Japanese Sadao Watanabe print of pouring water (1913 - 1996). Striking red background with four characters pouring water. Numbered 16/70 printed in 1971. Great condition, with no rips or condition issues. 1971 Dimensions: 27 1/2" High X 23" Wide

Japanese 32 Sword Scabbards Tray, set in Wood Frame-top and shaped bottom Tray, Meiji period, 13 1/4" x 8" wide, 1 1/2" high, and Scabbard-1" high, 1 3/8" wide for each Scabbard, include Shark's skin, various techniques Lacquered design, none of them are same, all different lacquered Scabbard, tray has rounded corners on top and short rounded bracket feet on the bottom. All the Scabbards are in good condition but wood on the bottom shows two(2) cracks between 5" to 9" long.

DESCRIPTION: A large and delightful carved wood figure of one of the seven Japanese gods of good fortune, Daikoku, the deity of prosperity. Here he is seen in his traditional pose, standing on two bales of rice with his wish-granting mallet in his right hand, and a bag of riches slung over his left shoulder. Daikoku is also venerated as the deity of the kitchen where such carvings were traditionally displayed, sometimes in the ceiling rafters for good luck...

Quite unusual bronze elephant koro or incense burner. The lid is a pagoda and the relief work is very good. The pagoda has a few corners damaged but all in all very good condition. C.1920 Taisho Period. H:17cm x w:16cm. ask for shipping quote.

Antique Japanese hand-carved wooden theatre mask for the traditional Kyogen performance. The particular mask has the face of a fox, with coarse horse hair eyebrows and whiskers. The fearsome teeth and scowling eyes are lacquered in gold and it has red lacquered lips and veining in its ears. The jaw is hinged so that it jiggles open and closed with the dancers' movements. The inside of the mask has a special hand-carved signature by the original artist...

Pair Japanese carved solid Wood Shrine Guardian Lions, 10 1/2" high, 6" wide, 11" deep each, wonderfully aged, bleached and weathered being outside above Shrine or Temple heavy door frames. These Guardians also called Protector, or Shishi Dog, one mouth open and another mouth closed, always as a pair, placed on the top of the door hinges or under the eave in front of the Shrine doors to protect and stand Guard outside before entering the Shrine...

DESCRIPTION: In Japanese lore, there are countless tales about the mischievous Tanuki, a real animal native to Japan. Masked like a raccoon but big and stocky like a badger, they are said to have supernatural powers to transform into any living or inanimate shape. Often they assume the form of a monk, as our Tanuki does here. This Tanuki okimono is hand crafted from a single piece of wood in the best of Mingei traditions...

Japanese Kiri wood square shape Hibachi with Copper lining, 9 1/2" high, 12" square, with inserted oval shape wood handles on two(2) sides, some separation in wood joint.

Antique Japanese fireman's pick axe (tobiguchi), made with a hardwood handle with iron bars and ring, an iron axehead and secondary tool at the bottom of the handle with a nice, aged patina. Edo period (1615-1867) Size: 23.5" length, 4" axehead

Japanese large Wood square Hibachi with original Copper Lining, 7" high-outside and 5 1/2" inside, 17 1/2" square-outside and 16 1/2" square top rim, 11 1/2" square inside copper lining, with cut out handle on both side, original blue cotton fabric on the bottom. The beautiful bold looking grain of wood is noticeable and all original condition, no major damage except old copper lining is somewhat stained.

Japanese carved bone three(3) monkey design Fan Holder, Meiji period, 1 1/8" high, 2 1/4" wide, 1/2" deep, with opening on the bottom and wider opening on the top, carved serious money faces with black enameled wide eyes. There are some stains and wears on the surface.

Japanese carved and stained bone Brown Bear Cane/Walking Stick Handle, Meiji period, 1 1/4" high, 1 1/8" wide, 1 1/2" deep, long hair and long tail curved under copper band 3/8" high, 7/8" diameter on the bottom outside the hole. No damage on Brown Bear, some wears showing on copper band.

Richly elegant buddhist temple lamp from the Taisho Period C.1920. The lamp has carved lacquered dragons on all sides of the middle and buddhist clouds and on top handle and base in gold lacquer. Sloping mesh cloth creates a soft lovely effect. Stunning. Comes in origial cedar wood box. Ask for shippig quote from California warehouse.

Rich patina jizaikagi hearth fish from the Taisho Period C.1920. The pot stabalizers had an iron rod through the fish that went up into a long bamboo pole that had an iron hook on the bottom to hold the iron pot over the hearth fire in old japanese farm houses. Length: 11" x 7" tall. Ask for shipping quote.

Attention-getting Japanese paper mache demon face mask. Has a devious grin, large bulbous nose, with fanged gold teeth. Face is black with red and gold highlights, making features stand out and gives an amusing yet intriguing look. Contains holes in ears of mask with cloth netting running behind face. Paper inscription on back is a description of this unique character. Taisho Period-Circa 1900 Dimensions: 17" High X 13.5" Across

Fabulous almost art deco old Japanese medicine shop kanban or shop sign. Meiji Period C.1900.This sign was made for the Tayama Yakuho Medicine shop in Awakuni the Meiji Period name for present day Awajishima island near Shikoku. The Medicine, Keishintan, was for the stomach. We can translate all the writing on the sign by request. H:16" x W:34" Ask for shipping quote.

Antique Japanese carved wooden mask of an okina, or old man, used in the theatrical art form of Noh. Every Noh mask represents a specific character, and when the shite (performer) puts on their mask, the term for putting on clothing (kaburu) is not used. Rather, it is called kakeru or tsukeru (to hang/to attach), as this symbolizes the transformation into the character. The mask shows traces of the facial hair it once had, which has been lost due to age...

Beautifully hand-carved Japanese Bugaku theatre mask, meant to be worn whilst performing the solo, rejoiceful Genjoraku dance. This dance references the practice of snake-eating for medicinal purposes in central Asia and would often be performed as celebration of the return of an emperor to the palace. The mask has movable eyes, jaw, and eyebrows, stringy hair, bulging veins on its forehead, and an upturned nose of a tengu demon...