This is a Japanese antique indigo dy sakiori noragi hanten of paper, Hemp, cotton. It is an item from the Edo to Meiji era. This item was made in Sado region of Japan. It is a wonderful sakiori noragi haten, which is woven with very finely twisted indigo dye, hemp yarn and paper twist. The rubbing of the thread due to use has a warm touch. And the indigo dye lumps seem to look into the very beautiful sea. It does not stain or damage...

Shima-cho, a sample book of cotton stripes. It has more than 600 fragments, mostly hand-spun and vegetable dye but some warps are chemical dye and also some fragments have silk threads. The second half of the 19th century. In good condition but some fragments are mildewy. 38 pages. 18.5cm x 13cm x 2cm

A Japanese priest's silk ouhi (Buddhist priest's ritual arm - shoulder covering), the green/gray/black brocade silk with an overall design of cranes, pine, stylized shells, verlaid with white line divisions and asymetric gold thread kikyo (Chinese bell flower) designs, pale pink silk liner. Late Edo period. Dimensions - 11 1/8" x 54".

It is a Japanese antique child kimono of hemp ground handspun & natural safflower dyed and shibori dye "Fan face & Hinomaru" pattern of Meiji period.There is a slight slight stain, but it is not noticeable. There is no damage and it is in very good condition.size::Length:89cm (35inchi) Cuff to cuff, across the back:83cm (32.6inch)

Oshi-e, litterally "pressed picture" which is made of fragments of antique European prints and the motif is a young woman in Edo period. The history of Oshi-e date back to Heian period, found in Shosoin Treasures (around 10th century) It was very popular toy in Edo period with motif of Kabuki Theatre actors. The ground paper is "Itame-gami" which is ten layers of washi and has thin cotton lining so that it looks like a shallow relief...

This is a rare museum item. This is kimono for a child with design of blossoming cherries, fans, and hemp shibori tie-dyeing. It is the one at the Meiji era. It is kimono explained in this book. (Kyouto shoin's art library of japanese textile No.11 Japanese Tie-dyeingIt page 16) dyes it with a very valuable safflower. Moreover, it is very unusual and valuable that there is a motif of the rising-sun flag in the design. There are a thin stain and a small hole...

Girl's ceremonial kimono with hand-painted auspicious motifs such as plum tree with flowers, pine trees and bamboos. It is made of asa (taima or choma, hemp or ramie) and both wefts and warps are hand-plied. It has a charm with silk threads in the back. The second half of the 19th century. In excellent condition except for minor wear in the white lining in the wrist. 69cm x 75cm

This is indigo dyeing cotton Tsutsugaki Futon- cover used in a rich merchant's family for the Meiji period. As for this, cotton is spun by hand precisely. As for this, a pattern is Tabanenosi and a family coat of arms. As for this, Tabanenosi is expressed like Kuwagata Maedate of Samurai Kabuto. And Kuwagata Maedate of Samurai surrounds a family coat of arms. This seems to express a family in succession to a pride of Samurai...

Amazing boro which used to be noragi (work wear). It is made of many fragments of vegetable indigo dye and hand^spun cotton cloth. It is from cold areas such as Tohoku or Japan Sea Side where cotton could not be cultivated and cotton cloth for kimono was expensive so that people bought fragments which were brought from warm areas such as Shikoku , Kandsai or Chubu districts. The second half of the 19th century. Measurement: Approx. 160cm x 150cm

Wa-sarasa futonji made of cotton and dyed with pigments. Wa-sarasa is Japanese calico which is first made in Edo period immitating calico from abroad and stencil-resit dye or woodblock print. The product places were Nabeshima (Saga Pref. in Kyushu), Sakai (Osaka), Nagasaki (Kyushu) etc, however it is not clear where this futonji was made. In excellent condition. The latter half of the 19th century. 130cm x 168cm

Large furoshiki made of hand-spun cotton with tsutsugaki design which are auspicious motifs, such as fukura suzume (sparrow), bamboo, pine tree. plum flower and scrolls. Vegetable indigo and natural brown dye. In good condition except for some brown color faded parts and a rip (2cm). The second half of the 19th century. 130cm x 140cm

This is nanbu shikon-dye shibori futon cover at the Meiji era. (1868-1912) It is cotton of nanbu-shikon-dye of iwate Prefecture. It is a shikon of nature dye. It spins by the hand and shibori dye is done by the hand. Very, it is wonderful, beautiful shibori dye. There is neither stain nor damage.It has five small traces of the repair on the back side. However, it is good condition.The change of the color by fading is very beautiful, and it is charming. It recommends it for your collection...

This is a part of Deer dance (folk dance) cotton Costume rare (1868-1912). It is very impressive and is like a folk handicraft. It has thin stain and damage. However, it is very good condition generally.Straw enters inside. size:64cm x 62cm (25.2" x 24.4" )

This is antique Indigo dye Stripe cotton sashiko boro noragi textile of the Meiji era(1868-1912). It is boro cotton and patchwork of very beautiful indigo dyeing. All this sashiko stitches are made by hand. I can enjoy it with the both sides. It is very rare textile. This is textile made in the japan Seto Inland Sea district.I recommend it to collection of you. size:114cm x 113cm (44.9" x 44.5") Box.G

Two pieces of asa kaya cloth (hemp mosquito net. Warps and wefts are hand-plied and vegetable indigo dyed. Faded indigo blue and good condition. Late 19th century. 34cm x 2m80cm

Girl's kimono made of hand-spun cotton with flower motif which is Yuzen-zome (hand-painting). The ground cloth is benibana (safflower) dye. Benibana was grown in Yamagata prefecture in Edo period, and it was very precious. It was traded to Kyoto and dyed there for kosode kimono or others for women of a family of high-ranking samurai or merchants. Benibana dye has faded in upper back, but generally in good condition. Late Edo period (mid 19th century) W122cm, L:124cm

Museum quality Japanese kimono - uchikake wedding gown. The condition of this kimono is excellent, amazingly well preserved without damage or repair. The black area has different shades with a muddy black color, particularly on the sleeves and the middle section of kimono where the black gradually changes to white. The gown is thinly padded (silk wadding) throughout and feather light with very soft silk. The dimension: 50 1/2 inches sleeve to sleeve, 59 inches long...

This is Noragi used in Shiga area for the Meiji period. The trace which this is a white thread, and was repaired many times is very impressive. As for this, good expression was left by calm good work. This was left until the present age without being canceled. This has approved beauty by the family from generation to generation. 86cm x 118cm (33.8 "x 46.4")