Rare tebineri (hand pinching) E-Seto Chawan, dating back to the 19th. century with fantastic glaze.

It has a sophisticated form, an aesthetic kintsugi gold repair and an also 'four directions bottom stand' (shiho kodai). Extraordinary - take your chance.

The tea bowl comes with a good wood box.

Size: 6,5 cm height x 12 cm in diameter.

Cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay dating to the late Momoyama Period. Shape and style make it appear contemporary with the late Oribe bowls.

The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured. Just the foot ring and its immediate surrounding was left unglazed...

Cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay from the late Momoyama or early Edo period. Shape and style (note the trimmed walls) make it appear contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical white, feldspatic Shino glaze which has been poured and under which a decoration of a bamboo grass (sass) and a fence have been applied in iron oxide (oni ita)...

If you are looking for incomparable chawans for your collection, let me introduce you this rare piece: Toujin-bue (Chinese flute) shaped tea bowl made of fine, refined clay with a high content of iron oxide. The rim has cut in the shape of a hissen (fudearai - brush washing vessel), a shape very popular in the mid 17th century and found on shigaraki and hagi tea bowls in the Kobori Enshu style. The clay shows few impurities...

Mid Edo period Hagi Chawan in the stylish shape of modest slight distortion. It is roughly coated in slightly glossy white slip and bears beside a wari-kodai (splitted foot) a fantastic 'landscape' on the inside.

But the highlight is the old gold restoration, a fantastic gintsugi (kintsugi) which makes our Hagi tea bowl so valuable and outstanding.

The chawan comes together with a good wood box and a blue shifuku for a perfect protection...

Rough unrefined Shigaraki clay, with little iron oxide, thrown into the shape of a small tsubo called 'uzukumaru'. The unglazed body was scorched by the fire to a beautiful red discolouration. The bottom plate shows two stripes called 'geta', which held the pot in place on the hand wheel. Some flying ash has created a natural glaze on the shoulder and the mouth...

This is an absolutely rare black Seto chawan ( setoguro chawan ) from the Edo Period.

Blackish-brown glaze amalgamates with a wild and roughly thrown body and a still vivid and strong Seto Glaze. It is very heavy for a tea bowl, 503g. Please note that there is also an interesting kiln mark.

Setoguro yaki is high-fired ware that originated in the late 16th century...

Little distorted half cylinder shaped tea bowl made of light, coarse, unrefined Mino clay. The expertly thrown body is covered with the typical shino glaze inside and outside with a fine dark greyish triangle design. This is a typical late Momoyama design. The somewhat irregular foot is typical for the late production of the 1620-ies at the Motoyashiki and Kamagane kilns.

Wonderful Kintsugi (gintsugi) Gold Restoration, which makes this chawan unique and more precious...

Absolutely rare flower shaped (Rinka-type) Ko-Karatsu tea bowl. It originates from the famous Yamase kiln in Kishitake, dating back to the Momoyama Period, late 16th century

It has a precious high-end Najishi Gold dust restoration with fragments from the same kiln like the missing pieces. The bowl is unglazed. A real stunning item in museum quality.

A good Japanese wood box and a shifuku are part of my offer.

Size: 6 cm height x 12,8 cm in diameter...

Real old Kihara-Karatsu Chawan from the well known Kiwara kiln in Sasebo. This type of tea bowl is called hanjiki, a transitional folk half porcelain bowl between Karatsu and Shoki-Imari ware.

Very nice cobalt decoration with mysterious charakters, crackle glaze and an antique gold restoration called kintsugi (gintsugi).

The Kihara-Karatsu Chawan comes with a high quality shifuku.

Size: 2,9'' height, 4,6'' width.

Little distorted half cylinder shaped (kutsugata) tea bowl made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with the typical green copper oxide glaze inside and outside. A 'window' on the side has been left unglazed for decoration in iron oxide engobe under a clear ash glaze in a geometric pattern of squares and triangles and little circles...

Half cylinder shaped (Hanzutsu) tea bowl made of light, coarse unrefined Mino clay, with very little and small ishihaze (exploding stones).

The mouth has been trimmed in a fashion frequently seen in black oribe but rarely in yellow seto bowls. The expertly thrown body is covered with the typical ash glaze inside and outside which has turned into yellow, due to a slight iron oxide content in the clay; the thick and glossy glaze (guinomi-de) has a beautiful, fine crazing. The bowl show...

Little distorted half cylinder shaped (kutsugata) tea bowl made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with the typical, glossy black iron oxide glaze inside and outside. A 'window' on the side has been left unglazed for decoration in iron oxide engobe under a clear ash glaze in the form of plum blossoms (ume) and a geometric design. This is a typical Momoyama design.

The somewhat irregular foot is typical for the late production of the 16...

Say the word 'Momoyama' to any Japanese pottery connoisseurs, and their eyes will inevitably light up. Most ceramic enthusiasts would give up any Saturday-night vice to own just one Momoyama Shino, Bizen or Karatsu guinomi (sake cup) or chawan (tea bowl). Here is another Momoyama item from our collection:

Cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay - slightly discoloured by age and use, which has also enhanced beautiful, fine crazing.

Shape...

The history of Japanese chawans should not be written without this 15th century Iga chawan. It was produced during the Muromachi Period, which was running from approximately 1337 to 1573.

So here is one of the best chawans from this era and one of the best available antique chawans in the world: a round wan-shaped bowl thrown on a hand wheel (thick bottom!) from a relatively fine light clay with very little ishihaze (exploding stones), very low content of iron oxide, some red disco...

We like to present you from our family collection our only tsutsu winter chawan. Aesthetic old winter chawans are hard to find - so take your chance. Its a Shino Chawan with fantastic glaze and a perfect kintsugi gold repair. Once you hold it in your hands you will refuse to give it back. It dates back to the middle Edo Period and comes with an old wood box.

Size: 4,6'' height x 3,6'' in diameter.

It is a rare event to discover a chawan of oldest Oribe ware. Here we proudly present a fantastic Ao Oribe chawan from the Azushi-Momoyama Period.

Little distorted half cylinder shaped (tsutsu-gata) tea bowl with flaring mouth made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with typical green copper glaze inside and outside. A 'window' on the side has been left unglazed and is split into two fields: the left half decorated in try shine sty...