Bag made of one kind of hemp, probably imported one, such as jute or sisal, which is used for coins. It has many mending patches. Late 19th to early 20th century. W:38.5cm, L:70cm

Six-panel byobu 屏風 screen painted on silk with floral motifs with numerous chrysanthemums. The ocher silk provides a warm backdrop for the delicate floral motifs that adorn the screen. The chrysanthemums, with their elegant shapes and shades of white, yellow and pink, are painted with precision, creating a visual effect that captures the essence of nature's beauty...

Tapestry, silk embroidery, depicting four tigers along the banks of a watercourse surrounded by rich vegetation. The four tigers are depicted in various poses and attitudes. The watercourse is represented with delicate embroidery that suggests the movement of the water...

Boro noragi (work wear) made of many cotton fragments, which are hand spun and vegetable indigo dye. It is from Shonai region in Yamagata prefecture in Tohoku district and called Shonai-sashiko. Late 19th to early 20th century. W:89cm, L:81cm

This is a Japanese antique Boro textile old indigo dye soft hemp patched rag. It's cotton with a very nice touch. Size::Length::196cm (77.1inch) Width::102cm ( 40.1inch)

This is a Japanese antique shibori cotton kimono. Indigo dyeing and Shoen dyeing. There are some remaining grains (protrusions) from the aperture. It is in good condition with no damage. Size: Length: 136cm (38.5") / Cuff to cuff, full back: 122cm (48")

This is an original Edo period (1603-1867) patchwork silk kimono textile. The collar part is a beautiful cloth with hand embroidery and shibori dye from the Genroku period (1688-1704). This is a yosegire kimono made with a patchwork of natural safflower-dyed katazome, shibori, purple root dyeing, and indigo-dyed katazome silk. All are originals from the Edo period. The lining is natural safflower-dyed silk and will discolor over time.There are some stains and damage on the cuffs...

This is a Japanese antique sakiori-obi cotton & silk textile.It is in very good condition with no stains or damage. There is a slight folding mark, but it is not a problem.Size::Length 356cm / Width 26.5cm

Cotton cloth with katazome (stencil-resist-dye) and dyed with pigments, which is called "wa-sarasa", Japanese chintz. It was produced from late Edo to early Meiji period. This one is "Sakai-sarasa", made in Sakai in Osaka. The second half of the 19th century. In excellent condition. W:34cm, L:120cm

Cotton futonji with katazome (stencil-resist dye), which is remade from yogi (one kind of futon in the shape of kimono). It is made of hand spun cotton and dyed with vegetable indigo. The reddish-brown color is bengara (iron oxide red pigment). 19th century. In good condition except for three mending patches. one snag and some small holes. W:153cm, L:165cm

Two long bags made of hand spun cotton, probably bags for swords. The top one is katazome "tsuta", ivy motif. The purple belt is made of silk crepe. The bottom one is katazome and vegetable indigo dye. Both are in excellent condition. 19th century. Top:12cm x 75cm, Bottom:16cm x 78cm

A bag made of hand spun cotton and vegetable indigo dye. It has a family crest, "Maru-ni-Yotsumebishi". It has lining made of also hand spun cotton and vegetable indigo dye. The cord is hemp. In good condition but has some holes. The latter half of the 19th century. W:30.5cm, L:48cm

This is the indigo-dyed cotton Tsutsugaki Nobori flag dedicated to the Inari Shrine during the Edo period. Among the characters of tsutsugaki, it is an item written with very high technology. This is an indigo-dyed cotton fabric with a very nice texture that was made in 1825 during the Edo period　bunsei 8 years. Hand-spun natural indigo-dyed cotton...

Festival costumes for children made and used in the Kanto region. Since this item was used in the summer, men-chijimi is used. This material was the highest quality item for children in the late Edo period. The finest materials are used by skilled craftsmen to draw the finest lines, which are extremely sharp and delicate. The blurring technique gives the hawk movement and makes it dynamic. The cotton material is hand-spun men-chijimi. There are some small stains, but they are not noticeable...

Futonji with tsutsugaki (glue resist dye by free hand) made of hand spun cotton. It has traditional "Karajishi-Botan", imaginary lion and peony motif. The green ground cloth is dyed with vegetable indigo and natural yellow, the painting is colored with pigments. It is remade to futonji from originally yogi, which is a futon in the shape of kimono. The tsutsugaki technique is excellent and in excellent condition. Meiji period (1868~1912).

Girl's kimono made of hamp, made in Ohmi region in Shiga prefecture, and it is called Ohmi-jofu. It has kasuri pattern, whose motifs are phoenix, cloud and flower. Warps are machine-spun and wefts are hand-plied. Red cloth inside is silk. Meiji period (1868~1912) In excellent condition. W:97cm, L:107cm

This is an indigo-dyed Shibori cotton kimono made by Arimatu Narumi during the Taisho period. Shibori is squeezed by hand, so the Shibori pattern changes little by little. You can enjoy the interesting changes in the handiwork of folk craftsmen. There are a couple of slight stains, but they are not noticeable. condition is good. Length 147cm x Width 128cm Box.G

Young woman's katabira (unlined kimono made of asa, hemp or ramie) with long sleeves. It is made of Echigo-chijimi, which was woven in Echigo region, now Niigata prefecture. It is handwoven of choma (ramie) whose wefts and warps are hand-plied, and the surface has light shrinkage from twisted warps and wefts. It has hand-painted flower motifs. The lining of collar cloth is thin silk, probably dyed with benibana (safflower). In excellent condition, no hole or no stain. 19th century...