over an open fire. The wall behind her shows a painting and a window through which can be seen a church. Rugs of this size and this period showing an interior scene are quite uncommon.

The 21" by 17" rug is mounted in a museum approved manner on acid free board. The condition is excellent, with no issues.

Offered is this beautiful, hand-painted, three-vase glass set, made by Thomas Webb of Stourbridge, England, around 1900. The tall vase is 10 1/2 inches (27 cm) tall, 6 3/4 inches (17 cm) wide and 4 inches (10 cm) deep. Each of the smaller vases is 8 1/2 inches (26 cm) tall and 4 1/4 inches (10,5 cm) wide. They are in excellent condition, without chips, cracks or repairs. The tall vase is signed on its bottom with the faded Webb circular mark, 'Thos Webb & Sons' (see last picture)...

A Minton's Indian Tree platter, transfer printed in a sparkling famille rose palette, year mark for 1843, pattern number 1482. This classical pattern was first introduced by Minton’s, around 1840. Width: 14 1/4" / 36,5 cm. Condition: hairlines to one side and some wear to the decorated surface.

An unsigned Webb Burmese petal topped vase enameled with the Jules Barbe designed Japanese Berry or Woodbine pattern of 1887. The vase 3 inches tall and in excellent condition.

This is quite the scrap book. The back and front are cloth covered in blue and white calico. The pages are also cloth with stitching around all the edges. The trade and advertising cards are glued down on both sides of the fabric. The pages are bound together by three holes and each page and tied with a yellow ribbon. There are 11 pages, 22 sides, and one 1/2 page that is original and not cut but just a 1/2 page with cards on both sides...

A pair of 19thC Japanese Meiji blue and white porcelain covered bowls. This fine pair consists of the 4-3/4" diameter footed bowls and their 5-1/4" covers with a rimmed foot or receptacle on the top. The covers can be placed on the rim to act as side dishes to the bowls. The hand painted blue and white design includes dragons, panels and scenes and each has hand painted gold highlights...

The symbolism and motifs behind the Victorian bangle bracelets, with their quaint floral bouquets and plants and trails of leaves well known. Our Sterling silver bangle has two carved stylized vases of flowers on either side, a vertical array of flowers next to each and at center, what appears to be two vertical daisies and leaf tendrils. This bracelets are quintessentially Victorian; sentimental jewelry always had associated meanings behind different flowers...

Napolean III amethyst necklace individually claw set in 18k yellow gold with gold spacers in the archeological taste. An extra amethyst gem link is available to lengthen the chain should this be desired. There is a safety chain for additional security. The necklace is 15.5 inches in length.

Six small sterling beakers with gilt interiors by Edward H. Stockwell of London. All are marked appropriately. Only the bottoms which show very light wear and very faint spotting have been polished. They measures 1-3/4" x 1-1/4" at the widest point.Total weight is 1.8ozs.

Very nice sterling silver sugar spoon with a plique-a-jour enamel handle decorated in three shades of translucent enamel. The matte gilt bowl has a rounded spade shape. The twist handle opens into a stained-glass like terminal. Plique-a-jour enameling was usually reserved for more delicate pieces like demitasse spoons, so a sugar spoon is rather uncommon. Unmarked, but probably European.

Ca. 1880. Condition: excellent, no enamel damage, original gilding. Size: 5-9/16” long.