SOOTY GOD

Image of 'Hotei' (God with a potbelly who is one of the Seven Gods of Good Luck) enshrined for long years in a kamidana (household Shinto altar), Edo period (1603-1868), Japan. Made of wood but turn to be more solid like a stone due to such mature and aesthetic fumigation as is. approx...

TOOL MADE FROM BRANCHED TREE

Soot-colored folk wooden tool from Tohoku region, Japan (related with straw thing but unidentefied usage) that applies the coincidental practical form created by natural forces to its main body with the minimum human processing. 19th century. approx...

19th century kagamibuta (“mirror lid”) netsuke, its top carved in low relief with a seated boy wearing rich robe decorated with coin pattern and holding a butterfly net in his hand. Wonderful depiction of robe lines, elegantly incised textile decoration. Beautiful patina, swinging metal loop at the back for the cord. Diameter 1 1/4 inches.

Edo Period Japanese woodblock print by Kunisada II (1823-1880) depicting kabuki actors dating 1865. The cartouche at the upper left bears the title of the series and the names of the actors. The signature of the artist, publisher's seal and censor's/date seal are located at the upper right. Measures 14 1/2"V x 10 1/8"H. Very good overall condition. The print is not backed and the baren marks and image are clearly visible on the back. No tape or tape stains...

19th century kagamibuta (mirror lid) netsuke, the top being Chinese carving adopted as netsuke, with deeply undercarved scene of 4 scholars among trees and pavilions. Wonderful crisp carving, great wear and patina, overall in great condition, beautiful rosewood bowl with rich warm colors, freely rotating wooden peg on the back for hanging. Diameter 1 11/16 inches.

Japanese bronze mirror. Edo period. Good crisp casting. Seal below central turtle. 10.5cm diam. 1cm high. 294 grams unpacked.

An Arita Export porcelain dish decorated with a design based on a Ming Chinese Kraak plate. A pair of Ho-o birds amongst flowers and bursting pomegranates. Arita, circa 1690 - 1720. A similar dish is illustrated in the Shibata Collection, Kyushu Ceramic Museum, item 2495.

The border pattern shows a striking similarity to that used for V.O.C. orders produced at the Hikeoba and Sarugawa kilns. Circa 1680.

Approximately 21.3 cm diameter...

Japanese Edo period woodblock print titled "Four" (yon/shi) depicting the actors Onoe Kikugoro IV and Ichikawa Kodanji IV in the roles of Oiwa and Izaemon from a series titled "After The Seven Iroha" by Toyokuni III (also known as Kunisada) dated 8/1856. This series was published the same year as "Seven Variations of the Iroha." The title cartouches of the prints in this series feature ciphers written seven different ways. "Iroha" refers to a distinct form of Japanese poetry...

Antique ukiyo-e woodblock print of a woman in a blue checkered kimono, standing with her back to her front doors and a beautiful mountainous scene behind her. By artist Kunisada, signed under his assumed name Toyokuni II. Set behind glass in a large frame. Back of frame states "censor's seal between 1859 and 1874". Size: (entire frame) 22" height, 17" width (artwork only) 14.25" height, 9.5" width

A rare and vivid Imari ware porcelain tea pot, made around 1850 in the famous Hichozan Kiln. Hichozan was a trade name used by the group of Arita kilns & makers mainly for export during the late Edo to the Meiji period in the 19th century. Their works are hold in museums and from collectors worldwide.

A Fu lion is hand-painted on the body. The signatures of "Hichozan" and the potters name are written on the bottom.

No chips, no cracks, just great...

EXCLUSIVE DOCUMENTS

Wide range of various old documents (including scroll) and samples of how to cutting, how to tying, and how to holding as 'origata' (decorative folding papers for 'noshi' gift wrapping paper for congratulatory life events) based on the Japanese traditional manners handed down to posterity. Meiji period (1868-1912), Japan. Scroll: More than 320cm (125.98in)...

Rather unusual early Showa period (1910s) Japanese mingei (Arts and Crafts) copper box with chased and enameled decoration of a puff of cloud and a white racing pigeon with feather covered legs. Wonderful combination of uchidashi (hammered-out) and moriage (piled-up) techniques: metal was raised from the opposite side and raised surface was subsequently thickly enameled and fired...

Unusual 19th century small iron and bronze ojime (slide bead for tightening the cord going from netsuke to inro) in oval puck shape with two relief mushrooms on the front. Wonderful crisp detailing, the body of ojime is iron, mushrooms and the back are bronze, in excellent condition, pleasant patina. Signed on the back TERU in hiragana. Height 7/16 inches.

Rare 19th century Japanese stoneware Kuro Oribe chaire (tea caddy for storing powdered green tea used in tea ceremony) of cylindrical shape with rounded shoulders. Comes with very well made shifuku (silk brocade storage bag). Beautiful free potting, typical elliptical lines on the foot left by a string used to cut off the piece from potter’s wheel...

Late Meiji (1890s - 1910s) lacquered wood netsuke representing a theatrical mask of Oto (Okame) smiling widely and mockingly sticking out her tongue. Wonderful crisp detailing, beautifully painted, nice warm patina. Signed SANYU on the back. Height 1 13/16 inches.

Late Meiji (1890s to 1912) Japanese ceramic Oribe ware chaire (tea caddy for storing powdered green tea used in tea ceremony) with two mock handles. Comes with very well made shifuku (silk brocade storage bag). Characteristic rich green glaze on the top, beautiful underglaze brown painting of fern sprigs on one side and plant shoots and brocade patterns on the other, wonderful finely crackled glaze. Oribe ware (named after Furuta Oribe - a famous 16th century tea master) was produced in Mino and...

KIHARA CHAWAN

Japanese semi-porcelain bowl with such calm iron-glazed picture as the transitional ware between Karatsu and Shoki-Imari ware, Kiwara kiln in Nagasaki area, Edo period (1603-1868), approx. D 12 x H 6.9cm (4.72 x 2.71in). Some restorations and a crack but no leak.


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TO MIYOSHI SHRINE FROM YAMATO SUE

The letters made of copper plates originally attached to a votive wooden tablet dedicated from its worshipper named Yamato Sue to the Miyoshi-jinja shrine in Akita prefecture. Meiji period (1868-1912). Letter of Kami (God): approx. 11 x 13cm (4.33 x 5.11in). Besides, as seen the last three photos, changeable to "God of Clay", "Eros", and "Excellent luck" by free anagram arrangement. Please enjoy.


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