A good Nabeshima dish from the Nabeshima clan’s Okawachi kiln of oval boat shaped form, perhaps inspired by the boat shaped ingots, sychee or yuanbao, and decorated with an auspicious pattern of a pair of Goldfish swimming amongst water weeds. This particular pattern and shape belongs to a group of wares that were approved by the Shogun Ieharu in 1774 and were produced throughout the late Edo period for the consumption of the Shogunate. (See Nabeshima Porcelain for the Shogunate)...

A fine Arita Chawan, rice bowl and cover, decorated with a tripartite scheme. The design quite cleverly incorporates the three principal styles or schools of Japanese Art of the late Edo period, the Namban, the Rimpa and the Bunjinga School. The first panel shows a Dutchman, gaijin, holding a cane standing in front of a table upon which there is a crackle glazed vase with Peacock feathers and a brush-pot...

A fine Arita sometsuke fish shaped dish carefully modelled in the form of a Carp, koi-gata o-sara dating to the late 17C. See “The Trakatori Collection” Kyushu Museum 2020 for a set of similar dishes there dated 1670-1690’s. This example probably dates from the 1690’s, the Genroku era...

Ko Imari Arita Koi-gata Fish Shaped Dish Nagazara Genroku 17C A fine Arita sometsuke fish shaped dish carefully modelled in the form of a Carp, koi-gata o-sara dating to the late 17C. See “The Trakatori Collection” Kyushu Museum 2020 for a set of similar dishes there dated 1670-1690’s. This example probably dates from the 1690’s, the Genroku era...

A good quality deep bowl on a relatively high foot-ring decorated in a full Imari pallette, sans aubergine enamels, and decorated with a curiously constructed set of three reserves in underglaze blue with a central stylised Chrysanthemum (or possibly a Lotus, or fusion of the two) with assymetric stylised vine like scrolls surrounding a light iron red wash with gilt karakusa vine ground...

Decorated with a carp diving in waterweed executed in typically thick and strongly hued enamels. The back similarly decorated with oysters and weed, the centre with a large Kutani mark.

The Yoshidaya kiln was a short-lived venture, situated in Yamashiro, intended to revive earlier Kutani-style wares. The founding investor was Toyota Denuemon IV (aka Sekio, lived 1751-1827), a businessman who used the professional name Yoshidaya...

A 17th century Japanese porcelain plate plate for the domestic market. Arita 1670 - 1690. A goose on a promontory next to a crashing wave.

d = 19.4 cm...

A stunning Japanese Imari plate featuring a stand of blue iris with 2 delicate butterflies overhead. In excellent condition, it measures 9.75 inches in diameter. Dates Meiji, circa 1875.

An Arita small dish in ai-Kutani style decorated with a bird beneath a tree, all within a dog-tooth border. The plain back with an apocryphal four-character Ming Wanli reign mark. Circa 1700.

Approximately 16.9 cm diameter...

A fine Japanese porcelain plate, the centre painted with a pair of Ho-o birds perched on rocks amongst flowers. There are several versions of this design featuring different borders. This border is unusual, it features three Ming-style elephant headed dragons and a profusion of blooms. The back has a particularly delicate depiction of trailing blooms and an inner border of clouds. The mark is associated with the Old Kakiemon kiln, 1680’s.

Approximately 20.7cm diameter...

A very fine sometsuke dish of scalloped octalobed form painted with a mon form central motif of a symmetrically arranged pair of leaping carp. Framed by a continuous band of botan karakusa, Peonie lotus scroll, within which are reserves containing, dragons, Ryu, in clouds and a gilt rim, kin-beni. The reverse decorated with hagi-karakusa, vine pattern and a six character mark for the Chinese Emperor Jiajing. The quality of the painting is of the highest standard...

A very unusual octagonal dish in new style enamels dating to around the year 1800, featuring three figures, the main of which is a figure wearing a buttoned jacket and perhaps a klapmut style hat with distinctive slops, which identifies him as a seaman, rather than the more usual merchant; see last image no 6 a late 18th century print of a Sailor in “slops”. The tight curls of his hair betray his foreign origin, although he retains an overall oriental appearance...

A fine pair of Fukugawa vases dating to the late Meji period of wasted baluster handled form standing on tripod bases. A traditional Japanese form, vases with similar tripod bases date from the late 17th century. The vases are decorated with a dark underglaze blue ground with gilt dots inset with auspicious dragons and clouds painted with enamels in doucai style, whilst the feet are decorated with stylised rocks emerging from waves, a representation of the Isles of the Immortals. The vases are ...

A pair of large Seto tall baluster vases each decorated with scattered Peonies and Chrysanthemums reserved against an elaborate scrolling arabesque ground with moulded shishi ring faux handles. Each vase measures 37cm high, just over 14.5 inches high. The diameter of the mouth of the vase is 11cm, just over 4.25 inches, and the base measures just under 11cm in diameter, 4.25 inches. Each vase is signed Kato Mokuzaemon. The vases weigh approximately 1.975kg and 2.2kg respectively. Shipping at C...

Japanese Arita porcelain round form deep dish decorated in underglaze blue with a karashishi (Buddhist lion dog) among leafy flowers set against a faintly celadon tinted white ground. The back bears an abbreviated apocryphal Chinese Ming dynasty Chenghua reign mark (Taimin nenka) on the glazed base. The foot rim is unglazed. The outside well is decorated around the circumference with karakusa. Circa 1800. Measures just over 11 1/4" diameter x 2" high. Very good overall condition with no ch...

A Japanese porcelain plate decorated with a dignitary beneath a parasol, attended by his servant, in a garden. The cavetto is unusually decorated with a continuous landscape, a device not often encountered on Arita porcelain. The use of linear shading is reminiscent of Chinese “Master of the Rocks” style. Arita, circa 1680~1700.

The back is entirely plain with four spur marks within the foot-rim.

This is the remaining plate from a set of three.

Approximately 21...

The decoration of flowers on this khendi has been reduced to the absolute minimum possibly denoting its destination as South East Asia where early exports from Arita were made.

Approximately 20cm high. Weight: 1.30 kg. Fine condition.

Please study the photographs.

Within the UK payment by bank to bank transfer is preferred.

Customers resident in China must make arrangements to pay by International Bank Transfer in GBP, fees paid.

Please note that ...

Rare form of Japanese KO IMARI Porcelain Charger Size : 12" Dia x 2 1/8" OSHIDORI(Mandarin Ducks) and GENROKU Figures design with fine gold Decoration Old Imari pieces. The quality of this charger is superb as I ever seen the combination of fine brush handpainting, the motif design with the gold as well as the shape and quality of porcelain itself. The condition of charger is very good considering the age of charger. There is no chips and cracks anywhere except noting that there are two area of ...

An unusual Arita blue & white porcelain plate, circa 1700 - 1750. A smaller dish with similar moulded and gadrooned edge and border of spiky foliage is in the Victoria & Albert Museum, London. FE.66-1970. An identical dish, dated from the first half of the 18th century is kept at the Rijksmuseum in Amsterdam.

The base with an apocryphal Chinese Ming Chenghua reign mark and 5 spur marks.

Approximately 21.2 cm diameter. Perfect condition.

Please study the photog...

A bowl, hachi, of kiku-gata, moulded Chrysanthemum form, decorated to the interior with low relief kiku-mon, stylised chrysanthemum flower heads. The narrow panels partly painted in underglaze blue with a gilt lozenge diaper pattern inset with swastikas, and brocades inset with various contrasting motifs of kiku-mon, hanabishi-mon, and matsu-mon (a view of the end of a Pine branch). The remaining four double panels with kiku-mons and Peony and Chrysanthemum sprays. The design an auspicious wish ...

An early Arita porcelain bowl made for export to the Far East. The decoration is based on a Ming Chinese dragon & phoenix bowl, the interior with a fish rising from waves. Fuyoyama or Tengudani kilns. See Impey, ‘The Early Porcelain Kilns of Japan, Arita in the First Half of the Seventeenth Century. Clarendon Press, Oxford.1996’ where several sherds are illustrated. Circa 1650 - 1680. Found in Cambodia. Must be of the earliest wares specifically made for export.

Approximately ...

A Japanese Arita Export porcelain spoon tray after a design by Frederik Van Frytom. Within the foot-rim is found an eccentrically written apocryphal Chinese reign mark, a feature seemingly of most wares the with Van Frytom designs. The shape is taken from an European silver dish and the porcelain clearly intended to be exported to the West.

A spoon tray of this design was included in a Christie’s auction in 2009.

Approximately 13.2 cm long.

Please study th...

An Arita Blue and White Tea Bowl and Saucer. Decorated with a Sage and attendant visiting a Lady, two geese seemingly arguing below them. Arita, Japan C17/18thC. Diameter saucer; 11.6 cm. Condition; tea bowl perfect, some glaze crazing to the saucer

An Arita porcelain seashell form, scalloped dish with tall foot. Enamel decoration of Ho-o (Japanese mythological Phoenix) in the Kakiemon pallete - black, red, blue, green, yellow and gold overglaze enamel - applied over the glaze inside the dish. Slightly opaque white, large bubble suffused glaze with faint celadon pooling in recesses. Kiln grit adhering to the unglazed foot rim. An old label remains taped inside the foot proclaiming the dish to be 18th century Kakiemon ware (but probably Arit...

An early Arita porcelain dish, Kakiemon, 17th Century, circa 1655~1670.

The centre of the dish with a table display of bonsai-like foliage. The curved cavetto with plant-filled lozenges against a blue ground.

The mark within the foot-rim was used at the Chokichidani kiln and the Old Kakiemon kiln in the period 1655 ~ 1670’s.

Dishes with similar designs are to found in the catalogue of the Shibata Collection, Kyushu Ceramic Museum.

Approximately 21...

Wonderful Ca. 1930 Kyoto-yaki ceramic bowl signed by Nishigawa in a signed original box. Inscripted on the box is the word Nishiki-ga meaning patterned after the obis woven in the Nishiki weaving area of Kyoto. 13cm tall x 28cm in diameter. Great condition.

A Japanese porcelain plate decorated with a dignitary beneath a parasol, attended by his servant, in a garden. The cavetto is unusually decorated with a continuous landscape, a device not often encountered on Arita porcelain. The use of linear shading is reminiscent of Chinese “Master of the Rocks” style. The back is entirely plain with four spur marks within the foot-rim. Arita, circa 1680~1700.

Approximately 21 cm diameter. Perfect condition with only a tiny piece of kiln dus...

A Japanese Arita dish, in Kakiemon style, of rhomboid shape with rounded, spreading sides rising from a circular foot. The inside is decorated round the sides with a continuous 'classic scroll' boldly moulded in relief, and below with a design painted in pale blue, red, green, black and pale yellow enamels. The rim is glazed brown. The exterior is painted in enamels with sprays of camellia and pairs of flying birds. Circa 1700 ~ 1725. An identical dish is in the collection of the V & A M...

A nagazara or long dish of bean-pod form, a very unusual shape, decorated with auspicious un-ryu, dragons and clouds, in its central reserve, surrounded by Matsu-fuji, entwined Pine branches and Wisteria vine, a traditional Japanese motif associated with longevity. The reverse decorated with further auspicious Dragons and precious objects, cash and scrolls with flaming pearls. Within the footrim and to the base of the dish a four character fukichosun mark signifying a wish for a long and prosper...

This lovely set of 5 antique Japanese blue and white porcelain sake cups was made for export during the McKinley Tariff Act of 1890-1914 which required that the name of the country of origin appear in writing on each piece of pottery or porcelain imported into the country. Each cup has the makers name on the bottom as well as the country of origin. they are in excellant condition.

An early Japanese blue & white plate produced in Arita at the end of the seventeenth century. The centre features a roundel carefully painted with a vase of flowers on a verandah. The unusual vase perhaps based upon a Dutch example. The ‘Kraak’ style border after Chinese Ming design.

For a similar plate see ‘Ko-Imari Porcelain from the Collection of Oliver Impey, Barry Davies Oriental Art, 1997’ where it is noted that sherds of similar examples have been found at the Kakiemon kil...

An unusual 18th century Japanese porcelain dish with chidori and waves drawn in thick outline, the centre with a Tibetan Buddhist symbol. The V & A Museum, London, has an identical dish, FE.113-2006. Arita1770-1780.

21.7 cm. Diameter, perfect condition.

Please study the photographs.

Within the UK payment by bank transfer is preferred.

Customers resident in China must make arrangements to pay by International Bank Transfer in GBP, fees paid.

...

An interesting Japanese Arita saucer form dish decorated in a transitional style incorporating elements of the Kakiemon style, notably the asymmetric elements within the reserves to the outer rim of the dish, with Katamono style motifs dating to the late 17th century or early 18th century and made for the domestic market. For a more sophisticated version of this type of design in Katamono style dated 1680-1700 see Shibata Volume II no 422. The dish probably date from the period 1690-1710. The ...

A finely enamelled Japanese export bowl decorated with Chrysanthemums and Peonies between a pair of Fan Shaped reserves of Kiku form. The petals alternating between a gilt leaf and tendril blue brocade and an unusual iron red shaded wash. The veins of the gilt leaves created by the use of a scraffito technique. The interior with a band of peony and prunus sprigs. The central well of the bowl decorated with an iron red and gilt kiku mon. A single ring to the interior of the foot-rim of the bowl. ...

An Unusual Imari Teapot of compressed form with loop handle and upright spout, raised on three short legs. Decorated in underglaze blue, iron red and gilt with a peony scroll. Japan 1700/20. Height; 3" (7.5 cm). Condition; shallow chips to end of spout, firing glaze flaw to side (image 3), cover with a 1.5 cm hairline

An attractive Japanese porcelain dish, the blue & white decoration depicting the King of Beasts and the Queen of Flowers. The Lion-Dog and the Peony, shi-shi and botan in Japan, represent bravery and elegance . A popular motif.

Arita, circa 1790.

Approximately 29 cm diameter. Perfect condition.

Please study the photographs.

Within the UK payment by bank transfer is preferred.

Customers resident in China must make arrangements to pay by Internati...