Small shrine with the esoteric Buddhist figure of the Fudo Myōō who personifies Dainichi Nyorai. He is standing on a rock pedestal – symbol of his steadfastness - with a rope in his left hand and formerly with a sword in his right hand (broken off and missing). Behind him a flaming red mandorla. The patterns on his garment and his jewelry painted delicately in gold and mineral colors.
Japan, Edo period, 18th century.

Height of zushi: ca...

Hanging scroll. A circle on a black background, divided into ten sections around a white central circle that holds the character ‘shin’, meaning heart or soul. The ten sections represent the ten realms that are the ten possibilities of rebirth. On top the four realms of enlightened beings: Buddhas, Boshisattvas, arhats and pratyeka Buddhas. Underneath, the six realms (rokudo): Heavenly beings, humans, Bellicose demons (Ashura), animals, hungry ghosts and hell...

Small round zushi consisting of two parts. The outside of both are covered in nashiji lacquer. On the inside of the one part in relief is carved in fine detail the image of Bishamonten holding a trident and a pagoda, subduing two demons. Inside the cover sits Benzaiten playing the biwa.
Bishamon and Benten are two of the seven gods of good fortune (shichifukujin), but they each hold a position in the Buddhist pantheon, as well.
Both images in plain, unpainted camphor wood...

Shrine with the very rare image of the death of the historical Buddha Shakyamuni, called nehan-zu, and his entrance into the state or perfect peace, called nirvana or nehan. The Buddha lays stretched out on a rectangular lotus base, his head resting on his right arm. Although normally in nehan-zu one will see gathered around the bed 52 kinds of beings, human and animals mourning the Buddha, there are none present in this zushi. From the ceiling of the case hangs a curtain of sorts...

Circular hand shrine, or zushi, in two halves. Inside, one half shows the bodhisattva Kokuzo carved in relief with a sword in the right (to cut through ignorance) and a wish-granting jewel in his left hand. He sits on a lotus base, placed on a rock. Details of the carving and the background painted in gold, black, red and malachite green. The other half shows a lotus pond, a rock and a cloudy sky painted in delicate lines of gold and silver, heightened with black...

Nichiren Buddhist shrine containing a sculpture of Kishimojin in demonic appearance, her hands folded in prayer. Kishimojin, or Kishibojin, or Kariteimo, is a complex deity. Originally, she was a demon who stole and killed other people’s children in order to feed her numerous own children. After Buddha Shakyamuni made her see how she made people suffer, she repented and devoted herself to protecting all children. Instead of the flesh of children, she fed her own children pomegranate henceforth...

Wooden nyoi (ruyi in Chinese) scepter, an implement used by Buddhist priests during a ceremony or during formal preaching. Carved naturalistically in the shape of a lotus bud on a long stem with a lotus leaf wrapped around the stem. Rose wood or sandal wood. Made in two pieces.
Japan, 19th century.

Length 13-1/8 inches

Tiny chip at leaf edge. Fine condition.

Japanese Buddhist reliquary made of gilt bronze and crystal in a miniature lotus lantern or stupa form. The sarira, or human pearls, are delicately displayed in the central portion of the reliquary through a crystal cylinder. Two types of sarira are divided between two levels, with three smaller yellowish churira on top (originating from the liver) and two larger, whitish sharira (originating from the head) on the lower shelf...

Antique Japanese mokugyo, fish bell, carved of keyaki (zelkova, elm) wood with traces of red and white lacquer. This wooden temple bell was used by Buddhist priest during religious ceremonies and chants. Laid on it's side on a pillow, the bell was struck to a rhythm to match the cadence of the chant. The carving on the bell is of two fish embracing a pearl, a symbol of unity. The fish themselves symbolize wakefulness, in this case to remind the chanters to focus on the sutra...

Late Meiji (1890s to 1912) Japanese boxwood seal, most probably used in a temple to stamp pilgrimage papers. The impression of the seal is shown on the first photo (image is flipped left to right to present the image as it will actually print on paper). Excellent quality crisp carving of 2 rows of differently sized characters, caked old red seal paste on the bottom. Metal stud on the side indicates the position of the top of the imprint. Beautiful patina on the surface of wood. Height 2 3/16 inc...

Late Meiji Period C.1900 gold lacquer on zelkova wood mirror stand. Used in the inner chamber of altar shrine to reflect the void. Bronze mirror has plum blossoms and pine leafs in relief. Very good condition. (see pics). 11" tall by 7" wide. Ask for shipping quote.

Large zushi, made on order for a temple, containing a seated group of En no Gyoja, the father of Shugendo, with his two attendants Zenki and Goki inside a cave. En no Gyoja is sitting with a staff in his right hand, and a hand scroll in his left. The two attendants are crouched before him. The green attendant (Goki) holds a ewer and a stick to ring a bell or mokugyo; the red disciple (Goki) holds an axe.
Wood with polychrome and gold color over gesso, eyes reverse-painted glass or crystal...

A Buddhist shrine, made for a temple, containing the 8-armed, weapon-bearing goddess Benten; her head adorned with a gilt bronze crown in the shape of a Shinto gate, decorated with birds, sun and moon, and beads. On the top of her head sits the snake-bodied water deity Ugajin. Behind her head a circular mandorla with three flaming jewels. Benten sits on a double lotus throne, placed on top of a rock formation.
The figure and the lotus dais are made in wood with gilding over red lacquer, wi...

Reliquary in the shape of a pagoda, used to house the Hokyoin Sutra. This type of reliquary originates from China and developed in Japan in the Kamakura era. The Hokyoin Darani sutra contains invocations that make it easier for the soul of the deceased to find its way out of Hell directly into Paradise. These pagodas are usually made of stone, so they can be buried with the deceased. The sutra is recited daily in esoteric Buddhist sects, and is venerated as a relic of the Buddha Shakyamuni. As ...

Large shrine, zushi, made on special order for a temple. Inside, right in front of the back wall is a silk covered panel. Towards the bottom of the panel, on a gold background, are painted Fugen Bosatsu on his companion the elepahant, and Monju Bosatsu, sitting on the back of his companion the tiger. Above them, set in the center of a red painted circle is a circular crystal reliquary, sitting on a gilt bronze lotus dais, surrounded by gilt bronze flames, forming the wish granting jewel hojugata...

A rare full size Japanese Temple gold gilt ranma. Deep hand-carved relief depicting a floating apsara with an incredible flowing phoenix tail feathers (heavenly being) amongst swirling clouds. A phoenix rising up and through the angel with its head seen leading the way.
An apsara is a female spirit of the clouds and waters in Hindu and Buddhist culture. They figure prominently in the sculpture, dance, literature and painting of many South Asian and Southeast Asian cultures.
Th...

Serene 17th Century Japanese standing gold gilt Amida Buddha. Original gold gifting layered over beautifully hand carved gently wood. The buddha stands upon its original lotus base in which both feet sit and slot into the base. The golden rays rises from behind rising in all directions. Carved at a very high level with detail seen down to the smallest touch. In all, there are three removable section. Stunning natural patina that has age very well with Temple incense.

Edo Perio...

Japanese antique giver of joy diety elephants, Shingon and Tendai sects, made of boxwood male and female elephants-headed with human body holding another. Well-carved, with inlaid eyes, hollow body. Giver of joy and prosperity. Small restoration.

Edo Period, circa 1800s
Size: Height 4" Width 2 1/4" Depth 2"

Late Meiji/Taisho (1890s-1910s) Japanese wooden nyoi - a Buddhist scepter of simple shape with its head carved as a rolled up scroll. Nyoi, or Ruyi scepter is a traditional symbol of scholarship and transmission of knowledge. Elegant carving on dense fruitwood with beautiful texture, hole for the cord is lined with dark rosewood, two old gold lacquer patches on the head, wonderful patina to the surface, very pleasant to the touch. Carved on the front with an inscription DAI TACHIBANA WATASHIMONO...

Unusual Japanese Buddhist Zushi with dark, lacquered wood exterior and gilt interior. Enshrined in this portable altar is the statue of Buddha seated on a lotus. His two attendants are sitting on a dragon and fox. The double doors and roof top are decorated with scrolling gilt metal work.

Buddhist traveling altars and shrines create a sacred space of spiritual magnetism and are the product of dedicated craftsmanship. Traveling monks were required to have their own prayer tables and ot...

19th century Japanese wooden nyoi - a Buddhist scepter - with scrolling finial. Nyoi, or Ruyi scepter is a traditional symbol of scholarship and transmission of knowledge. Dense fruitwood with beautiful texture, simple elegant carving, wonderful patina to the surface from being handled, old ink spots in places, very pleasant to the touch. Great subtle piece for scholar’s table, or a practicing Buddhist. Length 12 1/4 inches.

Rather unusual late 18th to early 19th century Japanese bronze temple decoration fixture of a tennin - a female buddhist angel - as it flies playing a Shu - Japanese musical instrument from a flute group used in Shinto ceremony and consisting of bamboo reeds forming a circular wind chamber. Wonderful design, beautiful flow of her billowing scarves, gilded highlights, great patina. Very well cast, pleasantly heavy, peg on the back for fixing it to a temple or pedestal wall. Length 6 inches.

Museum quality early Edo Period C.1690 buddhist temple dragon carving out of zelkova (keyaki). Just spectacular. 4ft. long and 2 feet tall. Excellent condition with minor age wear. See photos. Ask for shipping quote from California warehouse.

Small antique Japanese lacquer zushi (personal shrine) with tiny carved wooden bodhisattva inside. The standing figure inside is painted black and gold. The exterior of the zushi is lacquered black and the inside is painted a deep green with delicate gold details. Tiny copper hardware.

Dimensions: 4" high x 3 1/2" wide (opened)

First of its kind we have seen with a carving on the table top. A kannon , goddess of mercy is riding a dragon carved into the top and lacquered. Exceptional. Copper metal fittings. Some wear as expected with this age c. 1850. Ask for shipping quote.

Japanese pair of Buddhist attendant figures. Each figure is carved of wood and painted with mineral pigments. Fine details are painted in gold gilt. They are draped in Chinese robes with long flowing sleeves, each wearing an ornate metal headdress. One attendant holds an offering, the other, a flower scepter made of wire with glass and wooden beads. Their inlaid eyes are made of glass.

Edo Period (1603-1868)

Dimensions: 10 1/2" - 11" high x 4 7/8" wide x 3 3/4" deep

Exquisite pair of lacquered wood temple lotus offering stands in lotus motif. The Lotus is the penultimate buddhist symbal of purity. The base is a lotus with lotus flowers on the stem and lotus cup at the top. Minor lacquer wear but in fabulous condition for its Meiji Period C.1890 age. 12" tall and 6" wide.

Large two-door shrine holding inside the figure of Kujaku Myoo sitting on a lutus dais on the back of a peacock. Kujaku means peacock and is revered for transmuting the "poisons" of greed and anger and for eliminating karmic hindrances. The peacock (in India) eats poisonous plants and snakes and is thus thought to guard against evils from poisoning or calamity. Kujaku has four arms, holding a pomegranate, peacock feather, and either a lotus flower or a Buddha-fruit (one attribute is missing). Wo...

Zushi, shrine used in Buddhist temples, containing a statue of Aizen Myoo. He sits on his typical lotus throne carried by a vase full of jewels, surrounded by a circular, red, flaming nimbus. He has six arms and on his head he wears a crown in the shape of a lion’s head flanked by two gilded sharito reliquaries. In his lower hands Aizen holds a ghanta and a bell, the secondary hands hold arrows and formerly held a bow, the upper pair of hands used to hold probably a rope and a jewel. Sandalwoo...

Finely cast bronze censer on three cloud-shaped feet with a décor on the body of an elephant on one side, a baku or tapir on the other on a background of very fine repetitive fretwork, patinated in a rich brown. Stick-like handles parallel to the body. Bottom left undecorated, with a seal: Seimin sei (Cast by Seimin). Japan, Edo period, early 19th century.
Original cover lost and replaced by a wooden Chinese cover.

H w/o cover 3-1/8 in.; H w. cover 4-1/2 in; W 4-1/4; diam. 3-1/2 in.

Exceptional lacquered traveling altar with a bodhisattva riding an elephant inside. The carving is finely detailed and unbelievable. Late Meiji Period C.1900. Copper metal fittings on zushi. Excellent condition. Ask for shipping quote. Height:9" by 4" (when closed).

Fabulous cypress wood dragon carving from a zen temple. Well preserved. Stands upright. Excellent condition. When the carp swims up a waterfall and makes it over the top it becomes a dragon and resides in the celestial realm protecting the buddha`s teachings. 34" long bu 11" wide. Ask for shipping quote.

Midsize Buddhist shrine, zushi, with double doors on front and back, housing a suiseki (scholar’s rock) placed on a lotus base. Zushi black lacquer on outside with brown copper hardware engraved with flowers, the roof decorated above the doors with cranes painted in black ink. Inside covered with gold lacquer, the pillars decorated with lotus petals. Japan, Edo period, 19th century.

H zushi 9 inches

Some traces of usage (chips on lotus base, rubbing of painting), one door with minor da...

Fairly large zushi hand shrine in the shape of a lotus petal. Double sided, made of sandalwood.
Inside each half is a deep relief carving of Buddhist deities. On one side the three-eyed Aizen Myoo with a lion crown, sitting on a lotus base in the clouds before a red mandorla. His six hands hold Vajra and ghanta, bow and arrow, and lotus bud and pouch. On the other side the two-armed Kannon bosatsu, holding a lotus bud in the left hand, sitting on a lotus base in the clouds. Inside decorate...

Tiny zushi, or hand shrine, with double doors on two sides. Inside a two-sided reliquary with tiny stones, in the shape of a flaming jewel, or tama, on a lotus base in gilt copper alloy and glass. Shrine made of kiri wood (paulonia), inside covered with lacquer with nashiji gold sprinkle. Outside mounted in gilt metal hardware with nanako decoration. Japan, Edo period, 18th century, possibly earlier.

H 2 ½ inches

Some age and use related chipping along the edges, minor damage in the la...

Antique Japanese pair of shokudai (candle sticks). Made of copper repousse and overlaid with silver, these candle sticks are decorated with a intricate chrysanthemum and scrolling vine motif. The base and top of each of the candle sticks flares out and is lobed in a chysanthemum form with scalloped edges.

Meiji Period (1868-1912)

Dimensions: 22 3/4" high x 9" wide