1800's, finely hand-carved Japanese mix-materials netsuke depicting an Entertainer or Dancer, who is standing on one leg, in the middle of a theatrical performance. He is wearing an Usobuki mask and a dancer's robe. Excellent detail and patination; he grimaces as he attempts to lift the large stone. Signed Hozan on his Obi, near the ribbon that ties it on his back. Netsuke measures 1.04 inches (2.6cm) wide, and 1.56 inches (4.0cm) tall...

This is a superbly Hand-carved EDO Period Boxwood Netsuke depicting a Mother, holding a trumpet in her right hand, and carrying a child on her back...

An Arita moulded dish of shuronogata, Hemp Palm, form decorated in underglaze blue with gilt outlined enamels, somenishikide, dating to the late Mid Edo period. The dish decorated with a kachoga design evoking an image of late Winter or early Spring incorporating the Shochikubai, the Three Friends of Winter. The under-glaze blue portion of the design a Bamboo “Tree” with shattered trunk and a pair of enlarged yukiwa, snow flake roundels, to suggest seki, viewing stones...

A Japanese Arita lobed dish decorated with a dragon descending from clouds, grasping the pearl of wisdom. The back with a fuku mark. The dish dates from 1750~1790. A similar design to Chinese examples of the Yongzheng period.

Approximately 14 cm diameter. Perfect condition. A little kiln dross in the cloud.

Please study the photographs.

For new customers resident in China sadly I have to state that I am no longer prepared to accept payment by PayPal...

A small lobed Arita porcelain bowl decorated with scrolling karakusa. The interior with the shochikubai, the three friends of winter. The base has a four-character Fuki Choshun, "good fortune and long life" mark. Late 18th or early 19th century.

Approximately 10.8 cm. Diameter. Perfect condition.

Please study the photographs.

For new customers resident in China sadly I have to state that I am no longer prepared to accept payment by PayPal...

A small lobed Arita porcelain bowl decorated with scrolling karakusa. The interior with the shochikubai, the three friends of winter. The base has a four-character Fuki Choshun, "good fortune and long life" mark. Late 18th or early 19th century.

Approximately 10.8 cm. Diameter. Perfect condition.

Please study the photographs.

For new customers resident in China sadly I have to state that I am no longer prepared to accept payment by PayPal...

Chinese agate two piece carving of a lotus leaf and a koi fish. All hand-carved from agate stone, the piece and its base have motifs of leaping fish, waves and lotuses.
19th century

2 1/4" x 1 3/8" x 3/4" H (fish carving) 1 1/2" x 1 1/8" x 3/4" H (base)

Chinese agate carving of a curled lotus leaf. The leaf is delicately and thinly carved and is edged in pierced flowers and vines. The agate stone has natural siena and russet tone areas throughout. Comes with original tripod wood stand.

19th century

Dimensions: 3" x 3" x 1/4" (carving only)

A Chinese “Master of the Rocks” Saucer Dish, Kangxi, late 17th century. Typically, the decoration relies heavily on the techniques of contemporary ink painters with attention to naturalistic detail and various wet brush effects. The border of waterweed-like fronds appears on many such Master of the Rocks ceramics. The back is entirely plain.

Approximately 13.8cm diameter...

Japanese green studio crackle ware vase with applied silver floral motifs. With tomobako. The foot is signed Shofu Katei (1870-1928). Small wear losses.

Shofu Katei was born in 1870 in Seto, Japan. He later moved to Kyoto where has was adopted into the prestigious Shofu family kiln to create Japanese ceramics. In 1908, he set up the Shofu Ceramics Company, Ltd. and was awarded a Green Ribbon in 1915.

Dimensions: 5" W x 7 1/2" H (Tomobako 6 1/2" x 9" H)

A Rare Chinese Song glazed box with a design on the lid. Age: 1127 - 1279 AD. Size: Diameter.13.5cm. Condition: No repairs. Natural age crackling and age crack.

The solid form with peg himotôshi carved in sunken relief with a Karako holding a fan on his left hand and carrying on his right hand a tree branch divided into four sections that hold objects that depict the four working classes of Japan: Farmer, Merchant, Craftsman, and Samurai, as well as inlaid tortoise shell and coral beads. One of the hanging objets, the tablet with the inscription that reads: ‘Dai Fuku Cho” – Great Fortune Accounting Book-, depicts the Merchant class...

Late Qing Dynasty (1880s to 1911) Chinese bronze incense burner in a shape of a standing mandarin duck with its head raised. Wings and tail are decorated in champleve technique with red, green, blue, turquoise and yellow enamels with designs referring to ancient Chinese bronzes. The wings of the creature form a removable cover that fits perfectly. Excellent quality casting - see the head with incised lines around its beak and eyes, and detailing of its webbed feet...

Height of Flask: 14 cm (5.6 in)
Width of Flask: 9 cm (3.5 in)
Depth of Flask: 2.2 cm (0.8 in)

Finely made 19th century lacquered timber powder flask; complete with cords, boar’s tusk netsuke and ojime bead; bronze fittings; good condition

Height of Caddy: 11 cm (4.3 in)
Width of Caddy: 9 cm (3.6 in)
Depth of Caddy: 5.2 cm (2.1 in)
Length of Dish: 14.6 cm (5.7 in)
Height of Dish: 3 cm (1.2 in)

Chinese 18th century porcelain tea caddy and square dish; both patterns depict a walled city surrounded by peach blossom; more recent carved wooden lid; fine condition with only minor frits to rims

A very nice 19th C, Tongzhi era (1861-1875), porcelain dish showing a Qilin, a fabulous creature which appears in various forms and is associated with the wish for sons. In excellent condition, it measures 6.5 inches in diameter and about 1" high.

A very large Imari charger with a painted dragon in the center chasing the elusive flaming pearl. The panels have various paintings of dancers and country scenes. It is unusual to see dragons in Japanese Imari plates. The back has been wired for hanging. Size: Diameter. 45.3cm. Condition: Perfect.

A rare set of three Deshima (Scheveningen) small bowls of lobed lotus petal form, two of which have all the elements of the traditional Deshima pattern, cups in this pattern appear to be exceptionally rare in the literature compared with flat wares, and one with a Chinese interpretation of the scene, where the figures and landscape are transposed into Chinese Immortals and a traditional Chinese style landscape, examples of which appear in the Burghley Collection etc...