Late 19th century dark wood card case covered with a carved floral pattern. Good condition. H: 4 ¼ inches, W: 3 inches

Early 20th century Chinese Blanc de Chine. A group of four women gathered around a lotus blossom playing music. Good condition. H: 9 ½ inches, W: 7 inches

19th century nephrite carving of a fisherman holding a fishing pole in one hand and two fish in the other hand. A basket is sitting on the side. Very nice carving in good condition. H: 4 inches, W: 2 ½ inches, D: 1 ¾ inches

Han Dynasty (200 B.C.~220 A.D.) dark green glazed bowl with cloud and crane design. Small chips on the rim. Outside there are three stacking marks from firing. Iridescent parts appear inside the bowl. It is in good condition. H: 3 ¼ inches, Diam: 6 ¾ inches

Han Dynasty (200 B.C.~220 A.D.) green glazed burial candle holders. The entire body of each piece shows an iridescent sheen. Each one has small air hole for firing. They are very pleasant and in good condition. H: 5 inches, W: 4 ¼ inches

Han Dynasty (200 B.C.~ 220 A.D.) 5-spout iridescent glaze vase. Beige and olive green glazes cover half the body. It is an extremely rare piece and in perfect condition. H: 10 inches, W: 7 inches

Chinese Ming Dynasty (1368~1615) 3-color glazed chests (or trunks). Part of the body of each piece shows an iridescent sheen. There are a few chips on both chests. They are 4 ½ inches tall, 5 ¼ inches long and 3 inches wide.

Chinese Ming Dynasty (1368~1615) 3- color glazed altar table. The top is not glazed and the rest of the body shows an iridescent sheen. It is 6 ½ inches tall, 9 ¾ inches long and 6 inches wide. Excellent condition.

Chinese Han Dynasty (200 B.C.~220 A.D.) green glazed burial candle holders. Both pieces have an iridescent sheen over the bodies. They are in very good condition with a few small chips. H: 4 ¼ inches, W: 2 ¼ inches

Chinese Song Dynasty (960~1270) brown iron glazed oil or sauce storage jar of rounded shape, boldly thrown and shaped, with spout. Good condition. H: 12 inches, Diam: 12 inches

This is a very well carved early 20th century ivory fan. The front is carved as grapes and leaves; the back and ribs are plain. The loop which holds the fan ribs together also is made of ivory. It is 7 ¾ inches long and 13 ½ inches wide (open). The silk ribbon is a replacement. It is in great condition.

A hexagonal Chinese covered dish, decorated in overglaze enamels win the Famille Jaune pallette. The motifs seen in the shaped collar (in the form of a ryui fungus) around the lid are Buddhist precious objects. the flowers are those usually found on such porcelains and include hawthorn (prunus), lotus, orchid, peony, chrysanthemum, etc. The mask handles on the sides would originally have had wire carriers fitted...

This Chinese vase comes from Canton from the end of the 19th century or perhaps the first few years of the 20th century. The shape is termed onion neck for obvious reasons and derives from Delft forms made in Holland in the 17th century. The bright overglaze enamel colors are typical of export wares of the era and the subject matter of boys with balloons containing characters meaning "prosperity" and "good luck".

This VASE is Best DESCRIBED as FANTASTIC. Acquired from a SUPERLATIVE ESTATE of a Maryland JUDGE who liked the BEST, this is a CARVED SODALITE HARDSTONE VASE. In Two Pieces the BOTTOM section Depicts a PHOENIX and a MAIDEN; the Second Side has QUAN YIN and a CHILD. The TOP Depicts a CARVED DRAGON. The CARVING is EXCEPTIONAL with much PIERCED Work Top to Bottom/ Side to Side including Two FROGS on LILLY PADS at the Shoulders of the Vase...

This middle or late 19th century snuff bottle has a white background and is hand painted in copper red and cobalt blue with an old sage and his servant. It is 3 inches tall and 1½ inches wide. The cap and spoon are replacements (not in the picture). It is in good condition.

The wood statue Shou Xing (longevity) is carved from a part of a tree joint and it is quite heavy. He is holding a staff and a peach. The statue is 11 ½ inches tall, 2 ¾ inches thick and 5 inches on the widest part. It is late 19th century piece. The carving is simple but elegant. There is single Chinese character ¡°Wang¡± which was scratched on the back of Shou Xing¡¯s robe, maybe by collector. There are some crack lines and small chips due to the age...

13"H buff-colored earthenware Yangshao type funerary urn decorated on the shoulders with bold black and red geometric designs. The symbolic significance of this decoration is apparently unknown. Ovoid form with a wide body extending to its widest girth at the mid-section and tapering to a narrow base. Two strap handles at the sides. Neck ending in an everted rim with evenly spaced tiny holes. Machang type (circa 2200 B.C.) of the Majiayao culture, Gansu Province...

This early 20th century Chinese carved wood statue is 9 ¼ inches tall, 6 inches wide and 4 inches in depth. The statue presents a legendary Chinese character who is a member of the eight immortals. According to legend, one day he told his follower that his spirit was going to travel far away. He asked the young follower to watch his body for seven days while he was away. If he did not come back after the seventh day, the young man must burn his body...