Two lidded jars with Qingbai and Jizhou glazes and terra cotta playing pieces. Not Song Dynasty but all hand made. The brown jar Jizhou jar has some discoloration. This white “stones” are 180 and there are 176 of the darker ones. D: 12cm/4.8in and H: 8cm/3.1in.

Japanese seto ware ceramic chawan (tea cup). Made of dark brown stoneware with round body and small round foot. Appealing greenish glaze with drips. Artist's mark on the bottom. With tomobako.

Age: Taisho Period (early 20th century)

Dimensions: 2 7/8" high x 5 1/4" wide

A diminutive image of Hotei (Putai) the lucky god of fortune from the Edo period kilns of the Matsudaira clan of Matsue in their distinct golden color. It is 4.5 x 3.3 x 4 cm tall and is in excellent condition. Fushina-yaki was the Goyogama clan kiln of the Matsudaira of Matsue Han in modern day Izumo, established around 1764...

Rare Antique Japanese Kashiki Bowl for used ceremony of Meiji Period made by Rokubei Kiyomizu IV (1848-1920). The seal of the potter is stamped on the bottom. Rokubei Kiyomizu IV belongs to one of the most influential Kiyomizu family of potters. He was born in 1848 as the eldest son of Rokubei Kiyomizu III. He got his family title and the name Rokubei IV in 1883 when he joined the Toyukai artists’ association. He co-established the Kyoto Ceramic Research Institute in 1895...

Very nice example of rare Meiji period (1868-1912) Antique Inuyama pottery Teabowl of unusual design with many scholars. Inuyama pottery is a traditional ware of Aichi Prefecture which dates back to Edo period. Size Width / 4.914 inch ( 12.6cm ) 5.031 inch ( 12.9cm ) Height / 2.808 inch ( 7.2cm ) Total Weight / 275 g Condition : There is a repair of gold kinnaoshi technique.

A jewel-like miniature ‘Imperial’ Satsuma vase, of baluster form with elephant head handles. One side is decorated with flowering lotus, the other with a gourd vine. The base has the signature Hogetsu beneath a blue Shimizu mon.

Approximately 9.7cm high. Perfect condition...

An exceptional Oki-goro Incense Burner in the shape of a dark glazed Catfish by Suwa Sozan I enclosed in the original signed wooden box titled Namazu Koro dated the 6th month of Taisho 10 (1921). This would have been placed over a dish in which a burning incense cone would have been placed. It is 48 cm (18-1/2 inches) long, 23 cm (9 inches) tall and appears in excellent condition...

A crow at rest upon a rock raises its head in a gruff cry by Suwa Sozan I enclosed in the original signed wooden box titled Karasu Okimono. It is pierced in the back, allowing it to be an oki-koro incense burner. It is 34 cm (13-1/2 inches) tall and in excellent condition. A nearly identical piece was published in the 1923 book Sozan Toko, attributed to his late period...

One of the most unusual pieces I have ever seen from this innovative artist, an octopus shaped Koro by Suwa Sozan I enclosed in the original signed wooden box bearing the Teishitsu Gigei-in seal of the Imperial Art Academy. The bulbous top of the head is removable along a line as if the creature were wearing a hachimaki head band, revealing the incense chamber within. It is 26.5 cm (10-1/2 inches) tall, 19.5 cm (roughly 8 inches) diameter and in excellent condition...

Antique Japanese Seto Ware stoneware ishizara (food plate). Covered with a cream colored slip and painted with a pair of crayfish in gosu blue glaze. Produced in or around the city of Seto in Aichi Prefecture. Seto is considered one of the Six Ancient Kilns of Japan.

Age: Tokugawa Shogunate, Edo Period (late 18th/early 19th century).

Dimensions: 8 3/4" wide x 1 3/4" high

First we hear the clang of the hammer striking the bell, then the steadily approaching clop of his wooden shoes before the horrifying creature dressed in the robes of an itinerant priest appears; a ledger in one hand noting our sins. This is a very rare ceramic figurine by Suwa Sozan I enclosed in the original signed wooden box titled Nenbutsu Oni and bearing the seal of the imperial Art Academy. It is 30 cm (12 inches) tall and in excellent condition...

An elegant Kyo-yaki wine ewer of traditional form decorated in gilt outlined enamels with weeping cherry Shidarezakura and brocade bands to the cover and rim. The ewer measures approximately 5 inches or 13cm in height and is approximately 16cm in width from the tip of the spout to the furthest point of the handle. Dating late Edo circa 1850. The ewer is in overall good condition some minute frits to the spout. Shipping at Cost

This a Japanese pottery bowl, probably from 17th century or earlier, used for drinking tea (matcha bowl ) in very good condition, free shipping for now 08 X'mas

Sake Flask, "tokkuri," Meiji Era (1868-1912) from Mashiko, Tochigi Prefecture. H.10", Body Dia.6". This early Mashiko ware shows the "tobi kanna" technique of chatter marking around the body. In Meiji-era Mashiko, this patterned flask was called a "matsu-kawa-tokkuri" (pine-skin-tokkuri.) A rich, dark brown glaze decorates the neck. Similar wares were also produced around the same time in Fukushima Prefecture...

A late Edo - early Meiji tokkuri (sake flask) from the Hokuriku (central west coast) of Japan. H.24cm (9.5",) Body Dia. 16cm (6.25".) Probably fired in one of the no longer existent kilns of what is now Niigata Prefecture, this tokkuri has a rich yellowish-brown glaze which has experienced a nice crazing over time. Although from central Japan, the glaze and somewhat refined shape are reminiscent of Yatsushiro ware from Kumamoto in Kyushu...

A rich black glaze covers this Kasama-yaki jar from the late 19th C. It is in the shape of a "natsume," a tea powder caddy used in the tea ceremony...

White Rabbit Ceramic Sculpture by Takegawa Chikusai (1809-1882), created in his final year, 1882. Takegawa Chikusai was responsible for putting Banko Yaki, and the Banko-gama kiln (established 1829) and its home of Yokkaichi City in Mie-ken back on its feet and on the map. Banko Yaki had previously been made in the early Edo Period in Kyoto. Takegawa Chikusai's work was bequeathed to the Yokkaichi Museum's permanent collection, so this is an extremely rare opportunity for you to own a masterpie...

Toushin (wick) zara (plate) held a small amount of oil with a coiled wick, and was usually set in some sort of lamp arrangement. These were used until the advent of glass and other lamps. This example of fine folk pottery is from central Japan, likely Mino ware, produced during the Edo (1600-1868) Era. The top side has a warm yellow glaze, and the underside is unglazed. H. 1.5cm (0.6") Dia.10cm (4".)