A similar pair of dishes to EW 3037 but without the additional gilding and iron red decoration. Designs featuring Karako were popular both in China and Japan at this period they were both symbolic of joy and a wish for children, kodakara; the treasure that is children...

A pair of Arita dishes moulded in so-called suhama form; a stylised interpretation of a wave washed beach often associated with the Isles of the Immortals. Painted in underglaze blue with a group of five auspicious karako, Chinese Boys, bound together with a ribbon or rope; symbols of joy and a wish for offspring. In addition a Chinese style Fan and a Double gourd are painted in iron red and gilt to complete the design...

A pair of a very well painted Kutani porcelain sake bottles painted in “Kenjo Imari” style painted with gilt karakusa to the neck with various marumon, a band of diaper to the shoulder, and further aka-e dama, and stylised karahasna-mon. to the body of the bottle. The vases are thinly potted and wreathing to the interior of the neck suggests that they were originally thrown in two parts...

Antique Japanese tansu from the Iwayado area. Made with Sugi (cypress) wood frame and dramatic Keyaki (elm) burl front panels, in original red/orange lacquer finish. The extensive iron plating is incised into flowers and Kiri leaves; The top drawer features a large flying Phoenix as its lock plate...

Chinese hardwood altar table. With jade "coins" wrapped into the wood apron, carved to resemble rope. Standing on four tall and narrow legs.

Dimensions: 48" x 16" x 33.25" H

Mounted on a black lacquered platform with wooden wheels. The horse is carved from Keyaki wood, which is covered in lacquered brown leather. The eyes are reverse painted glass. It has ears of leather, with real horse hair tail and mane. The horse is outfitted with iron bits and silk harness. The kura saddle is lacquered in red, with a leather cushion seat and silk straps. Cords are attached to the abumi stirrups and aori mats. The bagu tassel fringes and cords tuck under the tail...

A Very Fine/Rare/Large Korean Buddhist Painting (Ksitigarbha Bodhisattva)- 19th C.: Korea, Joseon dynasty, 18th to early 19th century, Amit’a, the Buddha of the Western Pure land, and Attendants. Painted in polychrome mineral pigments on silk. It’s in fine condition with colors but has some creases associated age. it measures 53 ½” h. x 52” w. (136 cm h. x 132 cm w.). ****** This painting has been mounted in paper and wood frame on back (was removed from a outer wood frame).

Made of red pottery, covered with a turquoise glaze and black decorations. H. 30 cm. The foot is very wide because this lamp was placed on the sand in the desert. Condition: minor damage to the cup, glaze chips, a firing crack in the foot.

Lovely fluted porcelain teapot decorated in the Imari palette with butterflies and flowers. H. 12,5 cm. This teapot is in in excellent condition: original lid, no cracks, chips or repairs, only minor ware to the gilding.

Height approximately 23.3 cm. A soft chip at the rim. A firing crack at the body. In good condition.

Chinese Huanghuali altar table, its front and side aprons carved with dragons and fireballs. The side panels between the table's legs are carved with reticulated motifs of scrolls and dragons. The table's surface woodgrain shows many distinct "ghost eyes" associated with Huanghuali wood.

Dimensions: 64.5" L x 19" D x 34.5" H

Used for ceremonial purposes by the Xia, Shang, and Zhou dynasties. Traditionally, the jue vessel was made of bronze with a pouring spout on either end and a pair of capped posts rising from the rim. This ceramic jue cup is done in fine porcelain with underglaze enamel and is described on the tomobako as being a jue-shaped incense burner (korou)...

Antique Japanese small tansu from the Sakata region, with original red lacquer top and sides and black lacquer front. The top drawer's iron lock plate is incised with the image of a flying crane and pine branches; The bottom drawer's lock is incised with an ancient turtle with many tails. This imagery represents good health and longevity. Key is included.

Meiji Period (1868-1912) Dimensions: 32.75" L x 15.75" D x 20" H

Japanese 2-section isho tansu (clothing chest of drawers), from the Kyoto area. The chest is made with Sugi (cypress) wood in the original glossy red lacquer finish a lacquering process know asiro-urushi (色漆), literally "color lacquer"and has 11 drawers with charming heart-shaped keyholes and black iron warabite pulls. The top section houses a large open compartment behind two Keyaki (elm) sliding panels in a dark finish, with black lacquer frames...

Antique Japanese small merchant's box. Although this tansu has the appearance of a gyosho bako (peddler's box), it does not have loops for carrying straps. It was probably custom made for a merchant's raised platform area. All of the drawers feature hand forged iron lock plates and mounts. One of the smaller drawers is stained with ink meaning it would have stored an ink pen for receipts and accounting...

Antique Japanese choba-ko tansu (small merchant's chest), made of natural Kiri (paulownia) hardwood (original finish). The chest holds a large open compartment with a single shelf behind two large doors, lined with 7 outer drawers. Each drawer opens by a squared, black iron handle. The smallest bottom-left drawer acts as a money collection box, with a coin slot right above it.

Edo Period (1680-1868) c1800

Dimensions: 23" L x 8.75" D x 20.5" H

Antique Chinese Qing Dynasty 19th century Han Chinese woman's robe, with double dragon roundels, and embroidered sleeve bands executed in Peking stitch; ; Collar and border trims are embroidered with flowers & butterflies; backed with light pink lining. The robe is in excellent condition, , no fray or wear, shoulder lines are have no wear or split, but the lining around the neck area has tear. Measurements : Top collar to bottom hem 44", Sleeve to sleeve 59" stretched, sleeve width 16", width ...

Over 100 years old, this exquisite lacquered box set was crafted in the fourth year of Taisho (1915). On the underside of the lid are painted butterflies and the sides and top of the box set feature Chrysanthemum flowers in gold, sumi, and mother-of-pearl. Long considered an auspicious symbol of longevity and rejuvenation in Japan, when first introduced to the island nation during the Nara period (710 – 793 AC), the Japanese Royal Family was fascinated with the Chrysanthemum...