A important Rare 18th Century Noh Theater Robe. This extraordinary silk embroidered example of a summer production Noh Robe has a design of Wisteria, Fans and Ropes, and exquisitely captures the art of Noh. 63.5 inches (161.5cm) height x 52 inches (132 cm) width. Excellent Condition. From a prominent and widely exhibited collection.

This is a Japanese antique Very rare tstsugaki indigo dye & yuzen dye jyofu big maku textile. It is a very rare item of multicolored Yuzen-colored linen with a mark made in 1824 in the Edo period. The good texture of this wonderful jōfu makes the best use of the good technique of Yuzen dyeing. This is a design of a cherry blossom viewing party, "shichifukujin" (7 gods) get together under cherry blossom trees and enjoy eating and drinking . shichifukujin is a very auspicious and traditi...

A reversible leather firefighter's hanten 半纏 (heavier weight coat made popular in the 18th century). At this time in Japan, fireman were vollenters and carried other professions. In this case, The inside logo represents that the wearer would have been a high ranking carpenter for roof making.

Features tsutsugaki 筒描 (resist dying process) using the smoke of pine needles to produce the light patterns, and ink to dye the black side...

A gorgeous Japanese framed silk hand-embroidered fukusa (gift-wrapping or tea ceremony cover), with the image of Jurojin, one of the Seven Lucky Gods. He holds his attributes, a staff and a fan. A crane, tortoise, and a deer accompany him, all of which are symbols for longevity. The detailing is very careful and breathtaking such as the glass eyes of the crane and deer...

This is a Kake-fukusa in this Edo period( 1646-1710)is very excellent in the museum Item class. It is konbuin kake-fukusa of the Kyoto museum and the one of the same class. All embroider it by the hand with silk. The colors are all dyestuff of nature.There is a very thin stain. There is a very little rubbing. However, the state is very excellent. It is made by the technology of workman's highest class in Edo period. It is original of Edo period. Please add to your collection...

This is Tsutsugaki Noren used in the rich merchant's family of the Shonai, Yamagata district for Edo period. It is a characteristic of Edo period that a motif has dynamism. Good cotton spun by hand is used. The characteristic tortoise expresses Edo period well. This is dyed with a very good-quality indigo plant very densely. The movement of a crane and the tortoise. The movement of a wave and the cloud. The expression of the trees and plants. All these lines were created by good creativity...

Antique Japanese Buddhist temple banner made of silk and woven with gold gilt paper weft (ginran or kinren) in a dynamic design of a pair of water dragons each facing the center where a burning pearl (woven with silver leaf) floats on a golden cloud. Dragons and pearls together in Buddhist art symbolize the endless cycle of transformation. The flaming pearl is one of the Eight Treasures and represents pure intentions as well as the sacred wish-granting pearl of the Buddhist faith...

A beautiful Japanese hand-embroidered silk wall hanging with a scene of two elegantly fighting roosters. Each one surrounded by nicely detailed dandelions and chrysanthemums. Forbidden stitch work used in the center of each flower. Pine tree branches overhang the scene with interesting fine detail. The bottom left is embroidered with a red jar bearing artist's signature.

Early Meiji Period (1868 - 1912)

Size: 70" H x 45" W

This is hemp Umakake used in Iwate for meiji period.A cover for horses at weddings and festivals. As for this, hemp is spun by hand and is thick. This item is dyed twice from the front and back. It needs to be dyed so that both sides do not shift, and it is dyed with a very advanced technique. An impressive, vibrant and beautiful item of pine, peony and waves. Recommended for room displays and collections of ntique textiles...

This is a Edo Period Natural indigo Cotton Umakake Tsutsugaki antique textile.Impressive design of dynamic rabbits and waves. This is a cotton of good texture in the Edo period is used. This texture is characteristic of Edo cotton. Pictures of rabbits and waves are expressed quite stylishly. This is impressive Kyogen style picture of the Edo period Tsutsugaki.It has several small repairs. There are no noticeable stains. It is a very valuable Edo period textile...

Japanese Needle Work Rozashi Technique Embroidery of the Interior of Asakusa Temple. Rozashi is embroidery using silk canvas and silk thread. A picture is created and outlined on the canvas and comes alive with the thread and stitching. The difference between Rozashi and other forms of embroidery is the use of the silk canvas called "Ro". The "Ro" is a special, uniquely woven fabric. Common embroidery stitching technique utilizes threading through holes but Rozashi stitching must always be s...

This is Safflower dyeing sarasa katazome somewake(dyed with separate design)cotton textile kimono of the last part of Edo era(1800-1868). It is very rare, and it is a precious item.Please watch somewake(dyed with separate design) of the part of the sleeve. It is very impressive, and it is beautiful. It does not have a stain and damage. And it is very excellent condition.It is made of hand-spun and hand-woven and natural Safflower dyeing cotton. size:Length 133cm (52.3") sleeve to sle...

This is a Edo Natural Indigo Vermillion-pigment hemp Umakake Tsutsugaki with triangular scale and Hannya – Nomask and stars and family crests pattern. It's a very rare design. The triangular scale pattern is also called the dragon scale. The triangular scale pattern also has the meaning of warding off evil. are slight repair marks and light stains. But overall it's in very good shape. It is made with both tsutsugaki and katazome dye techniques and is dyed twice from the front and...

Antique Ainu robe, Hokkaido Area, Japan. Created by the indigenous people of northern Japan. Made of indigo dyed cotton and embroidered with traditional Ainu designs. The detailed patterns of the Ainu were past down through generations of women and were believed to protect the wearer from evil spirits. The Ainu began trading for items such as cotton with the Yamato Japanese of southern Japan during the Edo Period.

Age: Taisho Period (early 20th century)

Dimensions: 45" hi...

This is a Japanese antique indigo dye and Bengala dye hemp-Umakake Tsutsugaki-type dyeing. A very impressive and charming pattern of wheel crests, treasure balls and checkers. There is a slight stain, but it is not noticeable. There is no damage. It's in very good condition. Size:Length:440cm(173.2inch) / Width:67cm (26.3inch)

Antique traditional robe of the Ainu people of northern Japan. Attush (attusi) fabric was made of the inner fibers of elm tree bark (ohyo). The bark was harvested by the men but refined and woven by the Ainu women. This robe is edged with dark indigo-dyed cotton cloth. The back of the neck of the robe is sewn with a bit of lighter blue cotton fabric with a white paste resist pattern.

Age: late 19th/early 20th century

Dimensions: 54" high x 58" wide

Extraordinary stunning Japanese robe of purple woven asa (hemp), with gold woven through in striations and bold gingko leaf design. The suou is the traditional kimono once worn during ceremonies by the samurai during the Muromachi period (1392-1573).
As styles of fashion evolved latter around the 17th century onwards, the suou became in important costume worn by the actors of the noh and kyogen theaters. Today the suou is still used in Noh and Kyogen, and with the Shrine maidens.

A Japanese fascinating embroidered silk hanging tapestry depicting a flying Phoenix 鳳凰 and a Kirin 麒麟, the two most powerful and sacred beasts of all Japanese within a silk frame finely decorated with a dense pattern of stylized motifs. The central scene is very unusual and it represents a Phoenix in flight in the upper part and a Kirin looking at each other. Even the back is finely embroidered with a dense decoration of stylized motifs on a blue background. The kirin and the ph...