Japanese Blue and White Ewer with a loop handle. Decorated in the Chinese Transitional style with figures on a terrace. Arita C1670/80. Height 8 1/4" (20.8cm). Condition; some glaze crazing mainly to foot.

Early Satsuma Plate by Yabu Meizan Signed, Meiji Period (1868-1912)

It is 1.5 inches (3.8 cm) tall by 7.25 inches (18.4 cm) wide.

It is in good condition with no repairs, chips, or cracks except flea bite at the lip and loss of gold ( as seen in the photo).

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A pair of cobalt blue glazed Sake cups with hexagonal notched rims. Each cup is decorated in gilt with a pair of Hollander figures preforming martial exercises with Halberds. The cups date to around 1780 and the Meiwa era. The cups measure 7.5cm or 3 inches in diameter, and stand 5cm or 2 inches high, and are in good condition with no cracks, chips or restoration, save for one minute rim frit to one of the cups. Shipping at Cost

A moulded hexagonal bowl, hakkaku hachi, decorated to the exterior with an iron red ground inset with alternating reserves containing ribbon bound scrolls, makimono, and artemisin leaves, mogusa-ha, two of the Eight Chinese precious objects, Babao, hachitakara, and a band of stylised eight petal flowers, presumably Tessen the clematis flower, with leaves and pine branches...

Toushin (wick) zara (plate) held a small amount of oil with a coiled wick, and was usually set in some sort of lamp arrangement. These were used until the advent of glass and other lamps. This example of fine folk pottery is from central Japan, likely Mino ware, produced during the Edo (1600-1868) Era. The top side has a warm yellow glaze, and the underside is unglazed. H. 1.5cm (0.6") Dia.10cm (4".)

A large impressive shallow dish of typical export type decorated with two boughs of auspicious Chrysanthemums and Cherry blossom to the centre. The border divided into a set of six elliptical reserves each containing Butterflies and Peonies by a series stylised floral motifs inset against alternating blue and blue and green enamel grounds. The reverse simply decorated with Chrysanthemum Sprigs...

Seto ware kneading bowl, or "konebachi" used in most Japanese households of the period. Characteristic warm yellow seto glaze with seiji (green) ladle drips to add accent to the rim. Height 15cm x Dia. 26.5cm. Minor glaze cracking inside the bowl.

Chinese small shallow porcelain bowl, glazed with a delicate pale blue celadon, incised with a floral motif on the inside bottom, the outside is glazed as well with the rim remaining bare, Song Dynasty (960 - 1279) Size: 4 3/4" wide diameter x 7/8" high

17th Century Tibetan Arhat Thangka, 36 x 26 inches, 91.5 x 66 cm. Most of these thangka were photographed through glass frames, so there may be a little blurriness. This thankga was in an exhibition at the University of Texas Art Museum.

Studio Vase by Sumida Artist Inoue Ryosai Signed, Meiji Period (1868-1912)

It is 8.25 inches (21 cm) by 4.5 inches (11.5 cm) wide.

It is in good condition with no repairs, cracks, or chips.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Old and Primitive Nepalese Mask with a Great Patina. 11.5h x 6.5w inches, 29h x 16.5w cm.

A circular dish with slightly everted rim decorated with a landscape freize to the cavetto. The pattern is split into equal halves, by a zigzagging screen wall on one side, and an S shaped motif with ruyi cloud shaped motifs. The first portion of the design shows a pair of scholar’s playing Go sitting beneath a Bodri Tree set in a landscape with a scholar’s refuge cum tea house and oddly oversized autumn flowers, kikyo, bell flowers, and suisen, Japanese narcissus...

A good early Arita Ewer of European form, probably derived from a German stoneware precedent, and decorated in the style of Chinese Transitional export ware with a repeating pattern of bands of Birds and flowers. The jug stands 21.5cm and is in good condition with no chips or restorations, a short trivial hairline to the rim and to the handle, see image no 5. These are usually dated to the period 1660-80...

A finely cast bronze Buddha with an excellent green patina. Burma, Shan state, 18th century. H. 27,5 cm. Condition: excellent. Provenance: bought from Lopburi Arts and Antiques in Singapore, ca. 2001.

An interesting saddle bag possibly made from the hide of an ibex or mule like animal. The bag retains that rugged look used by the merchants who travelled across the Himalayas during the spring to Tibet and back bring goods from India to the Tibetan plateau. Age: Early 20th century Size: Length: 43.5" Width: 16.5"

A long dish of elliptical form moulded with petals decorated with a dense hagi-karakusa ground and an oval reserve containing a simple flowering Apricot, ume, growing from a rock. The reverse decorated with Karakusa sprigs, and a spiral Fuku within a double square. The dish dates to the early Eighteenth century circa 1700-1740. The dish is in good condition with no chips, cracks or restoration. It measures 20.3cm in diameter, 10xm at its widest and stands 4.5cm high

A good quality Kakiemon type export plate decorated with a pair of Hoo birds on a rock with flowering bushes. The rim of the dish decorated with a “Birdes in Branches” arabesque with a rather crudely painted Chrysanthemum blooms with birds both sitting and with wings out-stretched. This pattern occurs both in Kakiemon type enamels and in this blue and white version. See Fine and Curious no 240, a blue and white teapot, at page 193...

A pair of Arita plates decorated in underglaze blues with enamels. The centre painted with a large tripod censer containing Spring flowering Peonies on a low table flanked by a pair of flower vases, containing Autumn flowering Pinkes and Chrysanthemums with a pair of birds. The rim painted with a pair of Hoo birds with Chrysanthemums and Peonies. The plate on the left uses blue enamels, as found in the Kakiemon palette, rather than aubergine enamels as used on the right...