It is beautiful silk dangawari(Dyeing) jyuban kimono textile of the Taisho era(1912-1926). It is the color that very impressive, and is beautiful. It has a few thin stains. However, it does not stand out. There is not damage, and it is very good condition. size:144cm x 127cm (56.6" x 49.9")

Japanese sodenashi (work vest), made of indigo and other neutral colored sakiori (rag woven) cotton, edged with indigo cotton, beautifully worn, late 19th century. Size: 26" high x 21 1/2" wide

This is kinran silk nishijin textile uchishiki of the Meiji era(1868-1912).It does not have a stain. It has one intellect Sana hole. However, it is very good condition.As for it, lining is cotton. size:76cm x 66cm (29.9" x 26")

This is Japanese beautif silk katsugi-yuzen Kimono textile of the Meiji era(1868-1912). I am very elegant, and it is refined. It has a thin stain. However, it does not stand out, and there is not damage, and it is condition good at all. size:127cm x 127cm (77.5" x 77.5")

Japanese antique Thick hand-spun otton tsutsugaki Horse cover of the Edo period.(1800-1867)The string currently attached to this is shirakage-shibori-dye. It is very impressive and beautiful. It is made of hand-spun and hand-woven and natural indigo dyed cotton. It has a thin stain. However, it is in a state good on the whole. size:190cm x 47cm (74.8" x 18.5")

This is beautiful katsugi silk kimono of the Meiji era(1868-1912). It is totally a design of the scenery such as the sumi drawing. This katsugi-kimono is a formal dress. It will be to decorate your room with very Japanese-style peaceful scenery. It is made with good-quality silk of the habutae silk. It has thin stain and damage. However, it does not stand out. size:144cm x 124cm (56.7" x 48.8" )

An amazing high quality Chinese embroidered rank badge. The embroidery consists of clouds, a mountain-like pattern with a bird in the center of the embroidery. The piece is entirely embroidered. Age: Qing Dynasty. Size: Height: 13" Length: 13' Width: 1.5"

Beautiful antique Japanese large covering originally used in a Buddhist temple. Three deep blue silk panels sewn together and woven with gold in design of 18 chrysanthemums and 18 floral roundels. Chrysanthemums with 32 petals, back is lined with a light blue cotton.
Inscription of previous owner, which states: Noto, Kashima-gun, Koura Village property of the abbot of Kouken (ji) temple...

This is Meiji beni-shibori silk jyuban kimono textile of the Meiji era(1868-1912). The motif is dyed in a dyer's saffron with a cherry tree. It has pole a few stain and damage. However, I do not stand out. It is very beautiful. The lining is angular momentum crimson silk. size:136cm x 123cm (53.5" x 48.4")

This is beni-itajime katazome silk jyuban kimono textile of the Meiji era(1868-1912). The motif is dyed in a dyer's saffron with a cherry tree. Other parts are rinzu silk. It has pole a few stains. However, I do not stand out. It does not have damage and is very beautiful. size:146cm x 123cm (57.5" x 48.4")

Japanese Fukusa Panel Depicting Two Kabuki Actors Performing the Lion Dance. Polychrome and Gilt Threads. A fantastic painting with wonderful movement and lush color on chirimen silk. 26w x 24.5h inches, 66 x 62.25 cm. Framed.

This is beni-itajime silk hagoromo jyuban kimono textile of the Meiji era. It is special jyuban made with technique of beni-itajime from the Edo era through the Meiji era. In beni-itajime, the collection of the national history folk museum was displayed in 2011. It is jyuban made with the same hagoromo robe of an angel motif. It has damage with a few thin stains. However, it is in a very good state...

This is indigo dye thick of the Edo era cotton tsutsugaki noren. It is made of hand-spun and hand-woven and natural indigo dyed cotton. The neighboring brown can be dyed in persimmon juice. It has a few stains. However, it does not stand out. It is in state that there is not damage and is very good. I recommend this to collection of you. size:135cm x 94cm (53.1" x 37")

This is indigo dye cotton tsutsugaki furoshiki impressive. A design of tabane-noshi is simple, and it is beautiful.It is made of hand-spun and hand-woven and natural indigo dyed cotton. It has a few stains and small hole two. However, the state is very good. size:99cm x 97cm (39" x 38.2")

This is tsutsugaki horse Cover textile of the Edo era. It is made of hand-spun and hand-woven and natural indigo dyed cotton. It has a thin stain. It has several small holes and repair traces. However, it is in a very good state. size:67cm x 586cm (26.4" x 19.3ft)

This is yusa sorihiki muneate sashiko beautiful textile of the Taisho era. There is all sashiko stitch in it by hand. It does not have a stain and damage and is in a very good state. size:70cm x 14.5cm (27.6" x 5.71")

This is Patchwork silk fukusa of an impressive carapace of a turtle of the very rare Edo era(1800-1867). It has slight stain and damage. However, it is in a very good state. I recommend it to collection of you. size:43cm x 42cm (16.9" x 16.5")

This is impressive kabuki Costume textile of the last part of Edo era.(1800-1867) It is beautiful silk of the dyer's saffron dyeing. A cloud and the applique of the Chinese phoenix which I write the kimono by hand and dyed are on. It has a few stains. However, it does not stand out. It does not have damage and is in a very good state. size:121cm x 130cm (47.6" x 51.2")

This is Japanese Indigo dye Stripe weave futon Cover from the Edo era to the Meiji era(1800-1880).It is made of hand-spun and hand-woven and natural indigo dyed cotton. This material is cotton. It was made all by hand. It does not have a stain and damage and is in a very good state. size:132cm x 154cm (52" x 60.6")

This is Japanese Indigo dye Stripe and zanshi weave futon Cover from the Edo era to the Meiji era(1800-1880). This material is cotton. It is made of hand-spun and hand-woven and natural indigo dyed cotton. It was made all by hand. It does not have a stain and damage and is in a very good state. size:148cm x 100cm (58.3" x 39.4")

This is a sodenashi ( sleeveless ) han-juban ( under kimono ) made of hand-spun cotton with katazome ( stencil-dyeing ) and dyed with natural indigo. The jishiro ( white ground ) katazome is left fewer than indigo ground one. The latter half of the 19th century. In good condition except for two small holes in front ( 2cm x 2cm, 8mm x 8mm ), one in the back ( 1cm x 1cm ) and two minor cuts. 40.5cm x 54cm

This is silk beautiful yuzen-dye and Embroidery fukusa textile of the Edo period to Meiji Era(1850-1880). This is yuzen-dye which was drawn by hand and dyed. It has few thin stains. However, it is not conspicuous. It does not have a damage and is in a very good state. size:66cm x 76cm (26" x 29.9")

This is Japanese Edo era Beautiful silk of the patchwork yosegire beni-itajime jyuban. It is comprised of four kinds of itajime-dye and eight kinds of katazome-dye and Safflower dyeing . It is all silk of the Edo era. It has a slight damage to a sleeve and a collar. However, it is in a state very good generally. I recommend it to you collection. size:145cm x 123cm (57.1" x 48.4")

Antique Japanese large silk embroidered tapestry, view of temple with Mt Fuji rising out of mist in the background, large trees on either side of water with a bridge across leading to the temple, sail boats, huts on far bank, Autumn foliage on trees, some toning, silk border frayed, late Meiji Period. Total size (with border): 78" high x 55" wide Size (of embroidery only): 69" high x 46" wide.

Antique Japanese futon cover, beautiful design of phoenix in blossoming kiri tree, cotton with colorful paste resist dye on indigo ground, 4 panels, edging added later, one very good repair, no losses, Meiji Period. Total size: 64 1/2" high x 55 1/2" wide Size without edging: 59" high x 50 1/2"wide

This is nanako-weave (regular mat weane)silk katsugi kimono very rare of the Edo era(1800-1867). katsugi kimono of nanako- texture silk is very rare. It draw it by hand and dye . It is very impressive, and it is beautiful. It has the change of a slight color. However, it does not stand out. it is in very good condition. size:131cm x 116cm (51.6" x 45.7")

This is itajime(katazome) chirimen-silk and hira-silk hanjyuban textile of the Edo era(1800-1867). It is the auspicious motif of this lobster, sea bream, tortoise, auspicious decoration for gifts, pine, bamboo, plum. It has few stains. There is not damage. size:75cm x 128cm (29.5" x 50.4")

This is a Japanese silk obi with a painting of men transporting lumber down the river. It is a scene that became obsolete as new technologies, such as trains, trucks and the creations of dams, developed. It is hand painted on silk with an artist’s signature and seal. We will bring more photos once the obi is flattened from the Nagoya style obi – currently, this obi is being worked on (hand sewn) by a professional.

This is an old Japanese silk obi. The style of the obi is called Chu-ya (day and night) obi – it’s made with two different fabrics sewn together. As the name suggests, two sides of the obi can be worn for totally different social functions. Both sides are absolutely beautiful on this obi.

The front side of this obi is subtle but quite tasteful...

Japanese antique happi coat, made of cotton with white paste resist ground and design of light blue mon and characters, collar and interior edge of sleeves reinforced with pieces of blue and white plaid cotton fabric, Meiji/Taisho Period. Size: 32" high x 49 1/2" wide

Japanese antique indigo work coat, sashiko stitched indigo ikat sleeves, reinforced shoulders with black cotton, beautiful thick woven indigo cotton fabric, vents in under arm area edged in black cotton, Meiji Period. Size; 39" high x 45" wide

Large antique furoshiki (Japanese wrapping cloth), aizome Japanese indigo dye decorated in sashiko stitches on four corners. 57 1/4" x 61 1/4"

Antique kasuri hanten jacket with sashiko stitches, 48 1/4" wide x 37 1/2" long.

Thick antique cotton futon fabric, Aizome Japanese indigo dye and the design is drawn in Tsutsugaki paste regist. Color Loss. 49" wide x 61" long.

Hand stitched Japanese short jacket, 36" wide x 33" long.

Antique Japanese fabric, Japanese indigo dye (aizome), Katazome stencil dye on loosely woven cotton, flowers in chained fuji (wisteria) Shippo design. Excellent condition (one hole, visible on reverse side). 56" long x 13 1/4" wide.

Thick cotton, Katazome stencil dye, aizome Japanese indigo dye with beni flowers. 70 1/2" x 13". The width changes to 12 1/2 after 39 1/2" where the fabric is torn. One 1/2" round stain (at 20 inches from torn end). Weakened at the seam (visible in some area from reverse side).

Two tsutsugaki (hand drawn rice paste resist indigo dyed) panels of (most likely) a 4-panel futon-ji (Bed Cover,) with design of various tea cermony implements, chadogu, used during the "ro" (hearth) season. These include tea whisk (chasen,) charcoal pieces, trivet for holding the water kettle, and feather for sweeping ash from the tatami. The center has the two sides of an unknown family crest of floral design. Japan, ca. mid-late 19th C...

This is Patchwork komebukuro of kinran damask nishiki in Edo period(1800-1867). It is a bag that did fabric of wonderful Nishijin textile in the patchwork. The lining is red silk. All are original. There is little damage. However, the state is very good. It recommends it for your collection. size:40cm x 28cm (15.7" x 11")

Old kasuri (Japanese ikat) kimono worn on celebratory occasions. The fabric, which is woven with asa(hemp) and dyed in indigo (aizome), is coarse and stiff yet lustrous with an almost transparent look. The pattern is geometrical and pictorial; with flowering wisteria branches, stylized pines, Chinese style clouds, fans and phoenix-like birds. It shows some weakened area from neck to shoulder lines and the lower part of the kimono. There is a seam at 21.5"/22" from the bottom hem...

This is an old silk satin obi in maru obi style (design runs on both sides from one end to the other). This obi was probably made from a uchikake gown. It is very soft and feather light with soft padding inside. The padding is wrapped with floss silk inside to keep the soft material and padding intact - you need many years of experience...

Japanese Needle Work Rozashi Technique Embroidery of the Interior of Asakusa Temple. Rozashi is embroidery using silk canvas and silk thread. A picture is created and outlined on the canvas and comes alive with the thread and stitching. The difference between Rozashi and other forms of embroidery is the use of the silk canvas called "Ro"...

This is possibly a card or ticket case made of rare piece of bingata cotton cloth. Bingata is katazome ( stencil-dyeing ) produced in Ryukyu islands ( now Okinawa ). This bingata was produced in 19th century, but this case might have been made later, early 20th century ( sewn by machine ). The lining is silk. In excellent condition. 13cm x 7.7cm

Beautiful Kyoto Nishijin silk obi, decorated with flowers, ribbons and mirrors. Gold is genuine and used in two different methods; strips of gilt paper (machine cut) and gold leaf wrapped around the silk threads. Some gold leaf are natually missing from the strips of paper - this did not show up in most photos (see enlargement photo). This obi looks older (clean) than shown in the photos. Circa 1920-1940. Dimensions: 12 3/4" x 170"

The theme on this fukusa (Japanese gift cover) is “Kin ki Sho ga”, four accomplishments of noblemen. For a man to be well balanced and eventually become a good leader, practicing (and become good at) of “Kin ki Sho ga” was encouraged during their leisure time; ‘Kin’ (Jp. Koto, string music instrument), ‘ki’ (jp. ‘Go’, Chinese chess), ‘sho’ (calligraphy) and ‘ga’ (painting). This started in China and was brought back to Japan by traveling monks studying Buddhism...

The fabric is thick, silver brocade that appears to be taken from a Japanese woman's old obi from late Edo period. The liner is cotton...

This is an uchikake robe (outer kimono gown) probably used as Kabuki stage costume. The bottom and the openings of sleeves are thickly padded with cotton stuffing. The design is large paulownia leaves and flowers. The exterior and liner are both thick cotton. This robe is old, and a little soiled but the fabrics still have not lost it’s strength. It is an attractive display piece. One small tear (hole) in red liner in the back, some broken couching stitches.

48” (1.22m) wide...

Japanese late 19th century sleeve from a stage costume. The sleeve has design hand embroidered on front and back. The front has a large pearl with 3 dragon claws showing around the edge. There are also plum blossoms, bamboo leaves and stylized clouds. The reverse has the 3 friends, bamboo, plum and pine with cloud designs. There is also a fabric handle for the piece. This type of sleeve was not actually worn, but held against the body during a performance. The piece measures 24 1/2" wide...

Japanese silk obi, Nagoya style, dyed with the design of Chinese Empress and court attendants in the bamboo grove. It appears that this was converted to current Nagoya style obi (from kimono?). The design of this obi is unique. The wide and narrow area of this obi has different designs on both sides and all seams appear clean. By taking one side of the seam apart, you have a large fabric to work with (double in size with one seam in the center). Making into a tapestry, wall hanging on c...

Antique Japanese yogi, thickly woven cotton, trimmed and lined with dark aizome (Japanese blue dye). There is a opening in the center of the liner where the cotton wadding was taken out. Excellent condition (old but new). The accent piece (dyed in Katazome, stencil dye) on the collar and shoulder area were added (remove and wash purpose) and slightly soiled. Late Meiji to early Showa. Dimensions: 63" x 68" L

Antique Japanese fukusa (gift cover), Yuzen-zome (paste regist dye) on silk kabe-ori (coarse crepe silk), early 1900s.

For a man to be a well balanced nobleman, there were requirements to be filled. 'Kin Ki Sho Ga', the four accomplishments of gentlemen, were chosen at an early time in China, practicing Kin (koto, music instrument), ki (go, Chinese chess), sho (calligraphy) and ga (painting). Here on this fukusa, with some variation (tea - sencha? was added), are the Six Immortals of the...

There is no visible image of God in the Japanese Shinto religion. For this reason, people naturally find the spirit of God in their surroundings. From the ancient times, God was said to dwell in pine trees and as a result, we find many Meiji fukusa today that are decorated with pine trees. Many of them have their roots in Noh play. Japanese Noh, which was patronized by Muromachi and Edo Shogun, and performed exclusively for the Samurai class, was actually developed from a dance that farmers...

Antique Japanese “Yogi” bed comforter, hand-spun cotton with "tsutsugaki" paste resist dye in aizome Japanese indigo dye. The design is auspicious symbol, Sho-Chiku-Bai (pine, bamboo, plums). The shoulder and collar areas are accented with "kasuri" cotton. Excellent condition - no holes on the front except one small L shape cut (3/4"x3/4") on the lower area, some repairs on the liner. Cotton wadding was taken out and cleaned (but not washed). Approximately 57" wide x 77" long, ...

Very attractive Japanese Yogi (bed comforter) with a pattern of chrysanthemums and scrolling vine, rice paste resist Katazome stencil dye. The cotton is not as thick as the other yogi. Excellent condition, It is an another "tsukurioki" (it had not been used after it was made - t just sit in the storage as a spare bedding for guests. One of the photo shows where the cotton wadding was taken out before the shipment. The seam at the center of the liner was opened. This will be left open ope...

Daimyo hikeshi shozoku: Samurai firefighter's wool jacket with a silk velvet collar; the crest and design are couched with gold leaf thread (wrapped around silk thread), chest protector and belt. Excellent, clean condition with some holes and damages in velvet collar. Late Edo period (1603-1868), 50" wide x 39" long, Chest protector, 25 1/4" long.

There were many fires during the Edo period (1603-1868). The town of Edo was crowded with houses quickly built after the first Tokugawa Sh...

This is a Japanese Nishijin obi made in exceptionally high quality. The obi is old but almost in perfect condition. It is beautiful to look at even without using a magnifying glass. The soft colors have an earth tone and the use of the dyed threads tells us that this is a superior work of Kyoto Nishijin. The scenery is of the mountains of Kyoto but if you look closely, you might notice that there is a foreign look to some of the structures. The size of each structure is 1" to 2.5". The...

Antique Japanese Fukusa (gift cover), an old Chinese koto player by a waterfall. Embroidered on silk satin, lined with soft crepe silk, circa 1800s. 27 1/2" x 30 1/2"

A large cloud moves in and stirs the air in the forest. Water falls to the river as if it were falling from the sky and ripples it to shore. The resonance of the koto breaks the silence of the forest. The design on this fukusa is likely to have come from one of the old Chinese poems. This Chinese man can be Lin Bu (967...

Old Japanese nobori banner, a spectacular wall hanging decor piece, circa 1920-1940. Dyed on thick cotton is the farewell scene of *Kusunoki Masashige with his son, Masatsura at Sakurai station. The scroll handed to his son is a will written for the family before he headed to the last battle.

This type of picturesque banner has been used for the Japanese Boy’s Day since late Edo period. Some are still made today but the quality has changed; most of the new noboris are printed. The whit...

The pine, bamboo and plum blossoms are all auspicious motifs found in nature. The evergreen pine symbolizes the strength and devotion of men; plum blossoms are the purity, subtle beauty and inner strength of women. Bamboos are often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo, it could also mean flexible (bendable) to a large extent. When pine (matsu, SHO), bamboo (take, CHIKU) and plum blossoms (ume, BAI) are put together, they a...

There is no visible image of God in Japanese Shinto religion. For this reason, people find the spirit of God in their surroundings, especially in nature. In the noh play “Takasago”, an old couple is seen together on the beach of Takasago (today’s Hyogo prefecture) sweeping pine needles under the trees. The old man Jo and old woman Uba are the spirits of the pine trees that were grown in Takasago and Sumiyoshi. The two trees are located far away but they are together with their spirits. ...