A wonderful offering of a c1758 Vauxhall porcelain coffee can, very finely potted and painted in the highly sought after and uncommon "sticky blue". The scene is of two figures on a hill with a tree and a pagoda.

The condition is excellent, looking factory fresh, with no chips, cracks, paint loss, staining, restoration, etc. Any apparent shadows, white areas, streaks, or other issues are only due to photographic flaws and are not present when viewed in person...

A collection of three nice Northern European Mangleboards.

One is very old, dated to 1710, carved on the top of the board together with the letters ALRS - the initials of the carver himself - or the one he was devoted to show his carving skills? - 58 cm.

The 2nd board - dated 1822 with the letter DYD carved on the top...

If fireplaces long ago were considered romantic, this fireplace summer cover is undoubtedly the reason for such nostalgia. This cast iron masterpiece features the god Mercury holding a torch, atop a basket of flowers, framed with scrolling baroque devices. I date this summer cover to mid 19th C...

These exceptional vases decorated in the Chinese style were produced by the firm inherited by Charles Mason who secured rights to the famous Mason's Patented Ironstone in 1813. The pottery made porcelain as well, but I believe that these vases are of ironstone...

French walnut oil jug from France. A large brown-glazed terracotta storage vessel with pouring spout. It is a rare piece and unusual to find one without handles. Chips to spout. Expected for age. Measures 10" diameter, 14" high

Pair of German silver Renaissance hunting figures, ca 1890. The man wears doublet over baggy chemise and hose with belt hanging loosely around hips. A long hat feather drapes gracefully along his arm. The horn is raised expectantly while the other hand rests on his sword. The woman wears a bodice-revealing fitted hip-length coat over a pleated skirt. Her braids are coiled in the back and her hat sports a jaunty feather. On a raised arm perches a falcon...

Set of 4 Edwardian sterling silver place card holders. Made by Sampson Mordan & Co. Ltd. in Chester, 1904-6. Each: Two flat discs mounted to flat and circular base. Front disc smaller and enameled with fox loping through forest. In leather-bound case with fitted velvet and silk lining; lining has gilt retailer’s stamp (Arnold & Lewis, Manchester). Fully marked including date letters 1904 (3) and 1906 (1), and design nos. 402227 (2) and 429790 (2)...

Edwardian Art Nouveau sterling silver epergne. Made by James Dixon & Sons in Sheffield in 1905. Large round and shallow basket set in round mount with shell-and-scroll apron surmounting fluted and knopped baluster on raised and bellied base. Two scrolling and whiplash arms, each supporting ring inset with smaller same basket. Four scrolling stretchers mounted to central pendant knops and same supports on quatrefoil feet. Pierced loose and fluid leaves and scrollwork. Gadrooned rims...

English Georgian sterling siler ladle with oval bowl; twisted baleen handle with sterling silver terminal. Worn marks including maker’s initials TM (possibly Thomas Mynd). Good condition.

Height: 13 7/8 in. #BX386

German Neoclassical silver urn, 18th century. Oval tapering bowl on raised and stepped foot. Cover domed with vasiform finial. Chased imbricated leaf border at bowl bottom; same on cover dome. Visible hammering and handwork. Marked. Good condition.

Dimensions: H 4 3/4 x W 4 1/2 x D 3 in. Weight: 5 troy ounces. #BX291

Our Victorian long guard watch chain is composed of an unusual and attractive love knot link. Such chains were called "long guards", and shortened to "guard chains". Watch guard link chains were generally light in weight and always over 50 inches in length. They were designed to hold watches with a dog clips and were originally worn with the chain tucked into a woman's belt with the watch attached to the chain...

Double box link original Victorian watch chain terminating in a dog clip stamped 9 carat, this unusual watch chain with its faceted box links attached to one another reveals on close inspection an additional twisted link around each box link, adding interest and glamour to a simple box link watch chain. The link has a slightly yellow gold cast...

Wonderful tactile slinky watch chain...

Set of 6 Victorian sterling silver equestrian place card holders. Made by Samuel Jacob in London, 1896-1902. Cut out with chasing, stippling, and tooling. Each different with jockeys, polo players, and hedge-jumping hunters. Hinged c-scroll support.

Fully marked including date letters 1896 (3), 1901 (1), and 1902 (2). Five holders have each a different design number; the numbers were registered between 1894 and 1897. Three have retailer’s stamp (Thornhill & Co.). Very good condition.

Ove...

George V sterling silver vase. Made by Goldsmiths & Silversmiths Co. Ltd in Sheffield in 1912. Tapering and girdled tube on stepped foot. Flared and castellated rim with applied molding and ornament. Lion’s head side mounts with hinged and turned rings. Fully marked, including design no. 13163. Very good condition.

Dimensions: H 10 1/4 x D 4 1/2 in. Weight: 15.5 troy ounces. #BX033

George V sterling silver vase. Made by Goldsmiths & Silversmiths Co. Ltd in London in 1911. Tapering and girdled tube on stepped foot. Flared and castellated rim with applied molding and ornament. Lion’s head side mounts with hinged and turned rings. Fully marked, including design no. 13163. Very good condition.

Dimensions: H 10 1/4 x D 4 1/2 in. Weight: 14.5 troy ounces. #BX032

Substantial 9k double headed snake ring featuring pink sapphire laden tops, carved gold eyes and a modern looking chic open work gold band. The ring is hallmarked "Chester", the most innovative of all the English guilds, and dates precisely to 1911. The intertwined serpents represent 2 lovers woven together for eternity and symbolize fertility and rebirth. The pink sapphires are unusual in a snake ring and the cool pink tones are a wonderful contrast to the rose gold band. The ring is a size 9.5...

Utilizing the natural features of the blush and gray speckled agate with a lovely mottled appearance and demonstrating the fine carving that this circle of Italian carvers were known for, our ring is a sensitive portrayal of Sappho, an early poetess who came of age in the time of the Ancient Greeks in the Archaic period. The quality of the carving is reminiscent of the circle of carvers in Rome during the mid eighteenth century which included Anton Pichler and his sons Giovanni and Luigi. K...