Wooden saddle, "kura" made of wood and iron fittings. Meiji Era (1868-1912,) but the top board is a later addition. This flat board makes it ideal for display items, especially for flowers. H. 44cm(17.25") x W.68cm(26.75") x D. 32cm(12.5").
Large Itomaki, spool, for weaving. Wood with 6 arms. Late Meiji Era (1868-1912.)
H.39cm(15.5") x Square Base of 37cm(14.5").
Good condition, has been cleaned and oiled.
Waraji (straw sandal) Gata (mold). This mold was used to make the straw sandals worn by farmers. It is of solid carved wood. L. 50cm(19.75") x H.9cm(3.5") x W.9cm(3.5"). Acquired in Yamagata Prefecture in NE Japan (Tohoku), this piece exhibits the wonderful folk qualities of the region. Hung vertically, the "shelf" portion of the mold can hold a small flower vase, creating a lovely "wabi" arrangement for the tokonoma.
Artist: Tsukioka Yoshitoshi (1839-1892).
Subject: Musha-e (Warrior print); “Yoshitoshi Musha Burui” (Yoshitoshi’s Courageous Warriors): kurou [9th son] hangan Minamoto Yoshitsune and Musashibou Benkei under a cherry tree )#15 in this series of 33.
Signature: “Yoshitoshi hitsu” (from the brush of Yoshitoshi).
Artist’s Seal: Taiso.
Engraver: Horikou Muneoka.
Publisher: Tsunajima Kanekichi.
Date: 1886.
Format: oban tate-e, H.13 x W...
Artist: Tsukioka Yoshitoshi (1839-1892).
Subject: “Kyoudou Risshiki” (Instructive Models of Lofty Ambition), Toyotomi Hideyoshi seated on a tiger skin listening to a priest speaking on behalf of the Mouri clan. Text by Housai.
No...
Artist: Tsukioka Yoshitoshi (1839-1892).
Subject: “Kyoudou Risshiki” (Instructive Models of Lofty Ambition)*,
The Young Wife, Ukita, Guarding her husband, Lord Tomita Nobutaka Anozu no Shiru who is mounted on horseback.
Signature: “taiso Yoshitoshi”.
Artist’s Seal: Taiso.
Publisher: Matsuki Heikichi.
Date: Meiji 35* (1902), 8th month (August,) 5th day.
Format: oban tate-e, H.12.5 x W.8.25".
Condition: Very good colors and impression, album backing retained, no holes or tears, o...
Suzaku Gate Moon - Hakuga Sammi
(Suzakumon no tsuki - Hakuga Sammi).
Printed: 1st day. 2nd month. 1886
Engraver: Yamamoto
Signature: Yoshitoshi.
Seal: Yoshitoshi no in.
Publisher: Akiyama Buemon
Condition: Very Good colors & impression, full margins, "karazuri" embossing on cartouche & Hakuga's hakama (pantaloons).
H. 13 x W. 8.75".
Minamoto no Hiromasa (918-980,) was also known as Hakuga Sammi...
Gravemarker Moon
(Sotouba no tsuki).
Printed: 3.1886
Engraver: Yamamoto
Signature & Seal: Yositoshi
Publisher: Akiyama Buemon.
Condition: Very Good colors and impression, full margins. "karazuri" embossing on Ono no Komachi's robes.
Format: Oban tate-e: H.13 x W. 8.75".
Ono no Komachi was a famous beauty and poetess of the 9th century...
The Moon of Yamaki Mansion - Kagekado
(Yamaki Yakata no Tsuki - Kagekado).
Printed: 3.1886.
Engraver: Enkatsu.
Signature: Yoshitoshi.
Seal: Taiso.
Publisher: Akiyama Buemon.
Format: Oban tate-e. H.12.75 x W. 8.75".
Condition: Good Impression and colors. Some soiling, including an ink spot (from original printing?) on the lower portion of print. Slight margin trimming. "Karazuri" embossing on Kagekado's clothing and cartouche...
Chikubushima Moon - Tsunemasa
(Chikubushima no Tsuki - Tsunemasa).
Printed: 3.1886.
Engraver: Yamamoto.
Signature: Yoshitoshi.
Seal: Taiso.
Publisher: Akiyama Buemon.
Format: Oban tate-e. H. 12.75 x W. 8.75".
Condition: Very Good impression and colors. Retains albimbacking...
Japanese woodblock print by Yoshitoshi, from "36 Ghosts" series.
Wood Carved Okimono 8 Turtle Signed, Meiji (1868-1912) Period
It is 5.5 inches (14 cm) tall, and 3.5 inches (9 cm) wide.
It is in good condition with no cracks, or chips, except 2 of the turtle's heads had been repaired (as seen in the photos).
Large format photos available upon request.
Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 1...
Yoshitoshi Tsukioka's Very Scarce (only about a dozen known copies) Book with Six Full Oban Size Prints, The Flowers of Japan and the Art of Floral Arrangement (First Edition). This is the best known existing copy of this book. Because the prints are in a book, they have been exposed to almost no light, so the colors are more vivid than anything you will ever see. Because there is no color loss, this is a unique opportunity to see what antique Japanese woodblock prints must have looked like when...
From the Birds and Flowers series: “Sho-utsushi shiju-hattaka” issued 1858.
Signed Sugakudo, with two seals beneath the signature, censor’s seal and publisher’s seal, left margin; good impression, evenly toned, thin corners, light staining, two upper corners with glue remains from attachment, not backed.
Oban tate-e: 10 x 14 ¼ in.
Two young women caring for silkworm cocoons
Signed Kunitoshi Ga in a red cartouche with date: 1881 and publisher’s information in yellow cartouche, good impression, excellent color, very light soiling, upper corners thin with remnants of paper attachments, not backed, margins trimmed right and bottom.
Oban tate-e: 9 ½ x 14 in.
Shini-e (memorial portrait) of three individuals, including their names and dates of death, issued ca. 1860.
Very good impression and color, light soiling and wear, small loss to upper-right corner, upper corners reinforced, two very small holes in right side, not backed.
Oban tate-e: 9 ½ x 13 ½ in.
Kunisada (1786-1864) collaborating with Hiroshige (1797-1858)
From the series: “Kannon Reigen Ki” (Account of the miracles of Kannon) issued 1859.The larger image by Kunisada depicts a miracle performed by Kannon. The upper image by Hiroshige is a temple scene.
Signed Kunisada and Hiroshige on respective images, aratame seal and publisher’s seal on left margin, very good impression and color, very light wear and minor thinning at edges, not backed.
Oban tate-e: 9 7/8 x 14...
Scene for “Tokyo Daily Newspaper” with “Tokyo Nichi-Nichi Shinbun” inscribed in the banner at top, issued ca. 1890
Yoshiiku was noted for his prints included in the popular illustrated newspapers at the time.
Signed Ikkeisai Yoshiiku on lower left with artist’s seal ca. 1890, very good impression and strong color, vertical center crease, various areas of moderate soiling, slight backing tape residue on upper left corner, not backed.
Oban tate-e: 9 ¼ x 14 in.