Antique Japanese cotton woven futon cover, dyed with a paste resist technique called Tsutsugaki on an indigo ground with the mythical creature Baku, devourer of dreams and nightmares and protector against evil. The Baku should not be summoned without caution, however, as ancient legends say that if he is not satisfied after consuming one's nightmares, he may instead devour their hopes and dreams.

Meiji Period (1868-1912)

Size: 64.5" x 53"

Antique Japanese two section Kannon Biraki tansu, made with Kiri (paulownia) wood, original red lacquer finish. The top section houses two large drawers behind a pair of double hinged doors. Decorations of iron hardware include a charming heart shaped lock within a single iron ring and strips of iron across the front of each door, with chrysanthemum shaped studs. The lower section also holds two drawers with iron locks, as well as a safe compartment in its bottom corner...

Antique Japanese temple carving, beautifully carved with remnants of red and black pigments. The imagery of a fu dog between large peonies represents protection (fu dog) over wealth and prosperity (peonies).

Edo period (1603-1868)

Size: 55.5" L x 5" D x 19.5" H

Antique Japanese Sakata region choba tansu (merchant's chest) made of Kiri (paulownia) hardwood, with original red lacquer finish. The top drawer and safe box door are covered in more elaborate iron hardware than the other drawers, with motifs of lingzhi mushrooms, bamboo stalks, and other floral elements. Two small drawers are hidden away inside the safe box. Three plain drawers are on the lefthand side, the middle drawer has a center divider inside...

When the founder of the Urasenke style of tea ceremony, Sen-So Soshitsu (1622 -1697) was invited to Kanazawa as the lord of the tea ceremony for the powerful Kaga lords in 1666, the first Chozaemon came with him and established Ohi-yaki ware in Kanazawa. Chozaemon had been the chief apprentice for the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware...

Pair of Antique Japanese ranma, or transom, carved with flying frames and clouds with black lacquer frames. Original patina and finish.

Meiji period (1868-1912)

Size: 73.5" L x 1.25" W x 16" H

Antique Japanese single section isho tansu (clothing chest), made with Kiri (paulownia) wood front and Sugi (cypress) sides. Copper hardware with lovely original patina on handles, and locks are complimentary to the original warm finish.

Taisho period (1912-1925)

Size: 35.25" L x 15.5" W x 40.5" H

A stunning Japanese two-section choba tansu (merchant's chest), made from solid Keyaki (elm) wood, originating from the Mikuni region. The upper section holds a roomy, shelved interior with two bold Keyaki grain sliding door panels. The bottom section holds a long top drawer, with elongated lock plate typical to Mikuni tansu. Below are two small drawers with iron Warabite handles, with old labels in Japanese on the fronts, and a smaller set of sliding Keyaki panel doors...

This Hirado-yaki brush-rest—fashioned for the scholars desk of a bygone era—features meticulously sculpted plum blossoms set in a porcelain reproduction of a knotted plum branch. Hirado wares—alternately known as Mikawachi wares in some contexts—are known throughout Japan and also abroad for their high quality and fine craftsmanship and date back at least as far as the mid-18th century when they were produced exclusively for powerful lords and their families...

Antique Japanese two section kimono tansu made with all natural finish Kiri (paulownia) hardwood. Adorned by handles and middle round metal lock incised with floral motifs. The upper section houses six long, shallow drawers for folded clothing, while the lower section holds three large drawers.

Taisho period (1912-1925)

Size: 42" L x 17.75" W x 67.5" H

Antique Japanese half section Mizuya (kitchen tansu) made of Hinoki (cedar) and Sugi (cypress) hardwoods in a dark lacquer finish. The tansu has two sliding front doors with horizontal slats and side bracing, with very roomy storage interior complete with middle shelf.

Meiji period (1868-1912)

Size: 47.5" L x 17" W x 32" H

Beautiful half cylinder shaped (hanzutsu) tea bowl from the early stage of the Edo Period (1603 - 1868) with a rounded brim, made of iron bearing, coarse, unrefined Narumi Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part.

The unglazed foot is relatively large...

This a beautiful and unique Japanese Satsuma bowl. Yabu pieces with unique birds like this one has are rare. The piece is very finely rendered with intense work. Condition is excellent. The bowl measures 5 inches across and is 3 inches tall. This wonderful bowl is from the same great collection the large Yabu museum/exhibition bowl came from. Contact for price and shipping.

This is one of the most significant Japanese satsuma pieces ever created. This is a museum piece with fabulous workmanship in combination with a very large size. This bowl truly has a volume 10-20 times bigger than a normal 5 inch Yabu Meizan bowl. It measures 7 inches tall and is 9 ¾ inches wide. It is also heavily made weighing about 4-5 lbs. The bowl features 6 different exquisitely decorated panels in polychrome and gilt. These panels depict people, birds and landscape scenes...

Antique Japanese two section 6ft Mizuya (kitchen tansu) make with Hinoki (cedar) wood, with Keyaki (elm) burl panels. The top section has two sets of sliding doors, one with mesh, all with ornately carved panels across, the lower portion has eight small drawers with beautiful Keyaki burl. The bottom section houses a single shelf behind two large sliding door panels. Its sides are reinforced with horizontal braces. Meiji period (1868-1912)

Size: 71.5" L x 20" W x 67.5" H

A pair of Namasu or small serving bowls in revived Kakiemon style decorated with a depiction of the Seven Sages of the Bamboo Grove in low moulded relief; here represented by just two of them. The Sages were synominous with a hedonistic lifestyle of drinking and poetry. The foliate rims of the dishes are painted with a fuchi beni, iron brown glaze...

This piece features a warm golden crackled glaze with several patches of lighter pigmentation and a number of gold and silver repairs. The inside of the bowl is especially inviting, showing a magnificent patina developed over many decades of use...

The jet-black glaze of this cha-ire (tea caddy) nicely highlights the Chrysanthemum flowers (Kiku) adorning the upper surface—long considered auspicious symbols of longevity and rejuvenation in Japan. When first introduced to the island nation during the Nara period (710 – 793 AC), the Japanese Royal Family was fascinated with the Chrysanthemum. Over time, it became the Imperial Family Emblem and during certain eras was generally forbidden to be used by the general public...