Pair of Japanese antique hibachis. Round in form and carved to appear as if made of woven basketry. Spilling over the rims and made to look as though bursting forth from holes in the baskets are plump clusters of grapes, vines and leaves. The "basket" portion of the hibachis is lacquered a deep red while vines and leaves are lacquer a dark green. The grapes a lacquered a deep red. There are metal inserts for coals and ashes...
A small circular table likely made as a stand for an incense burner or suiban basin dating from the Muromachi era (late 14th to 16th century ) covered in black lacquer over which has been applied vermillion in the style known as Negoro. About the center a ring of wood grain is typical of the era. It is supported by three curling feet extending from a billowing diaper. The lacquer, originally black, has oxidized to a mellow chocolate color beneath...
Japanese lacquer kogo incense container in Korin-style with rabbits gazing at the moon. One rabbit made of quail egg mosaic and the other of silvered lacquer sitting in the reeds. Square shaped container with mitered corners. Top with silvered moon. Tomobako with typed old labeling.
Meiji Period (1868-1912)
Size: 2 1/4"H x 1 5/8"W x 1 5/8"D
Porcelain cranes in a lead tree decorate the lacquered top of this gilded wooden box enclosed in the original wooden box titled Romatsu Sokaku Zu (Ancient Pine Two Cranes) and signed Sekka, with signatures of Tozan II (porcelain decoration) and Suzuki Hyoetsu (lacquer artist) inside...
A rare stacking Bento (picnic) box in the shape of a tea leaf storage jar decorated in a realistic fashion with black, silver and gold maki-e lacquer. It consists of four pieces, stacked they are 28 cm (11 inches) tall, and all are in excellent condition.
Of Steeply conical form with a bulbous top. This jingasa is constructed of hide and cloth, shaped in a mold, lacquered in reddish brown lacquer, with a gilt rising sun mon on the rounded apex.
The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru), used several types of jingasa made from iron, copper, wood, paper, bamboo, or leather...
Over 100 years old, this exquisite lacquered box set was crafted in the fourth year of Taisho (1915). On the underside of the lid are painted butterflies and the sides and top of the box set feature Chrysanthemum flowers in gold, sumi, and mother-of-pearl. Long considered an auspicious symbol of longevity and rejuvenation in Japan, when first introduced to the island nation during the Nara period (710 – 793 AC), the Japanese Royal Family was fascinated with the Chrysanthemum...
Lacquerer board.
Early Meiji period.
Coats of lacquer, wears and splashes due to a long time use. Inscription on the reverse.
40 x 28 x 4,5 cm
Antique Japanese round lacquered wood container decorated on both sides with a karakusa (octopus vine) pattern and blossoms around the central aoi mon of the Tokugawa shogunate. Gold lacquer on a dark brownish black ground. Possible for archer bow strings.
Age: Edo Period (1603-1867)
Dimensions: 3 3/4" wide diameter x 1 3/4" deep
Antique Japanese lacquer raised tray. Standing on four legs with square frame and decorated all over with scrolling vines and pine bows in maki-e lacquer on a black ground with clouds of gold nashiji. Prominent in the design is the appearance of the aoi mon (crest) of the Tokugawa clan, marking this tray as the property of the ruling Tokugawa Shogunate.
Age: Edo Period (1603-1867)
Dimensions: 8" high x 14 1/2" wide x 14" deep
A very unusual lacquered Jubako stacking box in the shape of a water cauldron made for serving food at events and celebrations. It is finshed with metallic textured silver-black lacquer simulating old iron. The lid and base are shiny black lacquer, the interior coated in festive red. Cranes and turtles, symbols of longevity, populate the inside in gold. It is 20.5 cm (8 inches) diameter and comes enclosed in an age darkened period wood box titled Kamagata Kashiki...
Antique Japanese round hibachi made of kiri (paulownia) wood and lacquered with highly raised maki-e design of irises and hydrangeas. Exuberant blossoms in gold and black lacquer with shell inlay. With a copper insert. This hibachi was originally used as a household brazier.
Age: Meiji Period (1868-1912)
Dimensions: 9" high x 15" wide
Globular in shape, on a nashiji gold lacquer base, the decoration represents pines and bamboo in gold and black hira maki-e, hedatsu and kirigane of vegetation at the edge of a watercourse and stylized medallions of chrysanthemums. The interior is also in nashiji. Origin: Japan. Period: Edo (1603-1868) 19th century. Height: 5.5 cm.
Antique Japanese black lacquer box, with makie (sprinkled gold powder) designs on its top and sides. The lid shows an open book with images of bamboo and flying sparrows and a scroll with raised images of leaves and foliage, and its sides have other auspicious maki-e elements such as butterflies and flowers...
Antique Japanese red lacquer trunk. Hardware is made of copper and ornately incised. Papered on the inside.
Meiji Period (1868-1912)
Dimensions: 14" high x 24" wide x 16 1/4" deep.
Antique Japanese lacquer with gold shrine incense stand. Hand carved wood with black lacquer. Gold gilt floral details seen on all sides. Square flat top open to hold an incenser.
The burning of incense in Japan began during the 6th century (the Asuka period) with the introduction of Buddhism, which uses incense during rituals and ceremonies.
Meiji Period (1868 - 1912)
Dimensions: 11 1/2" square x 17 3/4" high
A set of five Mokko-gata (elongated-lobed) kashi-zara wood dishes, each uniquely decorated with seasonal flora in raised lacquer with mother of pearl and lead inlay enclosed in an older wooden storage box. The artist has made excellent use of the natural wood grain, allowing it to fomr a backdrop like bushes and garden stones for the subdued tones of gold, silver and shimmering mother of pearl...
Sake cup in wood lacquered with gold, silver and cinnabar powder. On the outside on a rich thick kinji background, decorated with flowers in gold and silver leafs around the perimeter and in the center 2 stylized Chinese characters in thick lumpy cinnabar lacquer with the most beautiful aesthetic effect, probably the mark of the artist. The exterior is decorated with maple leaves in gold, red, green and brown lacquer on a black background. Note that polychrome lacquers are very rare...