Porcelain ewer from the Kyushu Arita oven second part of the 17th century. We only know a few identical models, one, with its lid, is kept in the British museum, another is housed in Tokyo at the Idemitsu Museum and happens to be one of the major pieces of the collection, finally a last one, damaged and without a lid, was sold by Sothebys London on June 1, 1981. To our knowledge there are no others...

Large, impressive and rare describe this beautifully painted late 19th century Imari hexagonal lantern. 46" in height.

Condition: Excellent

With a height of 32 inches, this is a rare and impressive example of early 19th century Imari ware. Both the vase and stand are finely decorated in shades of blue, gold and orange.

Condition is excellent.

Japanese porcelain soup tureen whose shape is inspired by European goldsmith pieces. On the sides two heads of modeled Buddhist lions and on the lid a crown. Simple decor of phoenixes, flowers, plants and waves in the color palette of the Imari style. An old collector's label indicated that this tureen was part of the service of Augustus the Strong. Probably verifiable statement for motivated collectors...

Perfume fountain in porcelain Imari kinrandé mounted in gilt bronze from the same set of porcelain. The cup and the bowl form the base, the pot covers the perfume container.
Blue under-cover decoration with gold highlights of interlacing lotus flowers. On each of the ceramic pieces, two four-lobed spaces and sides with floral motifs (pine, yellow and red lycoris, carnation, phlox moss, bamboo) and two foxes. Top of the pot with a chrysanthemum pattern...

Exceedingly rare and very large Japanese Meiji Period Imari Porcelain Vases Adapted as Lamps. These great vases are one of a kind, not to be seen or found again. Gorgeous, rich, colorful glazes featuring flowers and birds with a charming fence design, all featured on a translucent white glaze. Height: 41 inches, 104 cm.

A very rare 17th century model of an actor, 14" in height. Over a blue underglaze, it is enameled in black, iron-red, green and blue, the red and white robe nicely decorated in a pattern of thistles

Provenance: Christie's Lot 341, March 1987

Condition: Minor wear and a few rough spots. Detailed photographs will be provided upon request to one seriously interested in the piece. detailed photograph will be A slight rough spot

Small octagonal hard porcelain vase. Decor enamelled with a landscape fenced with hedges of dry branches, there are a prunus, a pine and on the ground young bamboo shoots which would signify the symbolic presence of the "three friends", on the collar is represented a Ho-ho (phoenix) which in Japan symbolizes the Empress. Some details are gold. The style is kakiemon but this small vase is atypical. It is difficult to date and also to locate with precision...

Exceptional tripod censer in hard porcelain with a polylobed shape. The censer in the shape of a flattened melon with twelve slices, each decorated with a dragon painted on top in green, manganese and yellow enamels. Below Makuzu Kozan has chiseled his signature in relief which is very important, in fact it is much more complicated to chisel in relief than in hollow...

Tokkuri (alccol bottle) made of hard porcelain. Mikawachi kilns. Japan early 19th century. The bottle has an unusually elegant, typically Japanese shape, it was created for the Japanese market and not for export. The porcelain, immaculately white, has a very fine grain similar to that of marble, which is typical of Hirado clay. A lake landscape decor subtly drowned in mist is painted in a luminous cobalt blue...

A very rare well-potted and painted 8.25" Ko-Imari model of a standing boy reaching into an urn. The boy's face is painted with black hair and features a gilt head band. Both his robe and the urn are painted in blue, orange and iron red.

Condition: Excellent, with no chips, hairlines or repairs.

Purchased through Christie's a good number of years ago, this is a very rare Ko-Imari porcelain figure circa 1640. Decorated in iron-red, green, gold and black enamel, the seated official measures 7.5"x6"x2".

Condition: Excellent, with only minor wear to enamel and one almost undetectibly small old chip to the edge of the base.

Pink and blue iris blossom among the green promise of Spring promised on this elegant vase by Miyagawa (Makuzu) Kozan enclosed in a wooden box annotated by the current head of the Makuzu Family in Kyoto, Makuzu Kosai. It is titled Yukasai Shobu no zu Kabin. It is 30.7 cm (12 inches) tall and in excellent condition...

Hard porcelain dish decorated in underglaze cobalt blue. The scene represents a pavilion in a garden raised on the edge of a lake, several characters animate it. Probably scholars. The designs are artistically stylized in a very Japanese spirit. In the sky the clouds are drawn in a style typical of this period. The edge is glazed in brown. On the reverse appears the mark "Fuku". The quality is excellent, the blue is bright, the designs precise and the firing perfect...

A massive imari vase with decoration of the Genroku era of bijin (a beauty) and hana (flowers) on two opposing panels alternating with two more opposing panels of a structure (tea house?) in garden landscape - all in red, gold and black enamels with blue underglaze. Similar landscape decorated panels appear on the shoulder over a ground of hanabishi (flowery diamond) in repeating diamond bordered pattern. The hanabishi (sometimes also referred to as karabana, or 'Chinese flower') could be repres...

White porcelain dish decorated with underglaze cobalt blue and colored enamels in the Kakiémon style. Japanese work from the end of the 17th century around 1700. It seems to be a creation of the Arita kilns rather than those of Kakiemon because the blue is underglaze. But the exceptional quality begs the question. We know of only one example of porcelain bearing an absolutely identical decoration, it is a small bowl housed in the Baur museum in Geneva. Underside typical Fuku mark. Diameter: 232...

Japanese Satsuma ware footed vase with lobed mouth and squat lobed form, elaborately decorated all over with textile-like patterns in raised gold and colorful over glaze, five reserves with alternating scenes depicting Buddhist saints and samurai, exquisite details down to the individual features of each figure, Meiji Period c1900, a cartouche inscription on the bottom written Satsuma. The style of the calligraphy and the decoration appears similar to ones produced by Hotoda. Beautiful cond...

Antique Japanese studio ware porcelain vase, carved all over with a raised design of a dragon in swirling clouds over churning waves. The clouds are covered with a glaze that gradates from a deep blue at the top to a light blue where they meet the waves. Both the dragon and the waves are kept white with a very pale light pink glaze on the dragon's flames. A band of repeating lingzhi pattern in blue underglaze encircles the rim and foot of the vase. A four character signature on the bottom h...