Circular hand shrine, or zushi, in two halves. Inside, one half shows the bodhisattva Kokuzo carved in relief with a sword in the right (to cut through ignorance) and a wish-granting jewel in his left hand. He sits on a lotus base, placed on a rock. Details of the carving and the background painted in gold, black, red and malachite green. The other half shows a lotus pond, a rock and a cloudy sky painted in delicate lines of gold and silver, heightened with black...

Shrine with the very rare image of the death of the historical Buddha Shakyamuni, called nehan-zu, and his entrance into the state or perfect peace, called nirvana or nehan. The Buddha lays stretched out on a rectangular lotus base, his head resting on his right arm. Although normally in nehan-zu one will see gathered around the bed 52 kinds of beings, human and animals mourning the Buddha, there are none present in this zushi. From the ceiling of the case hangs a curtain of sorts...

Small round zushi consisting of two parts. The outside of both are covered in nashiji lacquer. On the inside of the one part in relief is carved in fine detail the image of Bishamonten holding a trident and a pagoda, subduing two demons. Inside the cover sits Benzaiten playing the biwa.
Bishamon and Benten are two of the seven gods of good fortune (shichifukujin), but they each hold a position in the Buddhist pantheon, as well.
Both images in plain, unpainted camphor wood...

Hanging scroll. A circle on a black background, divided into ten sections around a white central circle that holds the character ‘shin’, meaning heart or soul. The ten sections represent the ten realms that are the ten possibilities of rebirth. On top the four realms of enlightened beings: Buddhas, Boshisattvas, arhats and pratyeka Buddhas. Underneath, the six realms (rokudo): Heavenly beings, humans, Bellicose demons (Ashura), animals, hungry ghosts and hell...

Small shrine with the esoteric Buddhist figure of the Fudo Myōō who personifies Dainichi Nyorai. He is standing on a rock pedestal – symbol of his steadfastness - with a rope in his left hand and formerly with a sword in his right hand (broken off and missing). Behind him a flaming red mandorla. The patterns on his garment and his jewelry painted delicately in gold and mineral colors.
Japan, Edo period, 18th century.

Height of zushi: ca...

Small but exquisite scroll paintings in mineral colors and gold on silk. The background in the upper halves in gold.
Aizen Myoo sits on his typical lotus throne on top of the vase full of jewels, surrounded by a circular, red, flaming nimbus. Around the foot of the jewel filled vase are sacred treasures scattered around...

Buddhist shrine with sculpture of the bodhisattva Myoken, deity of the Polar Star and of the Big Dipper.
He is dressed in Chinese garment, standing on the back of a kida (a beast that is half turtle, half dragon-snake), holding an enormous sword. Behind his back a nimbus with seven discs, representing the seven stars of the Big Dipper. To the left of the rock base the head of a snake pops out. (Probably a snake was wound ”around” the giant turtle and broke off...

Very small, black lacquered shrine (gilded on the inside) with inside the wooden figure of the Bodhisattva Marishi-ten in three-headed form (left head is a boar's head), sitting on a lotus base carried on the backs of seven boars. In his hands he holds a branch of the asoka tree, a sword, bow and arrows. The carving is slightly abstracted, but nevertheless full of detail...

Japanese antique pair of small Inari Shinto shrine foxes made of pottery with traces of Mica in the clay. Originally painted, these foxes still have traces of bright pigment. Also called Zenko, these good spirit Kitsune (foxes) are specifically associated with the Goddess, Inari.

Believed to be both messengers and guardians, Kitsune served Inari in her role as the Goddess of agriculture, specifically rice. Part of the folklore surrounding the fox is it's ability to shape shift into t...

Small Buddhist shrine, or zushi, containing the figure of the Bodhisattva Kannon Nyoirin in six-armed form, sitting on a lotus base positioned on rocks. Kannon sits in position of royal ease, his head resting on his main right arm. In his other right hands he holds the wish-granting jewel (nyoi hoju) and a rosary of stringed beads. His main left hand rests on the lotus, while the others hold a script and a, now missing, lotus flower. He wears a crown and jewelry on his chest made of gilt metal a...

Buddhist shrine containing a sculpture of Shichimen Daimyojin in sitting pose, one leg crossed over the other. She sits on the summit of mount Shichimen, one of her shoes by her side, holding a (golden) jewel in her left hand. In the right hand she hold another object, likely a key that is now missing.
Wood decorated with gold and mineral colors. Gilt metal mandorla behind her head, decorated with flaming jewels.
The baldachin above the figure is decorated with auspicious symbols in ...

Very unusual figure of the Kigyo Kishimojin, standing with a baby in her arms, holding up a pomegranate in her right hand. In this form she represents the protector of children.
Almost abstracted wooden figure with dark patina. The mouth painted red, the eyes inlaid with glass or crystal painted with gold in reverse technique, the pomegranate made of a red kernel.

This is a very rare appearance, a kind of in-between form between the child robbing and devouring monster and the transfor...

Buddhist shrine, or zushi. Inside stands Jizo bosatsu, holding a wish-granting jewel (hoju no tama) in his left hand and his staff in the right. Very elaborate wooden carving with thick layers of lacquer on top of which gilding. Unusual face with down cast eyes. Metal staff with moving rings.
Height 11.2 inches (29.2 cm).
Japan, Edo period, 18th century.

Jizo’s right foot and left hand repaired (old), vertical crack from his left shoulder down and from his right armpit dow...

Antique Japanese large hanging Buddhist temple lantern made of gilt copper. Elaborately designed with a three dimensional hexagonal form and decorated all over with pierced scrolling filigree featuring chrysanthemum blossoms and swirling mist. Smaller friezes display ocean waves. Raised roundels with peonies decorate the feet. The interior is lined with rice paper.

Age: Late Meiji Period (circa 1900)

Dimensions: 29" high x 33" long x 31" wide

Antique Japanese carved wood figure of the esoteric Guardian of Buddhism, Fudō Myō-ō. The figure is simultaneously finely detailed and charmingly primitive adding to the authentic spirit of this Shingon temple guardian.

Also called Acala Vidyarāja (Sanskrit meaning unmovable king of esoteric knowledge), Fudō (sometimes simply called Fudō san in Japan) is usually the central figure in depictions of the five Wisdom Kings (Vidyarāja, Myōō). The purpose of his frightening ap...

Antique Japanese small and detailed wood carving of standing Buddhist attendant figure. Gracefully positioned on a rocky out cropping, the male figure, possibly a Bosatsu himself exudes a sense of calm strength. Flowing drapery is carved with movement and intricately painted with mineral colors.

Age: Edo Period (1603-1868)

Dimensions: 9" high x 4 1/2" wide x 3" deep.

Antique Japanese taiko Buddhist temple drum. Made of keyaki (zelkova elm) wood. Painted with mitsu domoe design, the three comma motif also used as a popular family crest. The design is painted in bold red, blue and green colors. Tightly stretched on both sides with bronze and iron hardware. Taiko (literally meaning "drum" in Japanese) first came about as a way to frighten away evil spirits and crop-threatening pests as well as to call the rain spirit to nourish the fields. Taiko drumming...

Elegant gold gilt Meiji Period c.1900 Zen Buddhist Altar Inner Mirror meant to reflect the soul. Beautifully carved buddhist clouds and waves. Holds a bevelled round mirror. Back is thick black lacquer. Ecellant condition. 11" by 11". Ask for shipping quote from California warehouse.